Bellini, Vincenzo

Average customer rating:

End of the Day
Wonderful!
Over and over and over....
Non-standard CD format
wonderful surprise

Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000DG06L
Release Date: 2003-10-28

Tracks:

O mio babbino caro (from 'Gianni Schicchi')
The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
Nocturne in C sharp minor (Op Post)
The Swan (from Carnival of the Animals)
Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
Casta Diva (from 'Norma')
Andante from Piano Concerto No. 21 in C Major K. 467
Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
Pur ti Miro (from 'L'incoronazione di Poppea')
Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

Customer Reviews:

End of the Day.......2007-06-08

I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.

Wonderful!.......2007-05-30

I play this for my grandson to nap by. It is so relaxing and wonderful!

Over and over and over...........2007-05-17

That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.

Non-standard CD format.......2007-04-22

The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.

A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.

The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.

wonderful surprise.......2007-04-13

This recording has quickly become a most favorite cd in my collection. My personal preference had always been for opera and not symphony concert. To hear the violin replace the voice and line of the opera singer (in two of the excerpts) was a wonderful surprise for me, and has enhanced my enjoyment of all of this recording.

Average customer rating:

Audio beauty and magnificence, Maria Callas
sublime
Good "Best Of"
The Very Best of Maria Callas
Classic Callas

The Very Best Of Maria Callas
Maria Callas
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Maria Callas, the Voice of the Century
The Most Famous Opera Arias
The Best of Italian Opera
The Most Famous Opera Duets
The #1 Opera Album

ASIN: B00005Y1YQ
Release Date: 2002-02-12

Tracks:

Carmen: L'Amour Est Un Oiseau Rebelle
Gianni Schicchi: O Mio Babbino Caro
La Wally: Ebben? Ne Andro Lontana
Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
Tosca: Vissi D'arte, Vissi D'amore
Andrea Chenier: La Mamma Morta
Le Nozze Di Figaro: Porgi Amor
Orphee Et Eurydice: J'ai Perdu Mon Eurydice
Aida: Ritorna Vincitor!
Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
Madama Butterfly: Un Bel Di Vedremo
Norma: Casta Diva
Turandot: Signore, Ascolta!
Louise: Depuis Le Jour
La Boheme: Si. Mi Chiamano Mimi
La Gioconda: Suicidio
La Forza Del Destino: Pace, Pace Mio Dio!

Customer Reviews:

Audio beauty and magnificence, Maria Callas.......2007-03-31

There are moments on this recording that are virtually audio heaven.
Ms. Callas' voice goes beyond the normal concept of beauty.

sublime.......2007-02-14

she is an angel , a voice without parallel , a collection very interesting of arias from different masters.

Good "Best Of".......2007-02-09

Maira Callas was never a favorite of mine, but she is notable as a passionate, (but sometime shrill to my ears) performer. This collection is a good single record tribute to her operatic legacy.

The Very Best of Maria Callas.......2006-08-20

Second on my list for CDs that should be recommended for people who want to start on a long trail of Callas to the Carmen with Gedda and Prétre. This has perhaps the best excerpts of all time from Maria Callas. The 'Ritorna vincitor' and 'Una voce poco fa' are to be treasured. Any long-time Callas fan will find this CD of little to no interest, because anything they haven't heard before, there's a better, low-audio-quality version of somewhere. 4 stars for that reason.

Classic Callas.......2006-07-11

Countless assessments of Maria Callas' life and career, as well as re-issues of some of her definitive recorded performances have been fueled by the 25th anniversaary of her tragic and prophetic death alone in her Paris flat on September 16, 1977. One of those such discs, this 17 track retrospective compilation from the archives of EMI is among the best. Every character she portrays is bought to life by her incomparible ability both vocally and emotionally. Enjoy!

Average customer rating:

Not bad!
pleasure to lilsten
Bocelli - Aria
Why...?
Moderately good singing; poor aria selection.

Andrea Bocelli - The Opera Album ~ Aria

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Andrea Bocelli - Sacred Arias / Myung-Whun Chung
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Andrea Bocelli - Amore
Cieli di Toscana

ASIN: B0000069CO
Release Date: 1998-04-07

Tracks:

Rigoletto: Questa o quella
La Boheme: Che gelida manina
TOSCA: Recondita armonia
TOSCA: E lucevan le stelle
Madama Butterfly: Addio, fiorito asil
Andrea Chenier: Come un bel di di maggio
I Puritani: A te, o cara
Der Rosenkavalier: Di rigori armato il seno
Fedora: Amor ti vieta
La Fanciulla del West: Ch'ella mi creda
La Gioconda: Cielo e mar!
Adriana Lecouvreur: La dolcissima effigie
La Boheme: Musetta! - Testa adorata
Lucia di Lammermoor: Tombe degli avi miei - Fra poco a me ricovero
Werther: Pourquoi me reveiller
Carmen: La fleur que tu m'avais jetee
La Fille Du Regiment: Pour mon ame

Amazon.com

Andre Bocelli is no opera singer, but he shows far more potential in this album than does another pop-vocalist tenor-wannabe, Michael Bolton. For one thing, he can shake off the crooner mannerisms and really sing when performing music that calls for it. At his best, he has a rich, dark timbre and an easy, unforced top. At other times, however, the tone turns dry and thin and the high notes are constricted, the inconsistency suggesting a lack of technique. Never does one get the impression that he could be heard over a medium-sized orchestra without amplification. This isn't bad singing per se, but there is much better out there, readily available on disc. --Sarah Bryan Miller

Album Description

Exclusive Australian Gold pressing released to coincide with his first public appearance in Australia. He'll be performing at the opening ceremonies and then onto to tour the land down under. His back catalogue will be released & re-packaged in slipcases with his signature on them as well as all of them pressed on gold plated CD's. This pressing includes 17 tracks, all sung in his native Italian Tongue. 1998 release. Standard jewel case.

