Beethoven, Ludwig Van

Average customer rating:

Sounds like a cheap plastic toy
would make you sleepy..
Kid's Music
Not soothing
Great for bedtime, but wish it were a real piano

Baby Einstein: Lullaby Classics

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Baby Mozart
Baby Beethoven
Baby Einstein: Playtime Music Box
Baby Neptune
Baby Einstein: Traveling Melodies

ASIN: B0001IXTU4
Release Date: 2004-03-16

Tracks:

Variations (Twinkle, Twinkle), K265/300e
Minuet In G From Anna Magdalena
Piano Sonata In C, K 545, 2nd Movement
Spring Song
Piano Sonata In D, K 576, 3rd Movement
Jesu, Joy Of Man's Desiring, BWV 147
Canon
The Moldau
Preludes Book II, Clair De Lune
Sonata No.14 (Moonlight), 2nd Movement, Op.27
Symphony No.9, New World
Fur Elise, WoO 59
The Four Seasons, Winter, RV267, 2nd Movement
Orchestral Suite No.3 In D, Air, BWV 1068
Sonata No.8 (Pathetique), 2nd Movement, Op.13
Kinderscene, Op.15
Waltz No.15, Lullaby

Product Description

The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with Twinkle, Twinkle variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' Lullaby tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)

Customer Reviews:

Sounds like a cheap plastic toy.......2007-06-20

I have these DVD's and I can tell you that they will not be a huge part of my baby's development. I received them as a gift from someone that thinks that all you need to do is plunk your child in front of a TV all day without giving the baby any attention. You can see why these DVD's are popular at Day Care Centers or what I like to call, "Concentration camps for baby's with lazy parents", because they know that they can sit their kid/baby in front of the TV and let them turn into a thoughtless zombie while they listen to Baby Einstein totally ruin classics by Bach and DeBussy by playing the music with very cheap midi keyboards. I can get better quality music by whistling Dixie with a mouth-full of saltine crackers.

Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.

would make you sleepy.........2007-06-15

its a good product with very fine music and my toddler realizes that it is sleep time, if I play it. he goes to bed and sleeps after a couple songs. I have trouble in some songs are some months.. dont know why.

Kid's Music.......2007-06-08

I bought this CD for my grandniece, but after listening to it, I determined that no one would ever play this for her except me. I would have kept it for myself but I have the grown-up versions of each of the classical masterpieces on this CD. So, I ended up returning it for a full refund. If you want your kids to be exposed to classicl music, it's a great buy. But if you don't think they will get to listen to it, don't waste your time.

Baby Einstein: Lullaby Classics

Not soothing.......2007-06-07

These synthesizer versions of classical songs get really old, really fast. Worse yet, the songs are sometimes not soothing at all, especially the very first song. The song seems to get particularly loud and uptempo, which is precisely what you don't expect in a lullaby. Please listen to the sample of the first song at least before you buy.

Great for bedtime, but wish it were a real piano.......2007-06-01

This CD worked great to put my daughter to sleep while I rocked her in my arms, and I enjoyed the choices of songs and the arrangements. However, I would have preferred that real instruments were used.

Average customer rating:

Not exactly....
Not what I expected.
Excellent relaxing music and sleep aid
nice try...
Bedtime Beats: The Secret to Sleep

Bedtime Beats: The Secret to Sleep

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

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Pillow Music - Natural Deep Sleep
Sleep Soundly
The Most Relaxing Classical Album in the World...Ever!
Beethoven at Bedtime: A Gentle Prelude to Sleep
Delta Sleep System

ASIN: B000GH3PQ8
Release Date: 2006-09-12

Tracks:

Vivaldi: Concerto in D Major, "Largo" -- Sharon Isbin
Ravel: Piano Cto. in G Major, "Adagio Assai" -- Anne Queffelec
Vaughan Williams: Greensleeves -- Davis/BBC Symphony Orchestra
Satie: Gymnopedie No. 1 & 3 -- Sado/Orchestre Des Concerts Lamoureux
Beethoven: Piano Cto. No. 5, "Adagio Un Poco Mosso" -- Pierre-Laurent Aimard
Ravel: Pavane Pour Une Infante Defunte -- Nagano/lyon National Opera Ochestra
Puccini: Chrysamthemums -- Helsinki Strings
Mozart: Adagio for Violin and Orchestra in E Major -- Thomas Zehetmair
Chopin: Piano Cto. No. 2, "Larghetto" -- Maria-Joao Pires
Resighi: Villanella -- Scimone/I Solisti Veneti
Faure: In Paradisum -- Corboz/Berne Symphony Orchestra

Tracks:

J.S. Bach: Goldberg Variations, "Aria" -- Jill Crossland
Tchaikovsky: Andante Cantabile -- Alexander Kniazev
Debussy: The Girl With The Flaxan Hair -- Lily Laskine
Mozart: Piano Cto. No. 21, "Andante" -- Karl Engel
Chopin: Nocturne In E flat Major -- Elisabeth Leonskaja
J.S. Bach: Harpsichord Cto. In F Minor, "Adagio" -- Sharon Isbin
Mozart: Clarinet Quintet, "Larghetto" -- Karl Leister
Saint-Saens: The Swan -- Gennadi Rojdestvenski
Albinoni/Giazotto: "Adagio" -- Sharon Isbin
Faure: Pavane Pour Orchestre -- Jordan/Orchestre De Chambre De Lausanne
Beethoven: Piano Sonata No. 14, Moonlight "Adagio Sostenuto" -- Nikolai Lugansky

