Average customer rating:
- Sarah Chang: Beauty of Presence, Deportment and Musicality
- Chang's playing delights, but be careful . . .
- Shostakovich Violin Concerto #1 and Prokofiev Violin Concerto #1
- Another Superb Performance
- good recordings
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Shostakovich: Violin Concerto No. 1; Prokofiev: Violin Concerto No. 1
Dmitri Shostakovich , Sergey Prokofiev , Sarah Chang , Simon Rattle , and Berlin Philharmonic
Manufacturer: EMI Classics
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Manuel de diététique en pratique medicale courante
Manuel de diététique en pratique medicale courante
Authors: Creff a-F
Catalog: Book
Media: Broché
Release Date: 01 December, 1997
Publisher: Masson
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you make aware all over again of how the playing of many a big-name violinist may be wholly adequate and even inspired, but not really much fun to listen to.
Shostakovich Violin Concerto #1 and Prokofiev Violin Concerto #1.......2006-08-09 Sarah Chang, today is one of the worlds best violinists out there. I admire her for her fantastic interpretation skills that she uses. She takes a piece of repertoire and knows how to set the mood to capture the emotion whether it is warm, sensitive, dramatic, eerie and plays with a handful of grace.
In her latest album release of the Shostakovich and Prokofiev Violin Concertos no.1 her palette of color and interpretation really shine. Personally, I bought the album because of the Prokofiev Concerto but with the Shostakovich as the main feature this album in my mind was a seller. She plays both of the pieces magnificently in similar fashion as the Tchaikovsky Violin Concerto when she was only 11 and playing on a three-quarters size violin. However, her maturity is much more present in this release fourteen years later. Now in her mid-twenties Sarah's palette has more color and texture than before.
I have several interpretations of the Shostakovich Violin Concerto in my collection. Midori, Salerno-Sonnenberg, and now Ms. Chang's version. In an additional report I will compare Midori's and Chang's recording for they have different qualities. Ms. Chang's version is wonderful with Simon Rattle conducting the Berliner Philharmonic. The Shostakovich No. 1 is one of those pieces that the orchestra is just as involved as the violin soloist.
The First movement is done in first class style with all of the highs and low in place. The effect is very dark and eerie leaves mystery in the listener's head. Most of the transitions are performed with grace. In addition there is a sense of Sarah playing with more power than I'm used to from hearing her in the past not a drastic change but noticeable.
The Second movement is one of the more difficult parts of the work. The First movement ends and boom the second movement begins with a bang on the G-string of the soloists. Sarah's execution on this may be first rate but I question the power of her g-string. This is one of the qualities that I think hold her back just slightly. The Berliner Philharmonic has a few major sections in this movement that are more demanding than the soloist and they perform with lots of power and no holding back. The effect is like dramatic fireworks. There is one section near the end wear the soloist falls off just a tad but quickly makes up for it.
In the third movement known as the "Passacaglia andante" The Orchestra introduces the opening theme in the woodwind section before the soloist enters and reiterates this theme and takes it a step farther. Ms. Chang plays this part with a lot of grace and style. Her E-String Highlights are powerful in the following section but the orchestra does overpower her a bit so that she is not heard as well. Then the soloist plays a variation to the opening theme after this the orchestra fades down to piano(soft) and Sarah plays a second variation before the cadenza.
The maturity demonstrated in the cadenza section really shows. She takes her time in the opening and the harmonics at the end of the first two verses really shine. In the second part of the cadenza there is a gradual increase in speed. Sarah still takes a little time so the phrases come out clearly and distinctly. Chord execution is above first rate. This is a major plus toward owning this album. The Cadenza leads right into the Final movement without any pauses. Again Grace is scattered everywhere in the final movement and not rushed but speed is there. The Soloist and Orchestra execution could not be any higher. A five-star rating for the Finale. The Best recording of the Shostakovich I believe that I own.
Next, is the very lyrical Prokofiev Violin Concerto #1. As a listener when performed well this piece is an artistic gem filled with beauty love and grace. Unlike the Shostakovich the Prokofiev Concerto is in three movements instead of four and the soloist shines a bit more in the highlight. Uplifting qualities are present throughout.