Customer Reviews:

Not bad!.......2007-04-09

What I have heard about Andrea Bocelli is bimodal--some think that he is not up to the operatic repertoire and is way overrated; others see him as a fine singer, from a nontraditional background and career path. What I hear on this CD is fine singing, with some limitations. He was once a law school student; he played in piano bars. He took lessons from the great Franco Corelli. Some examples of his work illustrate his skills:

"Questa O quella" is a nice romp. His smooth voice moves through this aria nicely. His voice is not a big one. On the other hand, his musicianship seems fine (thank goodness none of the sobbing and catches that some tenors adopt).

In Puccini's "Che gelida manina" (from "La Boheme"), he again sings smoothly. He has a nice sound to his voice. The high note is a bit thin, but certainly not as bad as some critics would have it. A serviceable version, in short.

Then, the twin arias from "Tosca"--"Recondita armonia" and "E lucevan le stelle." Both are well sung. His version of "Recondita armonia" compares well with other versions. He certainly has no reason to hang his head. When he amps up the volume, his voice is not quite as rich as many other tenors, bit it is still fine. Top notes, as observed before, are a bit thin, but--again--hardly reason for lamentation. This is nicely sung. My notes for "E lucevan le stelle" simply say "Ibid." That is, one could write a very similar set of comments.

The last piece is from a different tradition--a selection from Donizetti's "Lucia di Lammermoor," "Tome degli avi miei." Smoothly sung. A bit thin on higher notes. Overall, though, a nice job.

As I listen to his work, I think that Bocelli does a good job in the standard tenor repertoire. Is he a great tenor? No. Is he a good tenor? Yes.

pleasure to lilsten.......2007-01-19

This album is a pleasure. The selections are spirited and well executed. I was very satisfied with this purchse and would recommend it to any one who enjoys opera.

Bocelli - Aria.......2006-11-05

Introduced me to arias that were not known to me, and I find to be
quite beautiful. As usual, Bocelli does not fail.

Why...?.......2006-03-13

Why is there all this continuing controversy after so many years about whether or not Andrea Bocelli is - or is not - Operatically sound? All I know (and that's not saying much for me in this genre), is that after having listened to Amazon.com's sampling of the music on this Audio CD a few moments ago, I wept. Andrea Bocelli always makes me weep - because of his profound spiritual depth. And I don't care what anyone thinks on that issue. All I do know is this. The man sings from his soul...and nothing could surpass that - ever.

Moderately good singing; poor aria selection........2006-01-28

I bought "Aria" from Amazon.com a couple days ago, and I just listened to it an hour ago. I was surprised at how good Andrea Bocelli's operatic singing voice is. I'd read many reviews giving him a rating of 0 or 1 out of 10, so I was prepared for the worst. But this fellow is actually pretty good. I'd say, 7 out of 10. Not as good as Placido Domingo or Luciano Pavarotti, but then, no one is. On the plus side, Bocelli's operatic tenor singing voice is rich and sonorous, capable of fluid vibrato and good pitch range and dynamic range, and he nicely avoids the highly-nasal resonance so noticable in his pop singing. On the negative side, his highs sound a little forced and a little raspy, and sometimes his vibrato reverts to the fluttery sound he uses in his pop music. All in all, Bocelli is a good, but not great, opera singer.

I didn't like the music selection on this album, though. Whoever selected the music should have put some more emotional, evocative arias in here. None of these arias really move me very much, and none have the emotional clout of truly great arias such as Nessun Dorma from Puccini's Turandot. I'd dearly love to hear Bocelli attempt Nessun Dorma; that would be fascinating. But there's nothing like that on this album.

Bottom line: I give this album only 3 stars, because while the singing is good, the music selection, in my opinion, is weak.

Average customer rating:

I'm ordering more copies of Nicole!
Wonderful!
Nice, but I do tend to want more than "nice"
Almost spectacular...
Bravo, the real thing

Soprano

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Gitano

ASIN: B000M9BTP4
Release Date: 2007-05-08

Tracks:

Quando Me N'vo
Ah! Je Veux Vivre
What a Curse For a Woman Is a Timid Man!
Dieu! Quel Frisson Court Dans Mes Veines!...Amour, Ranime Mon Courage
O Mio Babbino Caro
Les Filles De Cadix
Summertime
How Can I Cherish My Man In Such Days
Les Belles Fleurs!...Entre L'amour Et Le Devoir
Depuis Le Jour Ou Je Me Suis Donnee
Eccomi In Lieta Vesta...Oh! Quante Volte
Chi Il Bel Sogno Di Doretta
'Quel Guardo Il Cavaliere...'...So Ancho'io La Virtu Magica

