Thurber, James

Selected Shorts: Timeless Classics (Selected Shorts series)

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Selected Shorts: Timeless Classics (Selected Shorts series)

Selected Shorts: Timeless Classics (Selected Shorts series)
James Thurber , Edith Wharton , Symphony Space , Jack Thurber , Richard Connell , D. H. Lawrence , and Raymond Carver
Manufacturer: Symphony Space
ProductGroup: Book
Binding: Audio CD

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ASIN: 0971921830

Book Description

This three-CD compilation features some of the best short stories from National Public Radio's Selected Shorts, an award-winning series of classic and contemporary short fiction read by distinguished stage and screen actors and recorded live at the Peter Norton Symphony Space in New York City. More than three hours of recordings in each collection capture the intimacy of live performance, with stories that are alternately exciting, poignant, and funny, making this the perfect accompaniment to any number of daily activities—driving, cooking, exercising, relaxing, or intently listening.

Timeless Classics includes, among others, James Thurber's "The Night the Ghost Got In," read by Isaiah Sheffer; Edith Wharton's "Roman Fever," read by Maria Tucci; Jack London's "Make Westing," read by Steven Gilborn; D. H. Lawrence's "The Rocking Horse Winner," read by John Shea; Shirley Jackson's "The Lottery," read by Marian Seldes; Richard Connell's "The Most Dangerous Game," read by Charles Keating; and Raymond Carver's "Cathedral," read by James Naughton.

Customer Reviews:

Selected Shorts: Timeless Classics (Selected Shorts series).......2007-01-04

So much fun! Great for a few minutes or hours.

Average customer rating:

What a beautiful story!
A Non-Jesting Jester?
Decent story.
Buy the Edition with the Original Illustrations
My Daughters New Favorite!!

Many Moons
James Thurber
Manufacturer: Harcourt Children's Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0152518738

Book Description

A wise tale of a little princess who wanted the moon and got it. “Grown-ups themselves will find the book hilariously funny. . . . The lovely, squiggly illustrations in color are exactly right.”--The New Yorker

Customer Reviews:

What a beautiful story!.......2007-05-19

I read this book many time to my daughter, since her age of three-four, she still enjoy it much. It is a beautiful, funny, and well written story. It is my definitely one of my favorite. It teaches you that what the world is after all it is what we think it is. What a lesson for the half-empty fellows! It is written in a crescendo on this theme until the end: the eye blinking moon. Beautiful.

A Non-Jesting Jester?.......2007-03-01

The princess wanted the moon. Her father, the king, demanded it be gotten for her. As you can imagine, this causes problems for the king's servants. The Royal Wizard, Mathematician and the Lord High Chamberlain have done many near-impossible feats for the king--but getting the moon? It's out of the question! But the Royal Court Jester thinks not. (Is this another one of his jokes?) A funny story.

Decent story........2006-09-19

Illustrations are sketched and mostly pastel colors are utiilized. After reading each detailed page, the pictures don't seem to do much for the imagination. Good ideas are behind the words, but this book is extremely wordy at times and could've been shortened while still making the same point known. I enjoyed how the King, who was in search for the moon for his sick daughter, continued to ask his smartest men to figure out a way to get his daughter the moon only to find out that the court jester was the wittiest of them all. The daughter helps solve her own problem without realizing it and comes to a wonderful conclusion about how she can have the moon in her hand and also see it in the sky.

Buy the Edition with the Original Illustrations.......2006-05-08

Despite Rosemary Thurber's reassurances in the introduction to the reillustrated edition that a "new artist's point of view could be exciting," this new version is very disappointing. Louis Slobodkin's weird and wiggly drawings tinged in red and aqua have been replaced by Simont's conventional watercolor illustrations. While they are attractive, they are not, as Booklist describes them, a "bright, refreshing interpretation." Simont duplicates many of the scenes from the original, such as the doctor and king at the bedside of the princess or the princess skipping rope in the garden-though the text does not mention a jump rope. In the original, as the Lord High Chamberlain lists all the things he has gotten for the King, Slobodkin has the items frame the page as the Chamberlain unrolls a scroll in his hand; Simont does the same thing. When the Chamberlain says that the moon is bigger than the Princess's room, Slobodkin places the room inside the moon; Simont does the same thing. A scene-by-scene comparison reveals that Simont simply updates most of the original drawings. The two-page layout of the Princess holding her thumbnail up against the moon viewed through an arched window is an exact duplicate of the 1943 edition. Even the text on the two pages differs by only two sentences. I just do not accept the validity of this so-called "new" interpretation. Simont's literal and conventional depictions of the characters and setting actually move the story to a more ordinary level, while Slobodkin's strange squiggles keep the story in the realm of the imagination and give the tale a dream-like quality. Stick with the original.

