Berlioz, Hector

Symphonie Fantastique
Average customer rating: 4.5 out of 5 stars
  • Very nice performance, good recording and great price.
  • The Best "Sinfonie Fantastique" for the Price
  • Undoubtedly the best "Fantastique"
  • Awesome
  • Brilliant Berlioz from Muti/Philadelphia
 Symphonie Fantastique

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture
  2. Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
  3. Elgar: Pomp and Circumstance Marches Op. 39; Enigma Variations Op. 36
  4. Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
  5. Chopin: Preludes & Nocturnes

ASIN: B00000JQY3
Release Date: 1999-08-10

Tracks:

  1. Symphonie Fantastique, Op. 14: I. Reveries - Passions
  2. Symphonie Fantastique, Op. 14: II. Un bal
  3. Symphonie Fantastique, Op. 14: III. Scene aux champs
  4. Symphonie Fantastique, Op. 14: IV. Marche au supplice
  5. Symphonie Fantastique, Op. 14: V. Songe d'une nuit de Sabbat

Amazon.com essential recording

Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more elegant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine

Customer Reviews:

5 out of 5 stars Very nice performance, good recording and great price........2007-06-15

I really enjoyed this performance as much as wonderful sound quality, clear and clean on most subtle dynamics. Everything is in place nothing is overemphasized.

5 out of 5 stars The Best "Sinfonie Fantastique" for the Price.......2006-05-10

I concur with what other reviewers have said on this page: this is one of the most exciting versions of Berlioz's classics around. The Philadelphia Orchestra, whose beauty of tone is often praised, can also get whipped up to a lather by the right conductor and score, and having heard Muti in concert many times with the Orchestra, I can say he had that effect more often than did (and do) the Orchestra's other august music directors. A comparison of this performance and the fine old recording with Ormandy on Sony shows just how much more energized the players are here for Muti. The last movement has some truly hair-raising moments in it, moments in which ensemble might have slipped if a lesser body of musicians were involved.

The "Marche au supplice" fourth movement, however, shows even better what kind of performance this is. The tempo speeds up ever so slightly about halfway through; something that doesn't accord with reality, maybe--after all, a march to the scaffold would proceed with military precision--but the accelerando bespeaks a live-performance kind of rush on the part of the musicians that rarely happens in studio recording sessions. There are lovely sounds, of course, in the second-movement ball scene and the third-movement tone painting of the countryside. But let's face it: most music lovers can't wait for the last two movements, which are the real payoff in this symphony. And in this performance.

The recording, very full and lifelike, is one of the best EMI made in Philadelphia. At the price, this is clearly the best "Sinfonie Fantastique" available, and it's worth more than many (many!) full-priced recordings.

5 out of 5 stars Undoubtedly the best "Fantastique".......2006-04-15

Even after hearing this symphony constantly growing up, I never once found myself notably drawn in by the music. While I liked to listen to it and was impressed by its historical significance, it never struck my fancy as anything other than background music. Sure, the music itself is loaded with plenty of stuff to enjoy, but I never heard any interpretation of it that showcased it enough and really delivered some actual substance to the hype of this Romantic masterpiece.

However, this recording slams it in your face.

This is by far the most intense reading of the work to date. Dynamics are finally maximized here and Muti layers the voices of the orchestra with perfection. The brass playing is incredible throughout and when they really bring the heat in the March and the Witches' Sabbath, you will literally be set aflame. I can't imagine a better recording of these last two movements as they bring complete death and destruction here. And as one reviewer has already pointed out, Charlie Vernon delivers a performance here that you will not hear on any other recording of this work. He comes bearing many bass trombone gifts and all we can do is calmy sit back and bask in his generosity. Listening to him destroy the pedals in the March will never get old. Thank you Charlie Vernon, thank you.

As far as comparing them to other recordings goes, I much favor this to the famous Ormandy recording on Sony Classics that I just frankly find bland and rather uninspiring. I also don't understand why they split up the last movement into four tracks on that CD. Trivial yes, but it is just very annoying to me. I also prefer this Muti recording to the Davis/Concertgebouw, which is taken with a much lighter approach. However, some people like that approach better and there is nothing wrong with preferring it that way, so if you are looking for a more pastoral sound for this music, I would definitely look into the Davis recording, now a part of the Philips 50. But let's be real here kids. If you want a recording that will melt steel, look no further than this disc.