Amazon.com

Nicole Cabell, the winner of the 2005 Cardiff Singer of the World Competition, is a full-voiced lyric soprano with ease of production, a free top, and a basically lovely sound. This ambitious recital - we get chestnuts (Musetta's Waltz, "O mio babbino caro," "Je veux vivre," "Summertime," etc) as well as rarities (the selections from The Old Maid and the Thief and Tippett's A Child of our Time as well as Teresa's big aria from Benvenuto Cellini) - shows a curious mind and versatility. On the technical side, her prominent vibrato occasionally sounds like the start of a beat in the voice that could cause trouble, and her diction can be mushy. In addition, as of now, Cabell isn't much of an interpreter. "Les filles de Cadix" exhibits a strange lack of either Latin flavor or flirtatiousness; Musetta's Waltz is straightforward and lacks an individual stamp. On the plus side, as mentioned, the sound of her voice itself is very appealing. "Depuis le jour" and Doretta's Dream (from Rondine) are beautifully floated, even if they don't erase memories of Price, Fleming, or several other singers. The Menotti aria is well-articulated and makes its point. Conversely, "O mio babbino caro" is simply boring, lacking in girlish charm. "Summertime" is deliciously sung, and Norina's aria from Don Pasquale has plenty of flavor. It will be interesting to see how she develops; at the moment some troublesome traits are mixed in with great promise. Sir Andrew Davis lends fine support. --Robert Levine

Album Details

28 Year Old American Soprano Nicole Cabell Came to the Attention of the Opera World Overnight When, in June 2005, She Won What Has Become the Most Important Competition for Young Opera Singers and was Crowned BBC Cardiff Singer of the World. The Competition Jury Included Legendary Singers Dame Joan Sutherland and Marilyn Horne and the Win Placed Nicole Cabell in a Distinguished Line of Cardiff Prize-winners that Includes Karita Mattila, Dmitri Hvorostovsky and Bryn Terfel.

Customer Reviews:

I'm ordering more copies of Nicole!.......2007-06-18

just played this for friends who have sung,taught and judged opera for all their lives.
They were thrilled by Nicole's voice. I am now ordering more copies as gifts.

Wonderful!.......2007-06-10

I think that this CD is some of the best, if not better, soprano work since Fleming (sorry Renee I am a huge fan but I think this is an amazing first album). It slaps Netrebko and Gheorghiu.

The songs in here are sung with great ease. Some of the work in here isn't what you hear as often while some of it is. Most people make a huge fuss about singing the tracks that "everyone" sings, but Cabell dos this well.

Her technique is amazing. Her voice is very fluid and legato; in addition to that, she has such an evenness of tone production. The bottom notes are as focused as her top ones which is something many sopranos, even the famous ones, struggle with.

She is on her way to the top!

Nice, but I do tend to want more than "nice".......2007-05-28

I do not own this recording. I listened to excerpts at a music shop, as I almost always do with recordings of singers who are new to me. So please do bear in mind that my review is based on selected listening - I did listen to perhaps two minutes of each track, except in the case of the Puccini, to which I listened only for about 30 seconds.

I didn't like what I heard. I don't mean it's an unpleasant voice. It was perfectly pleasant. I'm sure that in places the voice is lovely, but it was not so lovely in the recording that I felt impelled to hear more. I heard nothing - nothing - that made me want to hear more.

There are so many singers with nice voices - especially sopranos. I do not feel this is a voice of EXCEPTIONAL beauty, and I do not feel at all that this singer has an interpretative ability that shines in the singing. I felt unmoved - and it was on that basis that I switched off the headphones and shook my head when asked if I was purchasing the CD.

The cover of this CD is utterly gorgeous - I think it will attract a lot of people. I can only speak for my own taste when I say the voice itself doesn't interest me. I felt none of the charm, winsomeness, rich emotional involvement and sense of individuality that would lift these arias and songs out of the ordinary. And I have so many recordings (over 3000) that I did not feel I'd miss anything by not having this recording.

I do want to stress that this is my own taste... my own opinion based on my personal reaction to Ms Cabell's voice. The really odd selection of pieces in this recording wouldn't have bothered me if I'd fallen in love with this voice - but I haven't done that... and that's the caveat for me.

Almost spectacular..........2007-05-16

I think this recording has some very nice moments. However, there are just as many not so great moments in here as well. Cabell's voice is a very beautiful instrument. Few posses that beautiful tone. However, there just seems to be a lack of polish to the sound. I realize she is young and that she has the potential to grow into some things. For example, the dynamic level throughout the disk seems to be stagnant. She does a few things here and there but overall, she seems to sing at the same level through many of the arias. Sadly, at times, that volume seems push or uncomfortable. The program she selected for this disk is varied. I applaud the inclusion of the lesser known works like the Menotti and Tippett. She also includes the standard soprano fare such as "O mio babbino." These standard numbers come off less interesting as their lesser recorded counterparts. Overall, this is a voice worth hearing. I hope this is just the beginning for her and that she continues to improve and record.

Bravo, the real thing.......2007-05-09

As the product description says above, Ms. Cabell is a young American soprano who won the prestigious Cardiff Singer of the World competition in 2005. Despite the inflated title, a great deal is expected from such winners, and she has the goods: a sparkling soprano capable of coloratura but with body and above all personality. I'd compaer her to a young Gheorgiu or Netrenbko, perhaps lighter than both. Her voice makes you listen and often smile.

When Cabell sings the big aria from Menotti's The Old Maid and the Theif ("What a curse for a woman is a timid man"), she crosses swords with Dawn UPshaw, who made a spectacular show of it. This version is fuller voiced but less sharp dramatically. In fact there are quite a few places where Cabell phrases a bit stiffly and misses dramatic changes of tone. She's concentrating on getting the music to come out beautifully, and it does.