Album Description

Created to meet the needs of more than 40 million sleep sufferers and light-eyars beyond lullabies, Bedtime Beats: The Secret To Sleep is the first classical music collection available as a true sleep remedy, an effective alternative to medication and sleepless nights. Carefully programmed in accordance with recent research from Case Western Reserve University--which discovered that classical and soft jazz music played at 60-80 beats per minute induces sound sleep.

Customer Reviews:

Not exactly...........2007-05-14

This cd wasn't exactly what I was looking for, it does not really help you fall asleep. Some of the music can be annoying and it could have been more soothing.

Not what I expected........2007-04-26

I should have paid attention to the two negative reviews. This CD doesn't put me to sleep at all--in fact, it keeps me awake. I find myself listening to the music instead of going to sleep.

One of the pieces has irritating and dissonant passages mingled with relaxing, soothing passages. Also the music changes tempo and volume quite often, which would wake me up if I did start to drift off.

Since I expected something that would put me to sleep, listening to this is upsetting, because I wasted my money.

However, since it works well for most reviewers, I figure I must hear things differently, or have a harder time falling asleep than most. Maybe if I listened to it enough to get used to it, it might work better.

I would like to find something totally soothing and relaxing--maybe I need actual recordings of water or rain, but I prefer music. Any suggestions?

Excellent relaxing music and sleep aid.......2007-04-10

This CD collection is so effective that I still have not made it through the first CD to listen to the second one. It's very relaxing music and helps me fall asleep every night.

nice try..........2007-02-06

but no silver bullet. FOR ME. Lovely selection of tunes, and I find them quite enjoyable and relaxing, but they just don't "knock me out". I own a variety of "sleep CD's" but real music seems to be just too stimulating when I am having trouble sleeping. I do better with guided imagery. Yesterday, though, I brought it over to my mom's place and laid down to listen to it with her, because she was so stressed out. She was asleep before the third number!

Bedtime Beats: The Secret to Sleep.......2007-01-29

My son has a hard time falling asleep at night. The CD's have helped significantly in allowing him to have a good nights sleep. Highly recommended!

Beethoven - The Complete String Quartets / Alban Berg Quartet

Average customer rating:

A wonderful Beethoven cycle
A LONG TIME COMING AT THIS PRICE
What more can be said?
With the Best of the Best
What sound problems????

Beethoven - The Complete String Quartets / Alban Berg Quartet
Ludwig van Beethoven , Alban Berg Quartet , and Gerhard Schulz, Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Beethoven: Complete Piano Sonatas / Daniel Barenboim
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Shostakovich: The String Quartets
Complete String Quartets

ASIN: B000026D4J
Release Date: 1999-11-16

Tracks:

Op. 18 No. 1 In F Major: I: Allegro Con Brio - Alban Berg Quartett
Op. 18 No. 1 In F Major: II: Adagio Affettuoso Ed Appassionato - Alban Berg Quartett
Op. 18 No. 1 In F Major: III: Scherzo (Allegro Molto) & Trio - Alban Berg Quartett
Op. 18 No. 1 In F Major: IV: Allegro - Alban Berg Quartett
Op. 59 No. 1 In F Major 'Rasumovsky': I: Allegro - Alban Berg Quartett
Op. 59 No. 1 In F Major 'Rasumovsky': II: Allegretto Vivace E Sempre Scherzando - Alban Berg Quartett
Op. 59 No. 1 In F Major 'Rasumovsky': III: Adagio molto e mesto : IV: Allegro (Th russe) - Alban Berg Quartett

Tracks:

Op. 18 No.2 In G Major: I: Allegro - Alban Berg Quartett
Op. 18 No.2 In G Major: II: Adagio cantabile - Alban Berg Quartett
Op. 18 No.2 In G Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
Op. 18 No.2 In G Major: IV: Allegro molto, quasi presto - Alban Berg Quartett
Op. 18 No. 6 In B Flat Major: I: Allegro con brio - Alban Berg Quartett
Op. 18 No. 6 In B Flat Major: II: Adagio, ma non troppo - Alban Berg Quartett
Op. 18 No. 6 In B Flat Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
Op. 18 No. 6 In B Flat Major: IV: Adagio (La Malinconia) - Allegretto quasi Allegro - Alban Berg Quartett
Op. 135 In F Major: I: Allegretto - Alban Berg Quartett
Op. 135 In F Major: II: Vivace - Alban Berg Quartett
Op. 135 In F Major: III: Lento assai, cantante e tranquillo - Alban Berg Quartett
Op. 135 In F Major: IV: Grave, ma non troppo tratto - Allegro - Alban Berg Quartett

Tracks:

Op. 18 No. 3 In D Major: I. Allegro
Op. 18 No. 3 In D Major: II. Andante con moto
III. Allegro
Op. 18 No. 3 In D Major: IV. Presto
Op. 18 No. 5 in A Major: I. Allegro
Op. 18 No. 5 in A Major: II. Menuetto & Trio
Op. 18 No. 5 in A Major: III. Andante cantabile
Op. 18 No. 5 in A Major: IV. Allegro
Op. 95 In F Minor: I. Allegro con brio
Op. 95 In F Minor: II. Allegretto ma non troppo
Op. 95 In F Minor: III: Allegro assai vivace, ma serioso

Tracks:

Op. 18 No. 4 In C Minor: I. Allegro ma non tanto
Op. 18 No. 4 In C Minor: II. Scherzo (Andante scherzoso quasi Allegretto)
Op. 18 No. 4 In C Minor: III. Menuetto (Allegretto) & Trio
Op. 18 No. 4 In C Minor: IV. Allegro
Op. 130 in B flat Major: I. Adagio ma non troppo - Allegro
Op. 130 in B flat Major: II. Presto
Op. 130 in B flat Major: III. Andante con moto, ma non troppo
Op. 130 in B flat Major: IV. Alla danza tedesca (Allegro assai)
Op. 130 in B flat Major: V Cavatina (Adagio molto espressivo)
Grosse Fuge In B Flat Major, Op. 133
Op. 130 in B flat Major: VI. Finale (Allegro)

Tracks:

Op. 59 No. 2 In E Minor 'Rasumovsky': I: Allegro
Op. 59 No. 2 In E Minor 'Rasumovsky': II: Molto Allegro
Op. 59 No. 2 In E Minor 'Rasumovsky': III: Allegretto
Op. 59 No. 2 In E Minor 'Rasumovsky': IV: Finale (Presto)
Op. 127 In E Flat Major: I: Maaestoso - Allegro
Op. 127 In E Flat Major: II: Adagio ma non troppo, molto cantabile
Op. 127 In E Flat Major: III: Scherzando vivace
Op. 127 In E Flat Major: IV: Finale

Tracks:

Op. 59 No. 3 In C Major 'Rasumovsky': I: Introduzione (Andante con moto) - Allegro vivace
Op. 59 No. 3 In C Major 'Rasumovsky': II: Andante con moto quasi allegretto
Op. 59 No. 3 In C Major 'Rasumovsky': III: Menuetto (Grazioso) & Trio
Op. 131 In C Sharp Minor: I: Adagio ma non troppo e molto espressivo
Op. 131 In C Sharp Minor: II: Allegro molto vivace
Op. 131 In C Sharp Minor: III: Allegro moderato
Op. 131 In C Sharp Minor: IV: Andante ma non troppo e molto cantabile
Op. 131 In C Sharp Minor: V: Presto
Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante

Tracks:

Op. 74 In E Flat Major 'Harp': I Poco adagio - Allegro - Beethoven
Op. 74 In E Flat Major 'Harp': II. Adagio ma non troppo - Beethoven
Op. 74 In E Flat Major 'Harp': III. Presto - Beethoven
Op. 74 In E Flat Major 'Harp': IV: Allegretto con Variazioni - Beethoven
Op.132 In A Minor: I: Allegro sostenuto - Allegro - Beethoven
Op.132 In A Minor: II: Allegro ma non tanto - Beethoven
Op.132 In A Minor: III: Molto adagio - Beethoven
Op.132 In A Minor: IV: Alla marcia, assai vivace - Beethoven

Customer Reviews:

A wonderful Beethoven cycle.......2007-06-18

This is a fine recording, remastered for the reissue. Intelligent, driving, finely played. Excellent musicianship. Buy it. You won't be sorry you did.

A LONG TIME COMING AT THIS PRICE .......2007-06-02

On LP I own any number of complete Beethoven String Quartets by the great masters of that genre. I bought them all as a teenager and in college. When I started buying CDs a complete Beethoven set for over $100 by a great quartet became out of my price range at the time. To find the Berg Quartet, (a favorite group of mine), surveying these great works at this price from Amazon is one of the best bargains going.

I went immediately to Op. 135 and found it marvelous in concept, execution and recording. I've now listened to almost all the quartets, and the consistency is wonderful. Because I'm in the business I'm using only high end professional equipment for playback and the sound is truly "You Are There". The recordings capture the upper overtones of all the instruments without the least harhsness, no mean feat. The blend of the group and the hall is articulated in a way that happens on only a very few recordings. Ocassionally one can hear a minor difference in what might be placement of microphones, even from movement to movement. This could, in fact, be the result of a temperature or humidity change in the recording venue. You have to pay very close attention to notice this and it does nothing to diminish these sonic wonders) Worth thrice the price.

What more can be said?.......2007-02-03

There are many wonderful performances of these remarkable pieces. Which is the finest? Only God, in his wisdom, will ever be able to answer such a question, but I'm sure with his celestial headphones on he'll be listening to the Alban Berg Quartet. For me this quartet is able to "read" each individual quartet with such clarity, from the light hearted humor of the Op.18 to the intense and darkly passionate Op.95 through to the strangely happy yet unearthly Op.135, with many other wonderful moments, that I can hardly imagine any better. You won't go wrong buying this.