Buy immediately. Perhaps you did not hear me, but I said immediately.

(Also, it is ridiculously inexpensive.)

5 out of 5 stars Awesome.......2006-03-17

I can't say enough good things about this piece. It has quickly become one of my favorites.

5 out of 5 stars Brilliant Berlioz from Muti/Philadelphia.......2005-11-29

I purchased the Muti/Philadelphia Berlioz "Fantastique" in 1986 on the strength of reviews I read in STEREO REVIEW magazine, and am glad I did, although this is not my only Fantastique recording. Muti and the Philadelphia are very well recorded here by EMI's engineers, and the orchestra has a brilliant sheen, emphasizing the high frequencies, but not at the expense of the treble or bass ranges. Muti pushes the tempo where needed, but it is always at the service of Berlioz' fantastic, passionate music. One example is in V, the witches sabbath, which in many recordings comes off as tame and lukewarm. (Berlioz depiction of this grotesquery should be anything but lukewarm...)

I should point out my FANTASTIQUE is the earliest issue, with no discmates.

Ormandy/Phiadelphia also recorded Symphonie fantastique in 1965, available in Sony's "Essential Classics" series, and I like that recording also, along with Muti. There are other options, each different from the others, yet all excellent: Bernstein/French National Orchestra (EMI); Karajan/Berlin (DG); Markevitch/Lamoreux Orchestra (DG); Colin Davis/London Symphony (Philips); Talmi/San Diego (Naxos).
25 Thunderous Classics
Average customer rating: 4.5 out of 5 stars
  • Good selection
  • thunderous applause
  • Good Music at a Great Price
  • You will like this!
  • Good for the novice
 25 Thunderous Classics

Manufacturer: Vox (Classical)
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  1. 25 Classical Favorites
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ASIN: B00004Y6SQ
Release Date: 2000-09-05

Tracks:

  1. Also Sprach Zarathustra (Sunrise) - R. Strauss
  2. Mars (The Planets) - Holst
  3. Overture 1812 - Tchaikovsky
  4. Entry Of The Gladiadtors - Fucik
  5. Sabre Dance - Khachaturian
  6. Procession Of The Sardar - Ippolitov Ivanov
  7. Night On Bald Mountain - Mussorgsky
  8. Anvil Chor (II Trovatore) - Verdi
  9. The Thunderer March - Sousa
  10. Thunder & Lightening Polka - J. Strauss
  11. Prelude To Act III : Lohengrin - Wagner
  12. The Ride Of The Valkryies - Wagner
  13. Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
  14. The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
  15. Rondeau - Edward Carroll
  16. Overture: Fireworks Music - Handel
  17. March To The Scaffold: Symphonie Fantastique - Berlioz
  18. LesToreadors - Bizet
  19. William Tell Overture: Finale - Rossini
  20. Revolutionary Study - Abbey Simon
  21. Fanfare For The Common Man - Copland
  22. Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
  23. Augurs Of Spring From Rite Of Spring - Stravinsky
  24. Russian Dance From Petrouchka - Stravinsky
  25. The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky

Customer Reviews:

5 out of 5 stars Good selection.......2005-10-02

I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.

5 out of 5 stars thunderous applause.......2005-08-31


This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!

5 out of 5 stars Good Music at a Great Price.......2004-03-06

I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.

5 out of 5 stars You will like this!.......2004-02-19

I had purchased an abundance of the "Favorites" collection and some were better than others.

This CD is at the top of them all. They may be short, but not that short. Wondrous music.

I can almost guarantee that you will like this music.
Well worth the price!