She also wants to display versatility, and that comes across in a program that's all over the place, from Tippett and Menotti to Puccini and Delibes, with quite a few more thrown in. The evergreen "O mio babbino caro" isn't charming enough to convey the tone of a pampered daddy's girl or her lovesick yearning, but Cabell doesn't short change us on loveliness. Black sopranos were always expected to do "Summertime" decades ago, and Cabell isn't embarrassed to offer us a gorgeous version of her own, complete with accent.

The languages she attempts are English, French and Italian. She's most passionate and fervent in English, which is unusual. Her Italian sounds a little stiff; it doesn't let go as it should. As with Beverly Sills, French vowels seem to liberate her, however, and Cabell floats gloriously in "Depuis le jour." It's not overwhelming the way Te Kanawa, Leontyne Price, and Renee Fleming are in the same aria, but at the age of 28 Cabell has a voice as captivating to the ear as anyone. One hopes for great things to come.

Average customer rating:

I am in love with Anna
simple stunning
Ok but not a bel canto singer
Having It All
Talented singer, but should she choose her reportoire better?

Sempre Libera
Giacomo Puccini , Giuseppe Verdi , Claudio Abbado , Sascha Reckert , Sara Mingardo , Mahler Chamber Orchestra , and Saimir Pirgu
Manufacturer: Deutsche Grammophon
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Anna Netrebko: Opera Arias
Russian Album
Violetta: Arias and Duets from Verdi's La Traviata [Includes DVD]
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Verdi: La Traviata

ASIN: B000295TXC
Release Date: 2004-08-10

Tracks:

E strano! - "Ah, fors'ui"
Sempre libera
Ah! Se una volta sola
Ah, non credea mirarti
Ah! non giunge uman pensiero
O rendetemi le speme...Qui la voce
Ah! tu sorridi
Vien, diletto, n ciel la luna
O giusto cielo! (Act 2)
OihmSorge il tremendo
Ardon gli incensi... (Act 2)
Spargi d'amaro pianto (Act 2)
Era pimo?
Piangea cantando nell'erma landa...
Ave Maria, piena di grazia
O mio babbino caro

Amazon.com

Anna Netrebko's second CD is even more impressive than her first. She still may not be an absolutely polished, finished artist, but she's working at it and presents here a very satisfying---even thrilling---program. She doesn't quite have the stature or insights for Verdi's Violetta yet, but aside from some smudged coloratura in low-lying passages she sings the first act scene quite well (capped with a well-placed, big E-flat). She's close to ideal in the Sonnambula and Puritani excerpts, where her girlishness is entirely right, her coloratura dazzling, and her ability to sound tearful really impressive. The Lucia Mad Scene (also notable here for its use of the glass harmonica for which it was composed in place of the usual flute) is quite wonderful, even if the runs are sometimes not as well-delineated as they should be. And although she's not vocally suited to Desdemona's Willow Song and Ave Maria, she does manage to darken her voice to fit the character and presents a very moving portrait. The CD ends with an utterly charming "O mio babbino caro." Artistry and everything else aside, her voice is just beautiful. Claudio Abbado's leadership is ideal. --Robert Levine

Customer Reviews:

I am in love with Anna.......2007-05-15

Did you see her in the Met's big screen broadcast of I Puritani? Then you know what I mean. Here is a just stunningly, impossibly gorgeous woman with a voice of liquid fire and gold who can sing with passion and precision while she's bending over and crawling around on the floor! If she weren't real I would guess she was the invention of the overinflamed imagination of a heterosexual opera queen (if such a being exists).

If you love getting great voice, buy this.

simple stunning.......2007-05-10

having just found this young womans CD in our local speciality store I was transformed from the mundaine life to the peak of ecstasy with her wonderful voice and the intense colours created by her own intensity.Here is a woman who can fill the heart with words that are pure gold and like velvet on the mind ,a truly wonderful voice and a stunning person to go with it .Here at last is a worthy successor to Dame Joan and others who gave opera to the world ,now we have in Anna Netrebko someone to give the passion and drama of opera to a new audience with the fire and fun of the pleasure this style of music can give.It is great to at last have an opera singer of this caliber who is unafraid to be herself and to let her own warmth and passion come through LONG May she continue to be the standard for others to attain.May she never change her love of singing and life

Ok but not a bel canto singer.......2007-03-21

Anna Netrebko's I Puritani selections are way below the art and skill of Callas, Sills, Sutherland, Caballe, and Gencer. She has no passion, no trills, no high notes that are deep and rich. Her best is in the Russian repertoire and possibley some undemanding Mozart.

Her broadcast from the Met Live of the I Puritani was alright, but scooping, avoidance of repetitions, running through passages like a locomotive, and an ending that would have brought the wrath of most opera houses in the world..scooping again, and a tight awful sounding high note. The same tentativenes is also here on this CD.She should know this. Her beauty and acting and allure are what interest the masses, not the voice, which is forgiven everything.

Too bad; she could be a lovely Tatyana some day.Also too, the Traviata is not that great; Anna Moffo , Renee Fleming, M. Caballe, and of course Maria Callas..Listen to these and hear the difference.