With the Best of the Best.......2006-12-14

I know it's saying a great deal with the excellent full sets of these quartets to choose from, but these overall are my favorites. The playing is excellent, balanced and perfectly toned. There are unquestionably the deep emotional commitment of the Vegh Quartet, the intelligence of the Juilliard, the parlor intimacy of the Talisch and the muscular intensity of the Italiano. And the serious collector needs to listen to these sets, or selections of, for a rounded understanding of these works. But for a consistency of quality and feeling throughout a traversal of all the quartets I believe the Berg set wins an arguably close contest--at least for me.

What sound problems????.......2006-11-14

I am only writing this review in dispute of RB Townsend remarks below.
I have been listening to this mostly Live set for a few years now on high end Audiophile equipment and notice NO problems with sound at all.
It is clear, clean, crisp, transparent and rich with no "glare" at all.
if it is "well lit", this would suit Beethoven's strings perfectly.
An absolutely stunning performance with a Superb sound stage and sound.
All the other reviewers and the buyers who agree with their assessments (a hundred of them) can't be wrong.
With all due respect, Perhaps Mr. Townsend is listening to this on an Aiwa bookshelf System. Perhaps.

The Most Relaxing Classical Album in the World...Ever!

Average customer rating:

Lives Up To The Title, Fine Variety Of Genre's.
Good for relaxing pregnant women
Too much opera
Does what it set out to do, very well
TRULY The most relaxing and beautiful music ever written.

The Most Relaxing Classical Album in the World...Ever!
Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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The Most Relaxing Classical Album In the World Ever, Volume II
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Best of the Millennium: Top 40 Classical Hits
25 Classical Favorites

ASIN: B00000I93Z
Release Date: 1999-03-30

Tracks:

Cantata No.140: Sleepers, Wake !
Adagio In G Minor
String Quintet In E Op. 13 No. 5: Minuet
Keyboard Concerto No. 5 In F Minor BWV 1056: II: Largo
Thais: Meditation
Piano Sonata No.14 In C Sharp Minor 'Moonlight' Op. 27 No.2: I: Adagio sostenuto
The Tales Of Hoffman: Belle nuit, o nuit d'amour - Barcarolle
Concerto for Two Mandolins: II: Andante
Clarinet Concerto In A K.622: II: Adagio - Opening
Cavalleria Rusticana: Intermezzo
String Serenade op. 22: I: Moderato
Gianni Schicchi: O mio babbino caro
'Sir John In Love': Fantasia On 'Greensleeves'
Piano Concerto No. 2 In C Minor Op. 18: II: Adagio sostenuto - Opening
String Quartet No.2 In D#: Nocturne
Concierto de Aranjuez: II: Adagio - Opening
Adagio For Strings Op. 11a
Carmen: Entr'acte To Act III

Tracks:

Suite No. 3 In D BWV 1068: Air 'On The G string' - J.S. Bach
'Peer Gynt' Incidental Music Op.23: Morning
Canon In D
Cantata No. 147: Jesu, Joy of Man's Desiring - Bach
Gymnopedie No. 1
Piano Concerto No. 21 In C 'Elvira Madigan', K. 467: Andante
Lakme: Viens, Mallika
Requiem Op. 48: In Paradisum
'Suite Bergamasque': Clair de lune - DeBussy
Violin Concerto In E minor Op. 64: Andante - Mendelssohn
'The Carnival Of Animals': The Swan
Symphony No.3 'Symphony Of Sorrowful Songs': Lento E Largo - Tranquillissimo
Flute And Harp Concerto In C - K. 299: Andantino
The Four Seasons: The Four Seasons Largo ' Winter'
'Enigma' Variation Op. 36: Nimrod
Blow The Wind - Pie Jesu
Rhapsody On A Theme Of Paganini: Variation 18
Pavane Op. 50

Amazon.com

You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian

Customer Reviews:

Lives Up To The Title, Fine Variety Of Genre's........2007-02-04

This CD is a great way to enjoy a large variety of Classical Composers & many of their best known pieces. Vivaldi's "Four Seasons," is an all time favorite. There are vocals, Piano pieces, & some fine Violins. I found the latter the most enjoyable. Here you can find Rodrigo & Pachelbell. Samuel Barber's haunting Adagio will make your skin tingle. This may not be to everyones taste, but if you wish to relax? Give this a couple of listens.

Good for relaxing pregnant women.......2007-01-17

I stumbled onto this album whilst searching bit torrent websites for classical music. I don't normally listen to classical music but thought it might be relaxing for my pregnant wife. After hearing the quality of the performances, the arrangement, and the recording I decided to buy the album from amazon. All the songs you would expect from a "best album in the world" are there and they are not boring to listen to like a lot of other classical albums. I now play this album in the car constantly and the wife requested it be played at the hospital during the birth.

Too much opera.......2007-01-10

If it wasn't for the opera this would be a great CD.

Does what it set out to do, very well.......2006-11-15

So i'm a classical music veteran, someone who prefers to collect a complete work, rather than classical compilations. I probably would not have listened to this album at all if my dad didnt buy it for me as a gift. By now, i own the complete works that over half of the excepts on this disc come from. I am a purist if ever there was one.