3 out of 5 stars Good for the novice.......2002-06-08

The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.
Stars & Stripes Forever and the Greatest Marches
Average customer rating: 5 out of 5 stars
  • Album matches content hype
  • Fun
  • invigorating!
  • Totally awesome!
 Stars & Stripes Forever and the Greatest Marches

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003F5U
Release Date: 1991-09-06

Tracks:

  1. Aida: Grand March
  2. Babes In Toyland: March Of The Toys
  3. Semper Fidelis
  4. Suite No. 1, Op. 43: Marche miniature
  5. Yankee Doodle
  6. Up The Street
  7. The Damnation of Faust: Rakoczy March
  8. Caucasian Sketches: Procession Of The Sardar
  9. Sambre et Meuse
  10. The Ruins Of Athens: Turkish March
  11. Colonel Bogey
  12. Dixie
  13. American Salute: When Johnny Comes Marching Home
  14. Strike Up The Band
  15. Radetzsky March
  16. Pomp And Circumstance March No. 1
  17. Algerian Suite: French Military March
  18. Mlada: Procession Of The Nobles
  19. Valdres March
  20. National Emblem March
  21. The Stars And Stripes Forever

Customer Reviews:

4 out of 5 stars Album matches content hype.......2007-05-31

I intially bought this album for a few selections I had heard from Classical 102.1 (KDFC-FM). I was pleasantly surprised that the entire album has a very satisfying collection of the greatest marches. I am very pleased with this album, and would recommend it for anyone who likes a broad range of famous marches.

5 out of 5 stars Fun.......2007-01-21

This CD would make a great gift for anyone who enjoys marches. Some of the marches are popular, others are not. All are well-performed and can be enjoyed - LOUDLY!

5 out of 5 stars invigorating!.......2006-12-05

Great recordings of stirring music. I like to play it loud while my kids and I clean house. It makes it go by fast.

5 out of 5 stars Totally awesome!.......2005-03-27

My father was a Marine in the ETC, he told me stories about how they went floor to floor checking for bad guys humming this music. I think it is great music to listen to, I really like track 3, it says so much in the title alone. I hope everybody like this music as much as I do!
Soprano
Average customer rating: 4 out of 5 stars
  • I'm ordering more copies of Nicole!
  • Wonderful!
  • Nice, but I do tend to want more than "nice"
  • Almost spectacular...
  • Bravo, the real thing
 Soprano

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000M9BTP4
Release Date: 2007-05-08

Tracks:

  1. Quando Me N'vo
  2. Ah! Je Veux Vivre
  3. What a Curse For a Woman Is a Timid Man!
  4. Dieu! Quel Frisson Court Dans Mes Veines!...Amour, Ranime Mon Courage
  5. O Mio Babbino Caro
  6. Les Filles De Cadix
  7. Summertime
  8. How Can I Cherish My Man In Such Days
  9. Les Belles Fleurs!...Entre L'amour Et Le Devoir
  10. Depuis Le Jour Ou Je Me Suis Donnee
  11. Eccomi In Lieta Vesta...Oh! Quante Volte
  12. Chi Il Bel Sogno Di Doretta
  13. 'Quel Guardo Il Cavaliere...'...So Ancho'io La Virtu Magica

Amazon.com

Nicole Cabell, the winner of the 2005 Cardiff Singer of the World Competition, is a full-voiced lyric soprano with ease of production, a free top, and a basically lovely sound. This ambitious recital - we get chestnuts (Musetta's Waltz, "O mio babbino caro," "Je veux vivre," "Summertime," etc) as well as rarities (the selections from The Old Maid and the Thief and Tippett's A Child of our Time as well as Teresa's big aria from Benvenuto Cellini) - shows a curious mind and versatility. On the technical side, her prominent vibrato occasionally sounds like the start of a beat in the voice that could cause trouble, and her diction can be mushy. In addition, as of now, Cabell isn't much of an interpreter. "Les filles de Cadix" exhibits a strange lack of either Latin flavor or flirtatiousness; Musetta's Waltz is straightforward and lacks an individual stamp. On the plus side, as mentioned, the sound of her voice itself is very appealing. "Depuis le jour" and Doretta's Dream (from Rondine) are beautifully floated, even if they don't erase memories of Price, Fleming, or several other singers. The Menotti aria is well-articulated and makes its point. Conversely, "O mio babbino caro" is simply boring, lacking in girlish charm. "Summertime" is deliciously sung, and Norina's aria from Don Pasquale has plenty of flavor. It will be interesting to see how she develops; at the moment some troublesome traits are mixed in with great promise. Sir Andrew Davis lends fine support. --Robert Levine

Album Details

28 Year Old American Soprano Nicole Cabell Came to the Attention of the Opera World Overnight When, in June 2005, She Won What Has Become the Most Important Competition for Young Opera Singers and was Crowned BBC Cardiff Singer of the World. The Competition Jury Included Legendary Singers Dame Joan Sutherland and Marilyn Horne and the Win Placed Nicole Cabell in a Distinguished Line of Cardiff Prize-winners that Includes Karita Mattila, Dmitri Hvorostovsky and Bryn Terfel.