Having It All.......2007-01-22

This is a remarkable CD by the current "it" soprano. Anna Netrebko has it all. She is a wonderful singer, and a beautiful woman. Any star on the rise, particularly one with this much physical beauty and commercial promise, will always fall victim to criticisms that are more or less trivial. Believe me, I get it. When I first saw Anna, I wanted to be judgemental. After all, maybe she was just another pretty face being pushed by a record company. Then I heard her "Sempre libera" and became a fan.

There are criticisms of her trill, or her lack of a trill. Renee Fleming doesn't have a trill, and she has been the acclaimed queen for some time. Because of Anna's trill issues, she's criticized as lacking something that a coloratura should have. Well, she's not a coloratura. A good bel canto singer does not have to be a coloratura. There are criticisms of Anna's repertoire choices. You know why she picked this interesting melange for this CD? Because these are difficult scenes and arias, and she can do them. The only aria I didn't think "fit" is the "O mio babbino caro". She does it well, I just can't figure out what it's doing on this CD.

The "La Traviata" scene that starts the CD is absolutely magnificent. She is a wonderful Violetta, and sings this demanding scene with panache. She does the high E-flat at the end. Of course, she was coached by Scotto on this aria. Nice coaching if you can get it. No less remarkable are her scenes from "La sonnambula" and "I puritani". Her "Qui la voce" was beautiful. To listen to that gorgeous singing, and only focus on whether or not she has a trill is to miss the point of the music. I can definitely see why the Met is giving her the "Puritani" this season. Her scenes from "Lucia di Lammermoor" were technically perfect, and her mad scene very well done. The "Otello" scenes were amazing, particularly the floated pianos and pianissimos in the "Ave Maria". Abbado and the Mahler Chamber Orchestra are wonderful collaborators.

Ignore the criticisms and buy this CD! You'll be glad that you did. Highly recommended.

Talented singer, but should she choose her reportoire better?.......2007-01-10

Anna Netrebko has an attractive voice and a pleasing personality in this recording. But her performance also raises some questions.

First, she has a Callas-like habit (not a great compliment) when she ups her volume on higher notes of producing a rather unpleasant sound. In "Sempre libera," from "La Traviata," this is manifest. I compare this with the silky smooth lyric voice of Anna Moffo, from the 1960s and 1970s, who essayed this same piece in a manner much more attractive to the ear. Second, I could not hear a single trill on this CD (although maybe I missed something). In the colorature/bel canto repertoire, this is not a trifle. A trill is a standard part of a coloratura soprano's armamentorium. In that, again, she is like Callas, who scarcely issued forth a trill. "Spargi d'amaro pianto" is one of the classic cabalettas for coloratura sopranos. Sung without trills, it is not very satisfying. Some who have recorded the pyrotechnics of the "Mad Scene" have only displayed adequate trills (e.g., Anna Moffo or Angela Gheorghiu). Others, of course, have deployed wondrous effects, such as Joan Sutherland and Beverly Sills. Just so, the cabalettas in "La Sonnambula" and "I Puritani."

Certainly, Netrebko also exhibits considerable strengths. Other ornamentation is fine; she has an agile voice; she can hit all the notes, including the high ones. Her vocal sound is most attractive (outside the one example noted earlier of a certain harshness). Her singing in the pieces from "Otello" and "Gianni Schicchi" are very well done.

So, all in all, a nice CD, but one that does not seem to feature Anna Netrebko at her best.

Average customer rating:

Good and inexpensive collection

Best Classics 100 Volume 1

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

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French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music
Similar Items:

Best Classics 100 Volume 2
100 Best Piano Classics
100 Best Film Classics
100 Best Opera Classics
100 Best Baroque

ASIN: B000GPIPQA
Release Date: 2006-08-29

Tracks:

The Arrival Of The Queen Of Sheba - Sir Neville Marriner
I. Allegro - Yehudi Menuhin
Toccata In D Minor BWV565 - Wayne Marshall
III. Rondo (Allegro Vivace) - Barry Tuckwell
I. Allegro Con Brio - Philharmonia Orchestra
1812 Overture - Oslo Philharmonic Orchestra
Symphony No.9 In D Minor Choral Op.125 - The Westminster Choir
I. Allegro Molto Moderato - Cecile Ousset
Alla Marcia - Halle Orchestra
Jupiter, The Bringer Of Jollity - Philharmonia Orchestra
I. Allegro Non Troppo E Molto Maestoso - Horacio Gutierrez
Symphonic Poem, Op.26 - Halle Orchestra
Gloria All'egitto - Chorus Of The Royal Opera House, Covent Garden
Montagues And Capulets - The Philadelphia Orchestra
Radetzky March - Willi Boskovsky
Pomp And Circumstance March No.1 - Royal Choral Society
I. Allegro Ma Non Tanto - Mikhail Rudy
Symphony No.3 In C Minor Organ Op.78 - Mathias Eisenberg

Tracks:

Air On The G String - Sir Neville Marriner
Dance Of The Blessed Spirits - New Philharmonia Orchestra
Canon In D - Sir Neville Marriner
II. Adagio - Sabine Meyer
Aria - Julia
Adagio In G Minor - Sir Neville Marriner
I. Adagio Sostenuto - Dame Moura Lympany
II. Andantino - James Galway
II. Andante - Yehudi Menuhin
II. Andante - Stephen Hough
II. Largo - Oslo Philharmonic Orchestra
II. Adagio - Yehudi Menuhin
Nimrod - London Symphony Orchestra
II. Adagio - Julian Bream
The Lark Ascending - Migel Kennedy
IV. Adagietto - New Philharmonia Orchestra
Variation 18 - Cecile Ousset