My Daughters New Favorite!!.......2005-08-25

Was suprised to only see 18 reviews on this book. My daughter (aged 7) loves this book and has asked me to read it over many times!! I enjoy reading it as much as she enjoys hearing it.

The Thurber Carnival (Perennial Classics)

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Hooray for Thurber!
Thurber by a golden oldie
The Artistic Humorist
THURBER!!!!
Thurber's humour belongs in a category of its own

The Thurber Carnival (Perennial Classics)
James Thurber
Manufacturer: Harper Perennial Modern Classics
ProductGroup: Book
Binding: Paperback

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ASIN: 0060932872

Amazon.com

After the chuckles and amidst the chortles, the first-time reader of The Thurber Carnival is bound to utter a discreetly voiced "Huh?" Like Cracker Jacks, there are surprises inside James Thurber's delicious 1945 smorgasbord of essays, stories, and sketches. This festival is, surprises and all, a collection of earlier collections (mostly), including, among others, gems from My World--and Welcome to It, Let Your Mind Alone!, and The Middle Aged Man on the Flying Trapeze. Needless to say, there are also numerous cartoons that, by themselves, are worth the price of admission. While redoubling Thurber's deserved reputation as a laugh-out-loud humorist and teller-of-gentle-tales, it reintroduces him as a thinker-of-thoughts. To wit: his 1933 "Preface to a Life," in which he observes himself while discussing "writers of light pieces running from a thousand to two thousand words": <blockquote> To call such persons "humorists," a loose-fitting and ugly word, is to miss the nature of their dilemma and the dilemma of their nature. The little wheels of their invention are set in motion by the damp hand of melancholy. </blockquote> Enjoy the surprises, certainly, but revel in the candy-coated popcorn and peanuts. As in "More Alarms at Night," in which a teenaged Thurber intrudes upon his sleeping father, a skittish man named Charles, because he can't recall the name Perth Amboy, New Jersey. Coincidentally, his father has just been frightened half to death by Thurber's brother, who had earlier stalked into his room saying coldly, "Buck, your time has come." <blockquote> "Listen," I said. "Name some towns in New Jersey quick!" It must have been around three in the morning. Father got up, keeping the bed between him and me, and started to pull his trousers on. "Don't bother about dressing," I said. "Just name some towns in New Jersey." While he hastily pulled on his clothes--I remember he left his socks off and put his shoes on his bare feet--father began to name, in a shaky voice, various New Jersey cities. I can still see him reaching for his coat without taking his eyes off me. "Newark," he said, "Jersey City, Atlantic City, Elizabeth, Paterson, Passaic, Trenton, Jersey City, Trenton, Paterson--" "It has two names," I snapped. "Elizabeth and Paterson," he said. </blockquote> Of course, things turn out fine, as well they should. And why not? The best of Thurber, which The Thurber Carnival arguably is, is sublime; surprising insight and wry observations tossed lightly and served constantly with effortless good humor and an obvious love for all things gently eccentric. --Michael Hudson

Book Description

James Thurber's unique ability to convey the vagaries of life in a funny, witty, and often satirical way earned him accolades as one of the finest humorists of the twentieth century. A bestseller upon its initial publication in 1945. The Thurber Carnival captures the depth and breadth of his talent. The pieces here, almost all of which first appeared in The New Yorker, include selections from such beloved classics as My World and Welcome to It, The Owl in the Attic, The Seal in the Bathroom, and Men, Women and Dogs. Thurber's take on life, society, and human nature is timeless and will continue to delight readers even as they recognize a bit of themselves in his brilliant sketches.

Customer Reviews:

Hooray for Thurber! .......2007-05-15

A great introduction to this wonderful humorist. I dare you not to laugh out loud at "The Night the Bed Fell." Go on, try it.