Customer Reviews:

5 out of 5 stars I'm ordering more copies of Nicole!.......2007-06-18

just played this for friends who have sung,taught and judged opera for all their lives.
They were thrilled by Nicole's voice. I am now ordering more copies as gifts.

5 out of 5 stars Wonderful!.......2007-06-10

I think that this CD is some of the best, if not better, soprano work since Fleming (sorry Renee I am a huge fan but I think this is an amazing first album). It slaps Netrebko and Gheorghiu.

The songs in here are sung with great ease. Some of the work in here isn't what you hear as often while some of it is. Most people make a huge fuss about singing the tracks that "everyone" sings, but Cabell dos this well.

Her technique is amazing. Her voice is very fluid and legato; in addition to that, she has such an evenness of tone production. The bottom notes are as focused as her top ones which is something many sopranos, even the famous ones, struggle with.

She is on her way to the top!

3 out of 5 stars Nice, but I do tend to want more than "nice".......2007-05-28

I do not own this recording. I listened to excerpts at a music shop, as I almost always do with recordings of singers who are new to me. So please do bear in mind that my review is based on selected listening - I did listen to perhaps two minutes of each track, except in the case of the Puccini, to which I listened only for about 30 seconds.

I didn't like what I heard. I don't mean it's an unpleasant voice. It was perfectly pleasant. I'm sure that in places the voice is lovely, but it was not so lovely in the recording that I felt impelled to hear more. I heard nothing - nothing - that made me want to hear more.

There are so many singers with nice voices - especially sopranos. I do not feel this is a voice of EXCEPTIONAL beauty, and I do not feel at all that this singer has an interpretative ability that shines in the singing. I felt unmoved - and it was on that basis that I switched off the headphones and shook my head when asked if I was purchasing the CD.

The cover of this CD is utterly gorgeous - I think it will attract a lot of people. I can only speak for my own taste when I say the voice itself doesn't interest me. I felt none of the charm, winsomeness, rich emotional involvement and sense of individuality that would lift these arias and songs out of the ordinary. And I have so many recordings (over 3000) that I did not feel I'd miss anything by not having this recording.

I do want to stress that this is my own taste... my own opinion based on my personal reaction to Ms Cabell's voice. The really odd selection of pieces in this recording wouldn't have bothered me if I'd fallen in love with this voice - but I haven't done that... and that's the caveat for me.

3 out of 5 stars Almost spectacular..........2007-05-16

I think this recording has some very nice moments. However, there are just as many not so great moments in here as well. Cabell's voice is a very beautiful instrument. Few posses that beautiful tone. However, there just seems to be a lack of polish to the sound. I realize she is young and that she has the potential to grow into some things. For example, the dynamic level throughout the disk seems to be stagnant. She does a few things here and there but overall, she seems to sing at the same level through many of the arias. Sadly, at times, that volume seems push or uncomfortable. The program she selected for this disk is varied. I applaud the inclusion of the lesser known works like the Menotti and Tippett. She also includes the standard soprano fare such as "O mio babbino." These standard numbers come off less interesting as their lesser recorded counterparts. Overall, this is a voice worth hearing. I hope this is just the beginning for her and that she continues to improve and record.

5 out of 5 stars Bravo, the real thing.......2007-05-09

As the product description says above, Ms. Cabell is a young American soprano who won the prestigious Cardiff Singer of the World competition in 2005. Despite the inflated title, a great deal is expected from such winners, and she has the goods: a sparkling soprano capable of coloratura but with body and above all personality. I'd compaer her to a young Gheorgiu or Netrenbko, perhaps lighter than both. Her voice makes you listen and often smile.

When Cabell sings the big aria from Menotti's The Old Maid and the Theif ("What a curse for a woman is a timid man"), she crosses swords with Dawn UPshaw, who made a spectacular show of it. This version is fuller voiced but less sharp dramatically. In fact there are quite a few places where Cabell phrases a bit stiffly and misses dramatic changes of tone. She's concentrating on getting the music to come out beautifully, and it does.