Tracks:

Au Fond Du Temple Saint - Nicolai Gedda
Song To The Moon - Lucia Popp
Dome Epais - Mady Mesple
La Fleur Que Tu M'avais Jetee - Nicolai Gedda
Che Faro Senza Euridice - Agnes Balsta
Casta Diva - Maria Callas
Che Gelida Manina - Roberto Alagna
O Mio Babbino Caro - Angela Gheorghiu
Bailero: Chants D'Auvergne - Victoria De Los Angeles
Vogliatemi Bene - Carlo Bergonzi
Va, Pensiero - Chorus Of The Royal Opera House, Covent Garden
Es Lebt' Eine Vilja - Elisabeth Schwarzkopf
Ombra Mai Fu - Richard Lewis
Ave Maria - Gerald Moore
Minuit, Chretiens - Roberto Alagna
Nessun Dorma - Jose Carreras

Tracks:

Overture - Royal Philharmonic Orchestra
Jesus Bleibet Meine Freude - Sir Neville Marriner
I. Allegro - Emil Gilels
Trumpet Voluntary - Maurice Andre
Judex - Halle Orchestra
Overture - Polish Chamber Orchestra
Sarabande - Academy Of St. Martin In The Fields
Waltz Of The Flowers - Andre Previn
Troika - London Philharmonic Orchestra
Fantasia On Greensleeves - Sir John Barbirolli
Clair De Lune - Dame Moura Lympany
Scene Act II, No.10 - Andre Previn
Cavatina - Manuel Barrueco
II. Romance (Larghetto) - Garrick Ohlsson
My Heart Will Go On - Orchestra
Time To Say Goodbye - Orchestra
Walzer, Op.314 - Berliner Philharmoniker

Tracks:

Cavaleria Rusticana - Philharmonia Orchestra
II. Adagio Sostenuto (Opening) - Cecile Ousset
Morning - Sir Neville Marriner
Romance - Piers Lane
Adagio For Strings - Philadelphia Orchestra
The Story Of The Kalender Prince - Philadelphia Orchestra
Meditation - Anne-Sophie Mutter
Prince Igor - Beecham Choral Society
Adagio Of Spartacus And Phrygia - Royal Philharmonic Orchestra
Fantasy Overture - Oslo Philharmonic Orchestra
II. Allegretto - Philharmonia Orchestra
II. Largo Ma Non Tanto - Yehudi Menuhin
Schindler's List Theme - Tasmin Little
Dance Of The Reed Flutes - Andre Previn
V. Allegretto - The Philadelphia Orchestra

Tracks:

Zadok The Priest - Royal Choral Society
Zion Hort Die Wachter - Suddeutscher Madrigalchor
Miserere Mei, Deus - Stephen Cleobury
Sanctus - Chor der St. Hedwigs-Kathedrale
Panis Angelicus - Halle Choir
L'Enfance Du Christ - Choeurs Rene Duclos
Sanctus - Heinz Hoppe
In Paradisum - Peter Barley
Laudate Dominum - Edda Moser
Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
Ingemisco - Luciano Pavarotti
Ave Verum Corpus K618 - Choir Of King's College, Cambridge
I Know That My Redeemer Liveth - Elizabeth Harwood
The Heavens Are Telling - John Shirley-Quirk
Pie Jesu - Victoria De Los Angeles
Lacrimosa - David Bell
Hallelujah Chorus - Ambrosian Singers

Customer Reviews:

Good and inexpensive collection.......2007-03-17

EMI's Best Classics 100 provides six CDs with seven hours of selected classical music. The cover does a poor job of portraying who does the selecting and who performs the piece -- information inside however does detail the symphonies being recorded. Recordings from the Polish Chamber, Berlin Symphonies, Royal Philharmonic etc are mentioned. The recording quality is good and the price is low, representing a good purchase for a general collection.

Average customer rating:

The greatest opera singer of the 20th century.
One of the best collection of Callas on CD
Unbelievable Deal
Deal of the Century!
Maria Callas 100 Best Classics

Maria Callas 100 Best Classics

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
Similar Items:

Donizetti: Lucia di Lammermoor (complete opera) with Maria Callas, Tito Gobbi, Giuseppe di Stefano, Tullio Serafin
100 Best Opera Classics
Puccini: Tosca (1953) with Callas, di Stefano, Gobbi, cond. by de Sabata
Maria Callas - Passion / A Film by Gerard Caillat
Elisabeth Schwarzkopf 1915-2006

ASIN: B000LPR4VW
Release Date: 2007-01-16

Tracks:

Bellini: La Sonnambula: Come per me sereno
Bellini: La Sonnambula: Sovra il sen la man mi posa
Bellini: La Sonnambula: D'un pensiero
Bellini: La Sonnambula: Ah! non credea mirarti
Bellini: Ah! non giunge
Bellini: I Puritani: Son vergin vezzosa
Bellini: I Puritani: Ah vieni al tempio
Bellini: I Puritani: Qui la voce
Bellini: I Puritani: Vien, diletto
Bellini: I Puritani: Ch'ei provo lontan da me?
Bellini: I Puritani: Vieni fra queste braccia
Bellini: Norma: Casta Diva
Bellini: Norma: Mira, o Norma
Bellini: Norma: Cedi, deh credi! Si, fino all'ore
Bellini: Norma: Qual cor tradisti
Bellini: Norma: Deh! Non volerli vittime
Bellini: Il Pirata: Col sorriso d'innocenza
Bellini: Quel suono...Oh, Sole!