The First movement opens with the orchestra strings playing tremolo with the Soloist entering with the lyrical opening theme. As one of those soloists Sarah Chang is at her best in this movement with all the highs and lows in place. The structure of this movement help her to paint a picture of stars in the sky with shooting stars and comets in the opening and conclusion. Breathtaking! In the more technically more demanding middle section of the movement which is faster again Sarah picks a good tempo so that she can accurately portray the picture the piece paints. The First movement is five-stars.
The Second movement which is a Scherzo Vivace is fast and it appears to me that Sarah and Orchestra open close to full speed. One thing to remember when listening to this concerto is that the three movements are evenly technically demanding. The Quality here is first rate, a part of this movement I like is when the main theme at the beginning of the piece reappears and you can hear the beautiful notes of the woodwind section. Then leading into a dramatic orchestral transition and somewhat eerie violin g-string. The Scherzo ends suddenly.
The Third movement has much passion and senses of love. Sarah Chang plays this movement beautifully w/ long bow strokes and holding out of the notes and adding lots of vibrato and using deep tones. The Soloists chord sections in this movement in some sections are lyrically beautiful and lead the whole range of dynamic exploration Forte to Piano. There is a section in the middle where she reiterates the opening theme of the movement in chords and exudes passion. Following is a part with harp in the backdrop Then a question and answer section leading to a fortissimo section followed by a question section. Finally, the reintroduction of the main theme from the First movement making the closing extra special in a conclusion that is slow and beautiful. The listener by the end of Concerto No.1 is so drawn into the dreaminess of the piece that the ending is surprising and unexpecting Very exhilirating This is the effect that Sarah has when performing the Prokofiev. This is a great CD album to own if you are a violinist, music fan in general, or fan of Sarah's.
Another Superb Performance.......2006-07-29 This recording is absolutely stunning and reveals a most talented artist. I compare it to her unmatched Sibelius CD. I have not listened to many Shostakovitch #1, however I listened to many Sibelius concertos and I must say that her Sibelius is the best I ever heard. This Shostakovitch, Prokofiev CD in my view is on the same difficulty and virtuoso level as her Sibelius performance which puts the performance on this CD at the very top. I listened to this CD over 25 times so far, keep playing it over and can't seem to get tired of it. Each time I play it, I appreciate it even more. If you liked her Sibelius you'll appreciate this CD very much. Hope the talented Sarah Chang continue to deliver similar outstanding performances in the future.
good recordings.......2006-07-19 I like the fact that Sarah Chang is moving away from just keeping her music clean and technically perfect. She seems to be pretty spontaeous when it comes to interpreting a piece of music, unlike, let's say, Hilary Hahn. The result is very beautiful music-making, but it has its cons, such as her getting too emotional on one note, and "swelling" it (delaying the vibrato, and leaning on the note). However, she brought a fresh, new interpretation to these GREAT works, all the while staying true to many of the things Oistrakh did. Her power and intensity's most admirable. The Berlin Philharmonic and Simon Rattle were just great- enough said.
Average customer rating:
- Fizzy and infectious in the concertos, uplifting in the Piano Quintet
- More of the Spectrum of Shostakovich
- Not worth it!
- Great Soaring Piano Concerto
- buy it for the quintet!
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Shostakovich: Piano Concerto No. 1 in C minor for Piano, Trumpet and Orchestra Op. 35; Concerto No. 2 in F Major for Piano and Orchestra Op. 102; Quintet in G minor for Piano and Strings Op. 57 - Yefim Bronfman (piano), Los Angeles Philharmonic, Esa-Pekka Salonen, Juilliard String Quartet
Dmitri Shostakovich
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Similar Items:
- Prokofiev & Shostakovich: Violin Concertos, No.2
- Shostakovich: Symphony No13, Op113; Yevtushenko: Babi Yar [Recitation]
- Brahms: Complete Trios
- Prokofiev, Shostakovich: Vi
Les épices
Les épices
Authors: Henri Leclerc
Catalog: Book
Media: Broché
Release Date: 01 December, 1997
Publisher: Editions Masson
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applied to him--played with geniality and tremendously appealing sonics.
More of the Spectrum of Shostakovich.......2005-11-27 During the past two years the Los Angeles Philharmonic has been delighting audiences with a Shostakovich Festival and during that time frame the orchestra is performing all fifteen symphonies, most of the concerti and chamber works as well as the quartets by both members of the orchestra and visiting ensembles. It is a time to respect the spectrum of the genius of Shostakovich as well as to broaden each of our exposures to works we might not know.