She also wants to display versatility, and that comes across in a program that's all over the place, from Tippett and Menotti to Puccini and Delibes, with quite a few more thrown in. The evergreen "O mio babbino caro" isn't charming enough to convey the tone of a pampered daddy's girl or her lovesick yearning, but Cabell doesn't short change us on loveliness. Black sopranos were always expected to do "Summertime" decades ago, and Cabell isn't embarrassed to offer us a gorgeous version of her own, complete with accent.

The languages she attempts are English, French and Italian. She's most passionate and fervent in English, which is unusual. Her Italian sounds a little stiff; it doesn't let go as it should. As with Beverly Sills, French vowels seem to liberate her, however, and Cabell floats gloriously in "Depuis le jour." It's not overwhelming the way Te Kanawa, Leontyne Price, and Renee Fleming are in the same aria, but at the age of 28 Cabell has a voice as captivating to the ear as anyone. One hopes for great things to come.
Best Classics 100 Volume 1
Average customer rating: 4 out of 5 stars
  • Good and inexpensive collection
 Best Classics 100 Volume 1

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Best Classics 100 Volume 2
  2. 100 Best Piano Classics
  3. 100 Best Film Classics
  4. 100 Best Opera Classics
  5. 100 Best Baroque

ASIN: B000GPIPQA
Release Date: 2006-08-29

Tracks:

  1. The Arrival Of The Queen Of Sheba - Sir Neville Marriner
  2. I. Allegro - Yehudi Menuhin
  3. Toccata In D Minor BWV565 - Wayne Marshall
  4. III. Rondo (Allegro Vivace) - Barry Tuckwell
  5. I. Allegro Con Brio - Philharmonia Orchestra
  6. 1812 Overture - Oslo Philharmonic Orchestra
  7. Symphony No.9 In D Minor Choral Op.125 - The Westminster Choir
  8. I. Allegro Molto Moderato - Cecile Ousset
  9. Alla Marcia - Halle Orchestra
  10. Jupiter, The Bringer Of Jollity - Philharmonia Orchestra
  11. I. Allegro Non Troppo E Molto Maestoso - Horacio Gutierrez
  12. Symphonic Poem, Op.26 - Halle Orchestra
  13. Gloria All'egitto - Chorus Of The Royal Opera House, Covent Garden
  14. Montagues And Capulets - The Philadelphia Orchestra
  15. Radetzky March - Willi Boskovsky
  16. Pomp And Circumstance March No.1 - Royal Choral Society
  17. I. Allegro Ma Non Tanto - Mikhail Rudy
  18. Symphony No.3 In C Minor Organ Op.78 - Mathias Eisenberg

Tracks:

  1. Air On The G String - Sir Neville Marriner
  2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
  3. Canon In D - Sir Neville Marriner
  4. II. Adagio - Sabine Meyer
  5. Aria - Julia
  6. Adagio In G Minor - Sir Neville Marriner
  7. I. Adagio Sostenuto - Dame Moura Lympany
  8. II. Andantino - James Galway
  9. II. Andante - Yehudi Menuhin
  10. II. Andante - Stephen Hough
  11. II. Largo - Oslo Philharmonic Orchestra
  12. II. Adagio - Yehudi Menuhin
  13. Nimrod - London Symphony Orchestra
  14. II. Adagio - Julian Bream
  15. The Lark Ascending - Migel Kennedy
  16. IV. Adagietto - New Philharmonia Orchestra
  17. Variation 18 - Cecile Ousset

Tracks:

  1. Au Fond Du Temple Saint - Nicolai Gedda
  2. Song To The Moon - Lucia Popp
  3. Dome Epais - Mady Mesple
  4. La Fleur Que Tu M'avais Jetee - Nicolai Gedda
  5. Che Faro Senza Euridice - Agnes Balsta
  6. Casta Diva - Maria Callas
  7. Che Gelida Manina - Roberto Alagna
  8. O Mio Babbino Caro - Angela Gheorghiu
  9. Bailero: Chants D'Auvergne - Victoria De Los Angeles
  10. Vogliatemi Bene - Carlo Bergonzi
  11. Va, Pensiero - Chorus Of The Royal Opera House, Covent Garden
  12. Es Lebt' Eine Vilja - Elisabeth Schwarzkopf
  13. Ombra Mai Fu - Richard Lewis
  14. Ave Maria - Gerald Moore
  15. Minuit, Chretiens - Roberto Alagna
  16. Nessun Dorma - Jose Carreras