That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.

Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.

To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.

Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)

So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.

TRULY The most relaxing and beautiful music ever written........2006-11-10

This album along with Volume 2 are now the two most valued albums in my music collection. I have all of the songs contained on these two albums but they are scattered through at least a dozen different albums and several are not performed by artists such as those that recorded this album and Volume 2.
SIMPLY BEAUTIFUL !!!!!!!!!!

Average customer rating:

Without soul!
Artistically Improving
The beginning of an anchorage - and Beethoven is well chosen.
5 star technique, 3 star soul
Very musical Beethoven from a pianist fast maturing

Beethoven: Piano Concertos Nos. 1 & 4

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000OYC3FM
Release Date: 2007-05-08

Tracks:

1. Allegro Con Brio
2. Largo
3. Rondo. Allegro
1. Allegro Moderato
2. Andante Con Moto
3. Rondo. Vivace

Amazon.com

What a beautiful recording! Perhaps the most exciting thing about Lang Lang's playing is that when he plays softly and lyrically, he doesn't sound as if he's holding back; when he opts to stomp and yell, it sounds equally natural. The First Concerto is played with lightness and bounce in the outer movements and is as tuneful as imaginable in the stunning second movement's Largo. The Fourth Concerto is a whole other matter - mature Beethoven - and Lang rises easily to the occasion, playing with potency and handsome tone. The first movement makes us sit and admire his skill, and he is poetic and sensitive in the second movement. It would have been easy for him to run away with the final movement in a blaze of virtuosity, but he sticks to its classical outlines. These are superb performances, and the sonics are gloriously rich. --Robert Levine

Album Description

Lang Lang delivers his first-ever Beethoven recording, a stunning reading of the extensive Concerto no. 4 and the jubilant Concerto no. 1. Even though he has performed this repertoire extensively in concert, Lang Lang waited for the perfect moment and the perfect team to record his first pair of concertos from these milestones of piano repertoire When Lang Lang embarked on his international career, Christoph Eschenbach became one of his first and most enthusiastic proponents - and a mentor and close friend ever since, Eschenbach was the ideal collaborator for Lang Lang's first Beethoven recording. Nimbly supported by Eschenbach's superb Orchestre de Paris, with its tradition of having been the first orchestra ever in France to perform music by Beethoven, Lang Lang's performance gives further proof as to why he is one of today's most acclaimed pianists

Customer Reviews:

Without soul!.......2007-06-10

Does he play Beethoven at all? If you like Beethoven piano concerto, please listen to Backhaus, Schnabel, Fischer or Perahia!

Artistically Improving.......2007-05-23

Lang Lang's technical abilities have overrun his artistic interpretations since the start of his recording career. While that remains a fairly accurate description, this recording shows definite progress. It seems somewhat unfair to denigrate the talents of so dextrous a musician as this young man but there you have it: when you are put on the world stage you are assessed by different standards.

And yet, Lang Lang shows signs of development that are encouraging. His performance of the First Concerto is both lively and exquisitely melodic, except for the occassionally ham-fisted showmanship he is often (and deservedly) derided for. However, the Fourth Concerto seems beyond his artistic grasp. While technically brilliant, it is a soulless and showy performance that displays none of the depth a more mature artist would be capabale of. Beethoven was not a composer known for showmanship but artistry and restraint. These are not qualities Lang Lang is exactly reknown for.

Still, Lang Lang's occassional lyricism can override his more exaggerated tendencies, which makes he and Beethoven quite compatible. This is what makes this CD as effective as it is. Perhaps this young man has received too much acclaim too soon. He needs time to mature as an artist but has so far chosen to present himself to the public at every possible turn. This recording indicates that there is something more to him than has consistently met the ear. Frustrating and encouraging at the same time, Lang Lang's latest CD shows a definite progression in his interpretive skills. It's exciting to think what may be coming in his future.

Finally, the typically exquisite DG sound and fidelity must be acknowledged. Every note and romantic passage is beautifully displayed in a pristine recording of gourgeous beauty. A wothwhile addition to any modern classical collection.

The beginning of an anchorage - and Beethoven is well chosen........2007-05-23

I could not agree more with Christoph Eschenbach's observation about Lang Lang - of the multi-repertoire that young Lang has savoured since his child prodigy days, he requires a specialty composer so as to be able to dwell deeper into the musical language, and Beethoven is probably the best choice for him.
I have listened and greatly admired the Harnoncourt Beethoven piano concertos (Harnoncourt being one of my favorite contemproary conductors since the 1970's). The orchestration in that recording was simply superb, and the character, style and soul of Harnoncourt in Beethoven's works hard to beat.
Eschenbach's conducting here is also good, but to my personal view, not as good as Harnoncourt's. This may be subjective, but I do find the authenticity in Beethoven's style some what lacking here.
Then the soloist - I must say that the soloist in Harnoncourt's set could not be compared with Lang Lang here. (Again my subjective view). That is not to say that Lang's playing is perfect, nor the best. Why compare him with Argerich? Argerich had declined Harnoncourt's invitation to record for HIM then, because she does not play the entire set of Beethoven Concertos, and would not want to learn those that she did not know.
So much for the mature pianist. The two concertos chosen here could indeed still be improved upon, though one must bear in mind that the 4th is considered to be the most introverted piano concertos of Beethoven, and Lang Lang had tuned down much of his highly inflammatory style. Lang's playing could interestingly be compared to Wilhelm Kempff's made in 1962 (when the pianist was 67 years old). Cannot imagine a young chap to be so reserved in this piece. A result of the vast criticisms he's got from negative reviewers?
The 3rd movement of the 1st concerto really should be more fiery, but Lang Lang some how missed the fireworks in this movement.
Lang Lang, so far, has NOT established himself as a virtuoso of any specialty, much unlike his compatriot Yundi Li. Well, in my humble view this is something that he should do right now. And I've heard that he is going to record more Beethoven concertos with Eschenbach. This is certainly good news.