This CD recorded in 1999 serves as happy adjunct to this Shostakovich Festival. Yefim Bronfman is the fine soloist who offers both piano concerto numbers 1 and 2 (with the excellent assistance of trumpeter Thomas Stevens on the first) in collaboration with Esa-Pekka Salonen and the LA Philharmonic. The performances wink and dazzle and then turn to the quiet nostalgia in the slow movements. This is simply excellent Shostakovich in writing and performance!
The final work on this ambitious CD is the Quintet for piano & strings in G Minor here performed by Bronfman and the Julliard String Quartet. The balance is perfection! This is a very fine recording that stands with the finest for the concerto recordings and adds the tasty dollop of the Quintet as a superb bonus. Recommended. Grady Harp, November 05
Not worth it!.......2005-02-17 The downright stupid introductory essay in the booklet of this CD sets the tone for what one is about to hear. The playing is uninspired, the interpretations are one-dimensional. Shostakovich and listeners deserve better than this. I regret having bought it!
Great Soaring Piano Concerto.......2003-11-04 Having just recently heard a perfomrance of Concerto No. 2, I was knocked out by the beauty and intense beauty of the piece. Learning that he wrote it for his son, a budding pianist explains even more. From the sections that begin as a piano exercise, then bursting forth into joy and full throttled joy, this is sensuous, fun music. No wonder this is included in collections of romanctic piano music.
The First Concerto is a fitting tribute of sorts to his job as pianist for a silent theater, with chasing sounds of strings and piano then orchestra along with some brilliant solo trumpet.
Playful, fun listening.
The third piece for Quintet for Piano and Strings again exhibits great sensual style, with its beautiful falls and energetic crescendos. There is a delightful bolero type dance, then dropping again into a tragic sounding, all then resolved in balance and a sense of rightness at the end. Magnificent with the strings, especially the soaring violin section in the Intermezzo.
buy it for the quintet!.......2002-01-26 This recording falls under the unfortunate "almost there" category.
High marks for Bronfman, who plays with sparkle and fire throughout. Unfortunately, the orchestral treatment is not nearly as convincing.
After comparing this recording with an earlier Chandos disc featuring Maxim conducting and Dimitry Jr. as piano soloist(con. no. 1), I find the "in-the-family" reading in ways more compelling.
Truly, Bronfman brings out more color, and a livelier performance- more natural pianism. But the orchestral rendering here is noticeble subdued, further worsened by the prominent soloist level of the mix.
Lest we forget, Shost. played up the drama of the soloist(individual) vs. orchestra(powers that be) nature in his concertos. On the Chandos disc we are asked to consider this.
There, the real sarcasm and hints of things darker is easily apparent. A much more emotionally complex reading.
Here with Salonen, we miss out almost totally. It is much too "pretty", almost Mozartian.
Other faults worth mentioning-
dry recording sound throughout,
defensive posture in the liner notes.
On the upside, the quintet is another story.
Here the balance between charm and passion is sucessful and convincing. A worthy antitode.
Average customer rating:
- Great for All Levels!
- ballet at its best
- accepetable
- Good, but not perfect
- Do not pass go, don't collect $100...Purchase this CD today!
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Favorite Classics of Ballet for Ballet Class
ProductGroup: Music
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- Music for Ballet Class
- Between the Barres 20th Anniversary Edition
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ASIN: B00004TWWQ
Release Date: 2000-05-01 |
Tracks:
- Warm up tendu, Minkus "Don Quixote"
- Plie, Minkus "La Bayadere"
- Tendu, Minkus "Paquita"
- Tendu Tchaikovsky "Theme and Variations"
- Degage, Offenbach
- Rond de jambe par terre, Minkus "La Bayadere"
- fondu, Tchaikovsky "Children's Album"
- frappe, Tchaikovsky "Sleeping Beauty
- petit battement, Tchaikovsky "Sleeping Beauty"
- adagio, Minkus "La Bayadere"
- ronde de jambe en l'air, Ober "Grande Pas Classique"
- grande battement Shneitzgoffer
- stretch "Russian Folk Melody"
- adagio, Tchaikovsky "Swan Lake"
- tendu, Shestakova
- fondu Peregolezi
- grande battement Drigo
- slow pirouettes Minkus "Don Quixote"
- small jump Tchaikovsky "Pas de Trois"
- ensemble Minkus, "La Bayadere"
- jete, Glinka "Ivan Susanin"
- brise, Adan "Giselle"
- sissonne ferme, Pugni "Frescoes"
- sissonne ouverte, Levenskold "La Sylphide"
- big jump, Adan, "Le Corsaire"
- big jump, Sholtz/Strause
- fouette turns or pique, Minkus,"Don Quixote"
- reverance Minkus, "Don Quixote"
Album Description
The fourth volume of former Bolshoi dancer Dmitri Roudnev's highly acclaimed ballet class recordings with selections of your favorite ballet classics. Played exquisitely by former accompanist for the famed Kirov Ballet Theater's company classes and Vaganova Academy classes. Roudnev puts emphasis on excellent tempos and accents for the young student. Suitable for all level of student as well as the professional dancer and all methods of study.