Tracks:

  1. Overture - Royal Philharmonic Orchestra
  2. Jesus Bleibet Meine Freude - Sir Neville Marriner
  3. I. Allegro - Emil Gilels
  4. Trumpet Voluntary - Maurice Andre
  5. Judex - Halle Orchestra
  6. Overture - Polish Chamber Orchestra
  7. Sarabande - Academy Of St. Martin In The Fields
  8. Waltz Of The Flowers - Andre Previn
  9. Troika - London Philharmonic Orchestra
  10. Fantasia On Greensleeves - Sir John Barbirolli
  11. Clair De Lune - Dame Moura Lympany
  12. Scene Act II, No.10 - Andre Previn
  13. Cavatina - Manuel Barrueco
  14. II. Romance (Larghetto) - Garrick Ohlsson
  15. My Heart Will Go On - Orchestra
  16. Time To Say Goodbye - Orchestra
  17. Walzer, Op.314 - Berliner Philharmoniker

Tracks:

  1. Cavaleria Rusticana - Philharmonia Orchestra
  2. II. Adagio Sostenuto (Opening) - Cecile Ousset
  3. Morning - Sir Neville Marriner
  4. Romance - Piers Lane
  5. Adagio For Strings - Philadelphia Orchestra
  6. The Story Of The Kalender Prince - Philadelphia Orchestra
  7. Meditation - Anne-Sophie Mutter
  8. Prince Igor - Beecham Choral Society
  9. Adagio Of Spartacus And Phrygia - Royal Philharmonic Orchestra
  10. Fantasy Overture - Oslo Philharmonic Orchestra
  11. II. Allegretto - Philharmonia Orchestra
  12. II. Largo Ma Non Tanto - Yehudi Menuhin
  13. Schindler's List Theme - Tasmin Little
  14. Dance Of The Reed Flutes - Andre Previn
  15. V. Allegretto - The Philadelphia Orchestra

Tracks:

  1. Zadok The Priest - Royal Choral Society
  2. Zion Hort Die Wachter - Suddeutscher Madrigalchor
  3. Miserere Mei, Deus - Stephen Cleobury
  4. Sanctus - Chor der St. Hedwigs-Kathedrale
  5. Panis Angelicus - Halle Choir
  6. L'Enfance Du Christ - Choeurs Rene Duclos
  7. Sanctus - Heinz Hoppe
  8. In Paradisum - Peter Barley
  9. Laudate Dominum - Edda Moser
  10. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
  11. Ingemisco - Luciano Pavarotti
  12. Ave Verum Corpus K618 - Choir Of King's College, Cambridge
  13. I Know That My Redeemer Liveth - Elizabeth Harwood
  14. The Heavens Are Telling - John Shirley-Quirk
  15. Pie Jesu - Victoria De Los Angeles
  16. Lacrimosa - David Bell
  17. Hallelujah Chorus - Ambrosian Singers

Customer Reviews:

4 out of 5 stars Good and inexpensive collection.......2007-03-17

EMI's Best Classics 100 provides six CDs with seven hours of selected classical music. The cover does a poor job of portraying who does the selecting and who performs the piece -- information inside however does detail the symphonies being recorded. Recordings from the Polish Chamber, Berlin Symphonies, Royal Philharmonic etc are mentioned. The recording quality is good and the price is low, representing a good purchase for a general collection.
Anna Netrebko: Opera Arias
Average customer rating: 4 out of 5 stars
  • Anna Netrebko: Opera Arias
  • First DGG album--very promising
  • Remarkable!
  • Beautiful voice, beautiful girl
  • Fresh soprano blood
 Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00008MLSH
Release Date: 2003-09-09

Tracks:

  1. Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
  2. Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
  3. Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
  4. La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
  5. Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
  6. Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
  7. Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
  8. Rusalka: "Mesicku na nebli hlubokem" - Dvorak
  9. La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini

Amazon.com

Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella tale—the bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May

Customer Reviews:

5 out of 5 stars Anna Netrebko: Opera Arias.......2007-03-29

Her voice takes my breath away, I fell in love with her.
I highly reccomend it.