5 star technique, 3 star soul.......2007-05-20

It's no different with classical than it is with any other discipline - if all you do is play the notes, you will achieve a certain technical finesse and mastery, but it will never go someplace other unless it's in your soul that the music disturbs you. And that is never more so the case than it is with anything by Beethoven, let alone these concertos.
Lang Lang is movng away from his reputation as the Chinese Liberace, but as evidenced by this recording, he has miles to go yet. Christoph Eschenbach, fresh off his decision to bag parochial and plebian Philly and head to the City of Light, delivers the type of sympathetic counterpoint that most soloists only dream about. He is given over completely to where the music may lead him, and in its deepest recesses he shows Lang the path to follow. LL hasn't quite summoned the necessary instincts to go there fully. And I believe that's due to his own absorption into the cult of personality that enwraps everything about him with vicarious thrills - checkered pants (huh? who dresses this guy?), Clay Aiken posturing, over the top emotionalism are not serving him well. Beethoven was never over the top. He dwelt in the dark places of the human soul and his postcards from that territory are filled with grit, anger, passion. Done poorly, and his music is muzak. Done well, and the human soul comes face to face with its own nightmares and fears, triumphs and tragedies. This is not muzak, thanks to Eschenbach, but it isn't Alfred Brendel and Simon Rattle either, let alone Martha Argerich and anybody at the podium.
Considering his back catalogue, this is a triumph for LL. Hopefully, as with DRAGON SONGS, it indicates that he is coming to terms with more than dexterity and sleight of hand, and ham fisted power chords. I remain skeptical yet hopeful. Classical music is in desperate need of a blazing star, a Jimi Hendix if you will, who would radically re-think a discipline that has trouble finding its market and relevance in life today. Lang Lang may have the goods, but he needs to get down in the gutter with the rest of us, or as Oscar Wilde might intone:
"all of us are in the gutter, but some of us are looking at the stars..."
There is an ontological karma there that Lang Lang would do well to embrace. In this recording, he has, at least, shaken its hand.

Very musical Beethoven from a pianist fast maturing.......2007-05-09

Lang Lang has nothing to prove to the public, who have embraced him worldwide as a megastar. But critics are another matter. HIs meteoric rise came too fast for them, and they doubt his maturity, taste, even his sincerity. I for one am a fan, despite hearing one disappointing live recital in Boston, so I was eager to hear great things in this pairing of Beethoven's Piano Concertos 1 and 4.

To begin with, we get excellent sound from DG for both piano and orchestra, and Eschenbach leads the Orchestre de Paris in clean striaghtforward accompaniments. From the first entry of the piano, however, the spotlight is on Lang Lang. He shows a happy affinity for the First Concerto, keeping the rhythms light and springy; he punctuates a bit sharply at times but overall conveys buoyant cheer. The long, lovely melodic line in the Largo sounds as edelicate and refined as Mozart in Lang Lang's hands. The finale could show more brio but is fine. Is this a reading for the ages? No. One can think of several others, from Fleisher, ARgerich, Michelangeli, and Richter in particular, that scale the heights, while Lang Lang remains in the middle distance.

His real challenge comes in the great Fourth Concerto, a much deeper work and one suited to Lang Lang's sensitive touch. Despite his reputation for keyboard wizardry, this pianist tends toward poise and luricism. Here he gets a chance to shine, which he does--within limits. The recorded history of the Fourth contains great readings from Gieseking, Edwin Fischer, Rudolf Serkin, Fleisher, and Kempff, just to mention a few favorites. Lang Lang plays very well, and he is never less than fine, but I don't hear enough individual personality. Marvelous as his technique and phrasing can be, he needs a decade more maturity.

Overall, the musicality of these performances should quiet the critics if they are willing to listen honestly and not through preconceived notions. The fingerwork in the first movement dazzles, the hushed bridge between the slow movement and the finale brings a shiver, and the finale itself, if not up to Serkin's blazing standard, shows many nice touches. (I only wish Lang Lang had let himself go; the rhythms are a little cautious and foursquare.) Four stars are well deserved.

Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra

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i can't take it anymore
Classic circa 1950 Beethoven Symphony Cycle
Beethoven's symphonies
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Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra
Ludwig van Beethoven (Composer) , Arturo Toscanini (Conductor) , and NBC Symphony Orchestra
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000CNTLU
Release Date: 2003-12-09

Customer Reviews:

i can't take it anymore.......2007-06-02

i'm tired of aficionado's bashing toscanini around while praising furtwangler as the ultimate interpreter of beethoven. just as an average "uneducated" listener is likely to praise karajan, an average "uneducated" aficionado is likely to praise furtwangler as the only viable option of beethoven performance.
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.

Classic circa 1950 Beethoven Symphony Cycle.......2007-05-30

Toscanini was born in 1867, the same year as my great grandfather. According to RCA, his first gig as a conductor was in 1886! These recordings were made at Carnegie Hall between November 1949 and November 1952 except symphonies 4 & 5 which were taken from NBC broadcasts.

After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.

I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"

If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.

Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!

Beethoven's symphonies.......2007-05-12

When the master conducts the master, you will get nothing but a superb rendition of excellent musice. A must for classics lovers

Great Historical Collection.......2007-05-07

Any collection of all nine Beethoven symphonies is likely to have some great recordings and some not-so-great ones, and this collection is no exception. On balance, however, if you appreciate the Toscanini style (generally fast paced), this group ranks very close to the 1963 Karajan with the Berlin SO and right there with Walter and the Columbia SO. Plus, this is the most economical way to get Toscanini's recordings of the third, seventh and ninth, so the others are a "bonus."

The epic phlegm! .......2007-02-19

Yesterday as today, the interpretative style of Toscanini will always be uppermost in the minds of those who require and demand that mercurial energy, visceral epic and dramatic intensity in almost all he conducted.

Although the pitiful fact today nobody conducts like him and many people think mistakenly that Beethoven must be conducted eductadly (according the precepts of Mr Karajan. for instance) to my mind this is a distorted way way to approach him: always restrained, controlled and seizing up all the factors in order to give an Apollonian gaze without imbuing oneself in the spirit of the work. That objective vision is literally murdering the febrile spirit of each work, because somehow it's homogenizing the tempos, molding in unison the wide range of the human expressions, specially in Beethoven, Wagner or Bruckner, composers who require from the director an additional presence and continuous involvement around the process of conducting.

But above all these aesthetics considerations, I firmly believe Toscanini's legacy will take and hold a place in the art of conducting, in spite of the fact most of the audiences in this generation are distant to agree. The time will be in last instance, the supreme judge that will place the state of things in its fair place.

His Beethoven's approach runs parallel to that visceral urgency to make sound Beethoven wildly with his roughness and dissonances. If you pretend to conduct Beethoven according established rules, you' re wrong and securely nothing will happen on stage.

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Sarah's Best Easy Listening CD
Best Brightman CD
Sarah Brightman is a Classic
Not The Best - Not the Worst - From Sarah Brightman
Nice Cover

Sarah Brightman Classics
Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman
Manufacturer: Angel Records
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ASIN: B00005RD78
Release Date: 2001-11-20

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Ave Maria (new recording)
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Amazon.com

Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin

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Customer Reviews:

Sarah's Best Easy Listening CD.......2007-03-15

Sarah Brightman's talent is limitless. Her soprano and/or alto voice is among the best and she lets it show in 'CLASSICS'. CLASSICS is a beautiful, easy listening, and peaceful CD. CLASSICS is one to listen to in tranquil or relaxing moments. "CLASICS" is a collection of great pieces of music written by great composers (Shuburt, Handel, Chopin, Puccini, and the like). I have listened to CLASSICS about 15 times now and it always puts me in a quiet and peaceful mood (I am ~50 years old).

Best Brightman CD.......2007-02-07

A classical composition which showcases the beautiful voice of Sarah Brightman. A timeless CD which will continue to be a favourite over the years.

Sarah Brightman is a Classic.......2007-01-02

Sarah Brightman is at her best in "Classics." From Dvorak's "Rusalka" (Opera B.203) to Beethoven's haunting Op 52, slow movement (Symphony #7), Brightman's voice and lyrical style are a joy. I particularly enjoy her performances of Schubert's Ave Maria and Andrew Lloyd Weber's Pie Jesu. This is a great add to my collection of serious music.

Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30

After purchasing this CD for my iPod for iTunes, I must say that I'm a little bit dissapointed. 7 new recordings and 8 old ones, ones that I already happen to have. I do like the fact that they're all on one CD! Some of her new recordings, including, "Ave Maria", "Winter Light", "Alhambra", "Dans La Nuit", and the new recording of "Pie Jesu" are just too breathy for my taste. It seems as with every changing CD, Sarah's voice changes. I'm not saying that the result is bad; it actually gives the songs more of a dream like quality, but I'm used to the younger, more Andrew Lloyd-Webber integrated Sarah. Scooping continually occurs in new recordings of "O Mio Babbino Caro", and "Nessun Dorma". In some tracks from La Luna, like "Figlio Perduto", Sarah's voice is TOTALLY dominated by harmonizing recordings that sound almost mechanical.

OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!

Nice Cover.......2006-12-27

I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).

As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.

In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...

Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra

Average customer rating:

a legendary recording
Simply revelatory
An ultimate Beethoven interpretion of Sym 5 and Sym 7
Father Knows Best
Only the first movement.

Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001GPX
Release Date: 1996-01-23

Tracks:

Symphony No. 5 In C Minor, Op. 67: 1 - Allegro con brio
Symphonie No. 5 In C Minor, Op. 67: 2 - Andante con moto
Symphonie No. 5 In C Minor, Op. 67: 3 - Allegro
Symphonie No. 5 In C Minor, Op. 67: 4 - Allegro
SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 1 - Poco sostenuto - vivace
SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 2 - Allegretto
SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 3 - Presto
SYMPHONIE NO. 7 IN A MAJOR, OP. 92: 4 - Allegro con brio

Amazon.com essential recording

Long regarded as the quintessential interpretation of the most popular and best-loved symphony ever written, this performance of the Fifth has everything: passion, precision, drama, lyric beauty, and a coiled fury in the first movement that sets your pulse racing from the very first note. Carlos Kleiber has made very few recordings in his distinguished career, but almost all are special. If you own no other copy of this symphony, this is the one to get. It comes with an exceptional performance of the Seventh--not quite as gripping as the Fifth, but definitely one of the great ones. There is classical music, and there are classic recordings of classical music. This one's a classic. -- David Hurwitz

Customer Reviews:

a legendary recording.......2007-03-06

"For all Kleiber's notable work, there will be a lingering regret that such a natural and brilliant talent did not achieve even more." - The Guardian

Even Beethoven legends like Karajan could not emulate Kleiber's success with these 2 symphonies. The 5th Symphony, as commercially overplayed as it is, becomes something completely different under his baton; the final movement is especially dramatic, rivaling the energy of an actual live recording. The 7th Symphony is not so superior - other conductors have come closer to this benchmark - but the 2nd movement (again overplayed) is truly something special. The recording, made over 30 years ago, sounds just as good as anything made today.

With 100+ recordings, my review seems somewhat superfluous, as well :)

Simply revelatory.......2007-02-12

To be able to generate such passion and electricity especially in the studio seems exactly what Beethovan wanted the music at the time. To me this version puts all other versions out of court.

An ultimate Beethoven interpretion of Sym 5 and Sym 7.......2007-02-06

Carlos Kleiber who was relatively unknown until fairly recently, has created a masterpiece. In effect he has been rediscovered. His father was no mean figure in classical music during WWII in South America and the son seems to have inherited a great deal of inspirational genius from Dad. The Viena Philharmonic is playing in its best form. This recording will outlive most others for musical excellence, precision, feeling and soul. Technically and musically, this is by far the most thrilling recording of our time. The technical sound is flawless, the inspiration is impeccable.The recording of both symphonies sustains the level of awe and excitement not usually found on most recordings of Beethoven. Oh, dear, would that Carlos had recorded the Missa Solemnis and other iconic monuments by Beethoven.

Father Knows Best.......2007-01-20

It is comforting that occasionally a performance of a piece from the basic repertoire transcends the clamor of our feverish opinions and ascends to its singular place in the pantheon on wings of almost universal approval. Carlos Kleiber's incisive reading of Beethoven's C-Minor symphony
produced a singular recording that seemed to set a new standard of excellence. It is a clinic on conducting: propulsive, seamless, trance-inducing. But for this listener, Carlos Kleiber's always-interesting dynamism and fierce attention to detail does not eclipse his father's earlier performance with the Concertgebouw, available on both CD and an excellent vinyl recording. Erich Kleiber's band, excellent in its time, sounds a little scruffy compared to the VPO. There are a few intonation problems here and there. But the performance amounts to an excavation and reinvention of Beethoven's spirit. The finale achieves a white-hot redemptive power that must have exhausted and liberated the musicians at the same time. They play as one, invincibly sprinting on the high wire. Carlos Kleiber had his father's cunning instrumental sense, his steely discipline, and probably excelled him in his ability to maintain orchestral balances. But his father was one of the few musicians to have captured the C-Minor's Sisyphean journey in all of its impossible striving. Whenever I listen to Carlos' version of Beethoven's Fifth, I contentedly marvel at his command of his orchestra. Whenever I listen to Erich's version, I am consumed, emptied, replenished, and somehow changed.

Only the first movement........2006-12-12

This is a great recording for track no. 1. Kleiber seems to lose focus after that.. the beautiful melodic counterpoint of the second melody is mushed out. the fugue in the third movement simply sprawls about. I don't see what the hype is all about when you have Wilhelm Furtwangler's wartime fifths. Kleiber's recording can't be compared to these far more superior outings..

The Most Relaxing Classical Music in the Universe

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the most relaxing classical music in the university
Relaxing Classical Music
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the most relaxing classical music in the universe

The Most Relaxing Classical Music in the Universe
Johann Sebastian Bach , Ralph Vaughan Williams , George Frideric Handel , Gustav Holst , Samuel Barber , Edvard Grieg , Jean Sibelius , Antonin Dvorak , Franz Liszt , Charles Gounod , Fryderyk Chopin , Alexander Borodin , Maurice Ravel , Antonio Vivaldi , Satie, Erik , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

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