Thurber by a golden oldie.......2007-01-12

I first came across Thurber when I was 18 in 1943. The books were in hardback and of course very cheap in those day. I sampled one and then bought the rest. Thurber is very witty, very funny and is easy to relate to. His drawings are wonderful - simple and look so easy. I liked the essays and I loved the cartoons - the one I like best is a chap introducing his wife to a friend 'That's my first wife up there (she is crouching on top of a bookcase and this is the present Mrs Harris.' Another lovely one is a couple in bed with a seal above the headborad and thei wife is snarling 'All right, have it your way -you heard a seal bark.'Thurbers dogs are so evocate. His humour and give my three grandsons the Thurber Carnvival which they are all enjoying.

The Artistic Humorist.......2002-11-01

THE THURBER CARNIVAL is an excellent collection if only because it contains the complete MY LIFE AND HARD TIMES. In the early seventies, when my grandmother gave me a respectful and wonderfully brief biography called THE CLOCKS OF COLUMBUS, I became a THURBER fan. I was in Junior High and Thurber, dead more than ten years already, was enjoying something of a vogue. Most of his books were back in print. Today, we're down to about a third or less of what he wrote. The Library of America's collection looks fairly complete, but THE THURBER CARNIVAL was his own selection of greatest hits, if you will. In both cases I miss the separate volumes from which these stories and cartoons are culled. If there are concept albums, Thurber had concept collections. You don't get the sense of a Beatles album listening to bits from different albums. This is true with Thurber. You need all of LET YOUR MIND ALONE, which you can only get used now. You need all of THE MIDDLE-AGED MAN ON THE FLYING TRAPEZE; his most representative collection.
He tried writing a novel once or twice, but found he could only write short stories. This bothered him. The chief thing to remember as you read him is that he was deeply ashamed of being a humorist. His literary hero was Henry James. During Thurber's time at the New Yorker (and he arrived there about a year after its founding, staying until his death more than three decades later) the magazine was a showcase for humorists. Think of the original cast of Saturday Night Live and you'll have something of an idea of the atmosphere at the magazine in its first ten years or so. Competitive humorists travelled from all over the United States to work for THE NEW YORKER. The Algonquin Roundtable was largely a haven for NEW YORKER staffers. James Thurber learned from E. B. White and a few others and then outstripped them. If you read E. B. White's forays into humor, you'll see his clean prose shining, but you won't feel you know him. Thurber, on the other hand, leaves you with the impression that he wishes to God he never left Ohio. There is a sense of loss in Thurber's rhythms.
He is as dated as a Studebaker. If you're not willing to put yourself back in time, Thurber's not for you. But, if you notice his pain, you might notice how mightily he strove against it. Thomas Wolfe once met him at a party. Someone said, "This is James Thurber, the New Yorker writer."
Wolfe shook his hand and said, "You call those little, tiny things writing?"
All Thurber had was his writing. He was a mess otherwise. Even when his writing practically barks its bitter sentiment, Thurber turns a phrase as if he owns it. The actual content of the stories is immaterial. He should be read outloud, because he was essentially a poet.

THURBER!!!!.......2002-09-16

The works and cartoons of James Thurber have had quite an influence on me over the years. At a very young age I was drawn to his cartoons (pardon the pun), and as I grew older developed a great appreciation of his writings. Decades after their inception, his works ring true.

Thurber's humour belongs in a category of its own.......2002-01-25

This compendium will give a thoroughly entertaining taste of one of the twentieth century's greatest humourists. Thurber's imagination and wit have an appeal all their own.

This anthology brings together a number of his short stories as well as selections from amongst his modern fables and cartoons. 'What Do You Mean, It Was Brillig?' and 'The Night the Bed Fell' are two excellent and hilarious tales that serve well as an introduction to Thurber's surreal world. Don't read these in public unless you are prepared to draw attention to yourself - they will have you laughing out loud. In his fables, modelled after Aesop, but with a twentieth-century bent, Thurber delights in catching the reader unaware with his own particular brand of irony.

The cartoons are ingenious. Sometimes you will read a cartoon in a newspaper and it will make you laugh. Go back to it again and it no longer has the same effect. Thurber's cartoons, on the other hand, are so utterly inspired (I do not exaggerate), that they will improve upon a second and third look. You will discover subtle nuances you didn't perceive before. His funniest offerings draw on the theme of marriage, and frequently involve the chasm between a husband and wife trapped in a marriage out of which the love and romance has long since disappeared. You will be left baffled as to where exactly Thurber came across such a natural talent for finding (and exploiting) the absurd in everything.

Is Sex Necessary?: Or Why You Feel the Way You Do
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A conversation starter

Ahhh... the sexual revolution--30 years early!