4 out of 5 stars First DGG album--very promising.......2007-02-01

Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.

A few selections illustrate:

Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.

Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.

Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.

Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.

Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.

Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.

All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.

5 out of 5 stars Remarkable!.......2006-11-02

Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.

Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.

5 out of 5 stars Beautiful voice, beautiful girl.......2005-11-22

When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!

4 out of 5 stars Fresh soprano blood.......2005-09-07

Any budding soprano that doesn't choose the usual warhorses, and opens her debut album with an aria from Mozart's Idomeneo, and turns it into a tour de force, sparkling performance, is worth all the hype. And the best is yet to come- the second track, Non mir dir from Don Giovanni is even better. Not technically, far from it: the way she fudges that trill at the end is astounding, but this Anna is so alive, so achingly beautiful, that it remains one of my favourites among the many versions I have heard over the years. Netrebko has performed Donna Anna on stage - to a great acclaim- and that shows here.
The rest of the album offers energetic Berlioz, great bits of Lucia - a wonderful mezzo Elina Garanca joins Netrebko on this one- and La sonnambula sung in a way that makes Dionizetti and Bellini palatable for me... The runs are little messy sometimes, but give Netrebko the vocal challenges, the idiotic libretti and a sleeping gown and she can act the hell out of it, even in a studio recording. The spunky Manon makes her mark in the gavotte, the Faust is charming- and devoid of many written trills and such, but it's good clean fun and she is putting some life into that chirpy classic.
And then, the kinky Rusalka, lovely, strong and devoid of any of that cheese and swooning nonsense that many other singers have splattered on it. I love this opera and Mesicku aria is one of my big favourites, and I have heard countless renditions of it, from a near perfect Benackova to a very cool Karita Mattila to a horrible, slurring and scooping, bottom of the lake Fleming, and Netrebko really gets it right for me. When I was a kid reading all the stories about rusalki, this is how I imagined them- sad, erotic, and with some character. I can understand her Czech too, how often that happens! I guess only someone from our Slavic language pool would understand how well she controls that super rounded Russian oh's from overtaking what she is singing, and even though her diction is funny business overall, the voice more than makes up for it.
The closing Musetta's Waltz is just about perfect- once again, not too much, not too little, would make me see the tired old Boheme if it played around here and she was in it... Netrebko has some work to do on varying the colors of her lovely, dark voice, and kicking up the diction, but she is shaping to be major economic force in the opera world and from this debut CD it is clear why- the looks are backed by a high wattage talent, acting skills and plain good taste.
Sacred Songs
Average customer rating: 4 out of 5 stars
  • I hate to be rude, but . . .
  • Outstanding
  • Sacred Songs
  • My favorite of Fleming's CDs so far
  • Inspiring and beautiful
 Sacred Songs

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000AM6OXK
Release Date: 2005-09-27

Tracks:

  1. Ave Maria
  2. Jesu bleibet meine Freude
  3. Dank sei dir, Herr
  4. Ave Maria, D839
  5. Laudamus te
  6. Panis Angelicus
  7. Air: "He shall feed his Flock"
  8. Simple Song
  9. Pie Jesu
  10. Domine Deus
  11. Laudate Dominum omnes gentes
  12. Air: Rejoice greatly, o daughter of Zion
  13. Abends will ich schlafen gehn
  14. L'Adieu des bergers
  15. Mariiegenlied, Op.76/52
  16. Amazing Grace

Amazon.com

This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine

Customer Reviews:

3 out of 5 stars I hate to be rude, but . . ........2007-05-06

As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!

5 out of 5 stars Outstanding.......2007-03-07

I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.

4 out of 5 stars Sacred Songs.......2007-01-21

I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style

5 out of 5 stars My favorite of Fleming's CDs so far.......2006-12-07

There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.

5 out of 5 stars Inspiring and beautiful.......2006-07-20

I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.
Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Average customer rating: 4 out of 5 stars
  • A good gift for novice
 Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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