Tracks:

Donizetti: Lucia di Lammermoor: Regnava nel silenzio... Quando rapito in estasi
Donizetti: Lucia di Lammermoor: Chi mi frena
Donizetti: Lucia di Lammermoor: Spargi d'amaro pianto
Rossini: Il Turco in Italia: non si da follia maggiore
Rossini: Il Turco in Italia: Serva...Servo
Rossini: Il Turco in Italia: No, mia vita
Rossini: Il Turco in Italia: Credete alla femmine...In Italia certamente
Rossini: Il Barbiere di Siviglia:Una voce poco fa
Rossini: Il Barbiere di Siviglia: Dunque io son
Rossini: Semiramide: Bel raggio lusinghier
Rossini: Gugliemo Tell: Selva opaca
Rossini: La Cenerentola: Non piu mesta
Donizetti: L'Elisir d'Amore: Prendi, prendi; per me sei libero
Donizetti: La Figlia del Reggimento: Convien partir
Donizetti: Anna Bolena: Al dolce guidami castel natio
Donizetti: Lucrezia Borgia: Com'e'bello

Tracks:

Verdi: I Vespri Siciliani: Merce, dilette amiche
Verdi: Rigoletto: Gualtier Malde...Caro nome
Verdi: Rigoletto: V'ho ingannato...Lassu in cielo
Verdi: La Traviata: Ah, fors'e lui
Verdi: Aida: Ritorna vincitor
Verdi: Aida: Qui Radames verra...O patria mia
Verdi: Aida: O terra addio
Verdi: Il Trovatore: Tacea la nolte placido...Di tale amore
Verdi: Il Trovatore: D'amor sull'ali rosee
Verdi: Un Ballo in Maschera: Ecco l'orrido campo...Ma dall'arido stelo
Verdi: Non sai tu che se l'anima mia
Verdi: I Lombardi: O madre, dal cielo soccorri
Verdi: Aroldo: Ciel, ch'io respire!...Salvami, salvami tu, gran Dio!
Verdi: Don Carlo: Non pianger, mia compagna
Verdi: Otello: Ave Maria

Tracks:

Puccini: Manon Lescaut: In quelle trine morbide
Puccini: Manon Lescaut: Sola, perduta, abbondonata
Puccini: La Boheme: Si, Mi chiamano Mimi
Puccini: La Boheme: O soave fanciulla
Puccini: La Boheme: Donde lieta usci
Puccini: La Boheme: Dunque e' proprio finita?
Puccini: Tosca: non la sospiri, la nostra casetta
Puccini: Tosca: Vissi d'arte
Puccini: Tosca: senti, l'ora e' vicina...Amaro sol per te
Puccini: Madama Butterfly: Quanto cielo....Ancora un passo or via
Puccini: Madama Butterfly: Vogliatemi bene
Puccini: Madama Butterfly: Un bel di vedremo
Puccini: Madama Butterfly: Con onor muore
Puccini: Suor Angelica: Senza mamma
Puccini: Gianni Schicchi: O mio babbino caro
Puccini: Turandot: Signore, ascolta
Puccini: Turandot: In questa reggia
Puccini: Tu che di gel sei cinta

Tracks:

Gluck: Orphee et Eurydice: J'ai perdu mon Eurydice
Gluck: Alceste: Divinites du Styx
Bizet: Carmen: L'amour est un aiseau rebelle
Bizet: Carmen: Pres des remparts de Seville
Bizet: Carmen: les tringles des sistres tintaient
Bizet: Carmen: Carreau! Pique!
Gounod: Romeo et Juliet: Ah! Je veux vivre dans ce reve
Thomas: Mignon: Ah, pour ce soir...Je suis Titania
Berlioz: La Damnation de Faust: D'amour l'ardente flamme
Massenet: Werther: Werther! Qui m'aurait dit...Des cris joyeux
Gounod: Faust: Un bouquet!...Ah! je ris
Saint-Saens: Samson et Dalila: Printemps qui commence
Saint-Saens: Mon coeur s'ouvre a ta voix
Massenet: Manon: Je ne suis que faiblesse...Adieu, notre petite table
Massenet: Manon: Suis-je gentille ainsi?....Je marche sur tous les
Charpentier: Louise: Depuis le jour

Tracks:

Giordano: Andrea Chenier: La mamma morta
Cilea: Adriana Lecouvreur: Ecco-respiro appena. lo son l'umile ancells
Cilea: Adriana Lecouvreur: Poveri fiori
Mascagni: Cavalleria Rusticana: Voi lo sapete, o mamma
Leoncavallo: Pagliacci: Qual fiamma avea nel guardo...Hui!
Boito: Mefistofele: L'altra notte in fondo al mare
Catalani: La Wally: Ebben? ne andro lontana
Cherubini: Medea: Dei tuoi figli
Spontini: La Vestale: O Nume tutelar
Spontini: La Vestale: Caro oggetto
Gluck: Iphigenie en Tauride: O malheureuse Iphigenie
Mozart: Don Giovanni: Or sai chi l'onore
Mozart: Don Giovanni: In quali eccessi, o Numi!
Massenet: Le Cid: De cet affreux combat...Pleurez, pleurez, mes yeux!
Ponchielli: La Gioconda: Suicidio!
Verdi: Un Ballo in Maschere: Morro, ma prima in grazia
Verdi: Don Carlo: O don fatale

Album Description

Best Callas 100 (part of the Best Classics 100 series) features 6 CDs of the best and most popular operatic arias and duets sung by legendary soprano Maria Callas from her EMI catalog of complete operas and recital albums. Each CD contains approx. 16-17 tracks.