What a romp!

Is Sex Necessary?: Or Why You Feel the Way You Do
James Thurber , and E. B. White
Manufacturer: Harper Perennial
ProductGroup: Book
Binding: Paperback

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ASIN: 0060733144
Release Date: 2004-11-09

Book Description

The first book of prose published by either James Thurber or E. B. White, <em>Is Sex Necessary?</em> combines the humor and genius of both authors to examine those great mysteries of life -- romance, love, and marriage. A masterpiece of drollery, this 75th Anniversary Edition stands the test of time with its sidesplitting spoof of men, women, and psychologists; more than fifty funny illustrations by Thurber; and a new foreword by John Updike.</p>

Customer Reviews:

A conversation starter.......2005-12-21

There's no need to actually read this book if you're a male.

Simply carry it around, and you will find yourself approached by a wide variety of women who are amused and perhaps a bit threatened by the title.

Many of them will be interested in showing you the positive response to the question posed by the book's title.

It's quite astonishing, really. You have to try it to believe the results. Good luck.

Ahhh... the sexual revolution--30 years early!.......2004-07-06

You've probably heard of E.B. White--he wrote "Charlotte's Web" after all, quite possibly still required reading in many middle schools (as a lead-in to 2pac Shakur's poetry, I'm sure). James Thurber may be a bit more obscure to some of you, but he was an Ohio State alumnus (go Buckeyes! *cough*), an awesome cartoonist/artist, and an author possessed of a wonderfully ascerbic wit.

The combination of the two in this book is a rather uniquely bizarre experience that I found joyously uplifting.

The subject under discussion is indeed, in a rather obscure and indirect sense, sex. But we never *quite* seem to get there; non sequiturs abound, blank pages, discussions of how to avoid sex, bluebirds, flowers, a section on how children should explain sex to adults, and even a "letters from readers" chapter--but no actual sex. Lots of drawings, but nothing that anyone might find helpful for improving their sex life. (Bowling, yes. Bicycling, definitely. Obscure interpretations of unconscious artwork, absolutely. Sex, no.)

This book wasn't so much a reaction to Freud per se as it was to the wacky influx of psychologists and "sexologists", and their (unfortunately for us, entirely successful) attempts to complexify and obfuscate human behavior. This particular brand of snake oil started in the 20s and hasn't stopped flowing, and we're covered in an ever-growing deluge of how-to relationship manuals, self-help books, and other ludicrous efforts at explaining "the human condition".

White and Thurber's work explains, in the main, nothing. It asks more questions than it answers. The humor is dry and obscure, there are a ton of rather dated references, and if you're under 30 you'll probably need a dictionary. But...

if you need a laugh without a laugh track... you're fed up with "self-help" and "Men are from Saturn, Women are from Liverpool" type books... or you happen to think sex is vastly overrated (it is), give "Is Sex Necessary?" a try. You might be surprised at the answer.

What a romp!.......1999-09-27

Thurber's and White's text satirizing the hullabaloo that our dearest lunatic, Mr. Sigmund Freud, began takes whatever cake is being handed out for satirical writing. It's universally funny, lucid, and did I mention funny? It's hilarious. One should pull out one's thesaurus at this point to find other such words, and all will be a propos. The book should have been a trilogy.

My Life and Hard Times (Perennial Classics)

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An old, old fashioned read.
Still funny after all these years!
Dated but funny still
Summer Reading Made Enjoyable
I laughed so hard it hurt!

My Life and Hard Times (Perennial Classics)
James Thurber
Manufacturer: Harper Perennial Modern Classics
ProductGroup: Book
Binding: Paperback

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ASIN: 0060933089

Book Description

Widely hailed as one of the finest humorist of the twentieth century, James Thurber looks back at his own life growing up in Columbus, Ohio, with the same humor and sharp wit that defined his famous sketches and writings. In My Life and Hard times, first published in 1933, he recounts the delightful chaos and frustrations of family, boyhood, youth odd dogs, recalcitrant machinery, and the foibles of human nature.

Customer Reviews:

An old, old fashioned read........2006-08-24

Take your mind back half a century and read these mildly amusing essays about life in the 1920s and 1930s. The style is so different from modern prose, but it is well worth the read.