Customer Reviews:
Great for All Levels!.......2007-01-18 The Music on this CD is beautiful. It's great to hear pieces of music that the students have either performed in or will be in the future. My only disappointment is that some of the music isn't long enough. For endurance, I like music that is really long and repeats on the other side. Other than that,this is a great CD.
ballet at its best.......2004-05-28 I loved this cd! it's a little slow but it can be speed up and it still is wonderful to dance to. This is a great cd for a beginning class to introduce classic themes from the most beloved ballets and for the most advanced students ready to dance them. The only thing that was incorrect was that the selection for fouettes on tournant says it's supposed to be Don Quixote when it's really Paquita. It's still wonderful music but I thought it was going to be from the grand pas de deux in act 4.
accepetable.......2004-01-05 I would really have liked if the CD went acording to the levels and order of exercises for Vaganova Syllabus. The adagio snd petits battments were too fast, and it is missing a grand adagio. Other then those few problems it is quite good, and the music sounds the way each movement is suppose to be done which is wonderful.
Good, but not perfect.......2003-02-28 Dmitri is an excellent teacher, and this CD is a very good one to use in a Vagonova-style class. However, those more accostomed to American ballet will find the accents on the frappe tracks unfamiliar. The tempi on the petit allegro tracks are very slow, again a setback to those more accostomed to the American style (or the British style, for that matter). Still, the track for fouette turns is the best tempo I've ever found. Overall, this CD is worthy of a place in a collection, but if you only buy one cd of music for ballet class and you were not trained in strict Vagonova style, go for anything with Lynn Stanford.
Do not pass go, don't collect $100...Purchase this CD today!.......2001-06-13 In short, don’t think about it – buy all of his CD’s – Volumes I, II, III, and IV. Also, be on the lookout - he just recorded Volume V which should be released late June/early July after “Ballet Intensive Moscow 2001.” You cannot go wrong with Roudnev’s CD’s!
Now for more detail: If you do not know Dmitri Roudnev, you should. He is not only a master ballet dancer, but also a true master ballet instructor. I have the good fortune and pleasure of taking class with Dmitri three times a week. I can honestly say that class with Dmitri has been and continues to be time and money well spent! I received most of my prior ballet training from the Cincinnati Conservatory of Music and thought the training I received could not be topped. With all due respect to the amazing teachers I had at CCM, Dmitri Roudnev runs races around them all!
In addition to taking class with Dmitri, I also teach ballet. Before meeting Dmitri and trying his CD’s I was always disappointed with the music CD’s I was able to find. They didn’t inspire musicality or passion. Something was always wrong with one or many of the tracks – the tempo, length, selection etc. Dmitri’s CD’s are a pleasure – well thought out, easy to use and well received by my students. I find that my students no longer trudge along to the track, but are now far more expressive and engaged in their work. Roudnev constantly emphasizes musicality in class – one is not dancing if they are just doing the steps. His passion for this art form is easily “heard” in his CD’s for ballet class.
Also, please be aware that these CD’s are not just the quick collaboration of an instructor and an accompanist trying to make a few extra bucks. Instead each is created for the dancer with the interest of developing the best technique and highest level of musicality possible. How about this for an endorsement: Roudnev uses these CD’s in his classes when he teaches! He observes how the students work to the tracks, and asks for feedback. He recently asked for our feedback on the soon to be released Volume V. ....