CD 1 The Operas of Bellini CD 2 The Operas of Donizetti and Rossini CD 3 The Operas of Verdi CD 4 The Operas of Puccini CD 5 French Operatic Heroines CD 6 Dramatic Heroines

Customer Reviews:

The greatest opera singer of the 20th century........2007-05-20

Here in one incredibly inexpensive package (I paid $15) are the "juicy bits" of Maria Callas's studio recordings. These six disks which run for 7 and 3/4 hours contain 99 arias, duets and concerted numbers from her studio work plus "Ah, fors'e lui" from the live recording of the Lisbon "Traviata" for the total of "100 Best". (NB: "Sempre libera" is not included.) This is probably EMI's last ditch effort to extract some value out of their Callas catalog as the European copyrights are starting to expire. Well, this is to our advantage. Whether you are a long time Callas fan and completist or a newcomer, this is well worth the money to have all these highlights ready at your finger tips.

The only complaint I have about this set is the complete lack of texts and notes. Usually these days this material is put on the web for bargain releases, but I was unable to locate any for this set. As Callas's art was in the shading of the texts, newcomers especially need to be able to follow along.

Grab this now while it is still available.

One of the best collection of Callas on CD.......2007-05-13

This is realy Maria Callas 100 best classics collection, surprisingly with very good sound ,without any noise or distortion .Six CDs, each of them 70 -79 min very enjoyable..Thank you EMI for this grate production...

Unbelievable Deal.......2007-04-27

I was hestant about purchasing this recording due to the low price. But this is really a great buy: A six disc compillation of Maria Callas' highlights grouped by genre/composer. If you are new to opera, this is an excellent introduction to what made Callas so unique as an artist: her passion, her ability to change her timbre, the weight of her voice, her vocal colors, to suit each role. Each disc feautres a different composer or repetoire so the listener gets to hear Callas in a differnt context. Since there are about a million "best of" complillations for Callas it's a bit overwhelming and difficult to know where to start. This is definately the most complete, and the best value for your money.

Deal of the Century!.......2007-04-19

A six CD set at this price is unbelievable! If you are a beginner, start here and if you are a long time fan and have every recording under the sun like I do, it's still nice to have the CD's grouped by composer. Highly recommended!

Maria Callas 100 Best Classics.......2007-03-17

I was worried about the quality of this music because of the low price. Rest assured the quality is there and this is an incredible buy.

Average customer rating:

If you love beautiful voices...
If you want to know Corelli's art, this is the right CD
excellent gift
Greatest Tenor of This Century!
Ah... Franco :}

The Very Best of Franco Corelli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Similar Items:

The Very Best of Beniamino Gigli
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An Evening with Franco Corelli

ASIN: B00008V5VV
Release Date: 2003-04-22

Tracks:

A Te, O Cara
Meco All' Altar Di Venere... Me Protegge, Me Difende
Ah Si, Ben mio...De Quella Pira
Se Quel Guerrier Io Fossi!...Celeste Aida
Pur Ti Riveggo, Mia Dolce Aida
Intanto Amici... Viva Il Vino Spumeggiante
Mamma, Quel Vino E Generoso
Recitar!... Vesti La Giubba
No, Pagliaccio Non Son
Colpito Qui M'avete...Un Di All'azzuro Spazio
Credo A Una Possanza Arcana
Legray!... Andrea Chenier!...Si, Fui Soldato
Come Un Bel Di Di Maggio
Vicino A Te

Tracks:

Donna Non Vidi Mai
Recondita Armonia
E Lucevan Le Stelle
Non Piangere, Liu... Ah! Per L'ultima Volta!
Nessun Dorma
Favorita Del Re!... Spirto Gentil
Cielo E Mar
L'anima Ho Stanca
Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
Ange Adorable
L'amour, L'amour.. Ah! Leve-Toi, Soleil!
O Nuit Divine!
C'est La! Salut! Tombeau!
Fronde Tenere... Ombra Mai Fu
Ave Maria
Domine Deus
Core 'Ngrato
Torna A Surriento

Customer Reviews:

If you love beautiful voices..........2007-04-30

and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.

If you want to know Corelli's art, this is the right CD.......2007-03-10

Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).

But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.

"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.

Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.

Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.

This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.

excellent gift.......2007-02-09

I gave it to my father and he says Its an amazing cd.

Greatest Tenor of This Century!.......2007-02-03

Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.

Ah... Franco :}.......2007-01-10

Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.

Bellini - Norma / Maria Callas, Ludwig, Corelli, Zaccaria, Teatro alla Scala, Serafin

Average customer rating:

all-star cast
2 Callas Normas. Which to get.
Greater Depth or Neccessary Caution?
CALLAS' ASTONISHING NORMA
CALLAS MESMERIZING AS NORMA

Bellini - Norma / Maria Callas, Ludwig, Corelli, Zaccaria, Teatro alla Scala, Serafin
Vincenzo Bellini , Tullio Serafin , Maria Callas , Christa Ludwi