In closing, Dmitri loves ballet, and should you get to meet him, you will love Dmitri. While a CD is never a substitute for a person, his CD’s are the next best thing. Dmitri’s heart and soul are in these CD’s, and so too will Dmitri’s heart and soul become a part of your
Nutriments, aliments et technologies alimentaires
Nutriments, aliments et technologies alimentaires
Authors: Ch Thoulon-Page
Catalog: Book
Media: Broché
Release Date: 01 December, 1997
Publisher: Masson
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- Guide gilbert et gaillard des champagnes 1998
- Le gout juste des vins et des plats 112497
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t music that arouses his greatest talents. This is a recording to be treasured.
hvorostovsky does it again.......2005-05-01 This is the latest installment of the succesfull Hvorostosky/Orbelian collaboration. In "I met you my love" the spotlight was on the socalled Russian Romances, russian art songs of the 19e century. Then came " Where are you my brothers" a collection of Russian war songs. This title contains a collection of the best post war(50s&60s) songs. If you love melodious songs in minor key this is it.The selection is quiet varied and everybody will have his or her own favourites. For me there was'nt a redundant song. The singing is as always faultless and inspired, the Moscow Chamber Orchestra plays topnotch and the arrangments by Evgeny Stesyuk are as always beautifull. But be warned this cd can have a depressing effect because besides being beautifull this music is also mostly very moving. Buy if you love russian music and good musicianship you can't go wrong with this one.
Average customer rating:
- My FIRST opera cd
- Better compilations available
- My desert island CD pick
- Fine Querschnitt!
- A collection of opera gems on one CD
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Operas Greatest Moments / Domingo, Price, Caballé, Kraus, Norman, Lanza
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Nutrition artificielle de l'adulte en réanimation
Nutrition artificielle de l'adulte en réanimation
Authors: François
Catalog: Book
Media: Relié
Release Date: 01 December, 1997
Publisher: Masson
Rechercher des articles similaires par rubrique:
Thèmes - Sciences, Techniques et Médecine - Médecine - Spécialités médicales - Anesthésie - Réanimation
Thèmes - Sciences, Techniques et Médecine - Médecine - Divers
Thèmes - Santé et Bien-être - Alimentation, régimes et diététique - Nutrition
Boutiques - Par prix - De 45 à 150 euros - Cuisine et Vins
Boutiques - Par prix - De 45 à 150 euros - Santé et Bien-être
Boutiques - Par prix - De 45 à 150 euros - Sciences, Techniques et Médecine
Boutiques - Par prix - De 45 à 150 euros - Études supérieures
Livres:
- Pratique diététique courante
- Regime cretois et vitamines, la sante avant tout
- Régimes quotidiens des bien-portants
- Je ne sais pas cuisiner : 200 recettes pour apprre gaiement
- Comment dresser la table : Découper les mets et présenter les plats
- La Bonne Cuisine italienne des Carluccio
- La cuisine de Pauline
- Guide gilbert et gaillard des champagnes 1998
- Le gout juste des vins et des plats 112497
- Saveurs d'automne
ringtone88.com
s charming interpretation in The Loves Exlire, Anna Moffo outside the Wienniese standards is interesting, and Montserrat Caballe was really the best Mimi that ever sung that role, and I don't think that many today doubt that Lanza was one of the finest and most flexible voice that have sung Verdi. There is a nice querschnitt through the century as old pearls have been mixed with new. I enjoyed immensely to hear Caballes Mimi and Normans "Du bist der Lenz" or Kraus clicky "Donna Mobile" and a fresh new Ben heppner in 3D sound in one and the same hour.
A collection of opera gems on one CD.......2001-04-07 I have to agree that these are some of opera's greatest moments in the later part of the 20th century. The Pearl Fishers Duet (Au Fond du Temple Saint) sung by Jussi Björling, Robert Merrill is a big favorite of mine. Monserrat Caballe sings La Boheme here, and I couldn't believe my ears; maybe the best version of this I've ever listened to.
I like these assortments of opera arias for the variety, for having all my favorites on one CD, and for the great performances you can find sometimes, like Caballe's here.
Music Composers:
- Borup-Jørgensen, Axel
- Boublil, Alain
- Boulanger, Lili
- Boulez, Pierre
- Boyce, William
- Brahms, Johannes
- Bretón, Tomás
- Brian, Havergal
- Bridge, Frank
- Brito, Estêvâo
Music Composers
Music Composers
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