Still funny after all these years!.......2006-08-17

I am 52 yrs. old. I read this book in High School and couldn't put it down. When I read it again as adult, I laughed even harder because somehow it made having the weirdest family in the whole world a joke instead of a hardship. It made Thurber's family, the Coneheads, the Simpsons, and the Osbornes seem like life is good as long as you can laugh once in a while, and even better if you can laugh at yourself.

Dated but funny still.......2006-06-14

In a kinder and gentler age (if ever there was one), MLHT was doubtless considered very funny. Indeed, the book has its moments even today. By and large, however, it is slim in every sense of the word. As a lighthearted bit of nostalgia reflecting upon an America and upon sensibilities that, alas, are no more, it is well-worth the read. And one can expect the occasional laugh, too. Thurber is fun. But judging from MLHT alone, he's no Twain.

Summer Reading Made Enjoyable.......2004-09-03

In My Life and Hard Times, James Thurber depicts the idiosyncrasies of human beings with a unique and humorous autobiography that diverts the reader and helps them to laugh at life. In a personal collection of stories such as "The Day the Dam Broke" and "The Night the Ghost Got In," Thurber rambles conversationally about his youth the early 1900s, keeping away from politics and big events and instead focusing on the "little perils of routine living" that pepper the lives of the ordinary people. By describing ridiculous events such as an entire town fleeing from a nonexistent flood, Thurber points out humans' lack of common sense and the foolishness that results. His short anecdotes help the reader not only to laugh at the characters and events in his book, but also at the reader's own life. However, Thurber finds no fault with people, instead laughing good naturedly and accepting them as a part of life. Memorable characters, ranging from Thurber's often insane grandfather to a slew of unique housemaids, add humor to the stories with their zany antics. The author's scribbled illustrations, scattered throughout the novel, increase the informal atmosphere. James Thurber's distinctive autobiography is an entertaining, if brief, read. Its frank and humorous look at the silliness of people's lives is fun to read silently, but makes, as Thurber says, "a better recitation."

I laughed so hard it hurt!.......2004-06-24

I first read this book as a summer assignment a quarter of a century ago. I picked up this old book again this year, and believe it to be written by arguably one of the best humorists in the last one hundred years. James Thurber is a master at the art of language and never fails to tickle the proverbial funny bone. For an easy, lighthearted read, this book is well worth the money and will likely become a favorite for your own private library.

Thurber: Writings and Drawings (Library of America)

Average customer rating:

Awesome compilation of Thurber's writings
A fine selection that will enable you to understand why he was so popular
Humor talk
One of the best kept secrets of American Literature!
The only exception on the long list of old boring essayists.

Thurber: Writings and Drawings (Library of America)
James Thurber
Manufacturer: Library of America
ProductGroup: Book
Binding: Hardcover

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ASIN: 1883011221

Amazon.com

The shy Midwesterner James Thurber became a famed cartoonist and humor writer almost, it seems, by accident: Thurber in person was often depressed and self-conscious, darker strains that emerge fitfully in his sly, absurdist work. Garrison Keillor, a sunnier brand of Midwestern humorist, has assembled four longer works with many of Thurber's drawings and short pieces for the Library of America edition of Thurber's selected works. Many of these cartoons and writings are now classics, and Thurber's edgy, modernist humor--not to mention his usually bewildered protagonists--has influenced many of the best cartoonists today.

Customer Reviews:

Awesome compilation of Thurber's writings.......2007-01-04

I think the book is beautiful and very well done.
Thurber was a great writer and his works are worth reading.
I have a bit of personal interest in this, though since he was
my father's 2nd cousin. Looking at Thurber's photo in the book
is like looking at my brother's face when he was a young man.

A fine selection that will enable you to understand why he was so popular.......2006-10-30

One should never confuse writing with a light touch for comic writing. Thurber expressed dislike for the word "humorist" and I can understand why. When I read his writing, it is clear that the effect is intended to talk about serious things, not weighty things, but with a light touch. He makes his point by putting on the coat and hat of someone and wearing it in a way that points out how ridiculous it is, after all.

For example, our age has been obsessed with sex for, well, the obsession sort of defines our age, right? Thurber's first published work was with E. B. White on "Is Sex Necessary?" and basically mocks the discussions of sex by supposedly serious analysts. He refers to the problems between men a women as a product of pedastalism and that there were diversions created by women and men to distract them from their desire to get together. Men developed hobbies and became devoted to sports, and women distracted men by making fudge. There are also early Thurber drawings that became such an effective part of his work and his fame.

This collection was put together by a very appropriate editor, Garrison Keillor. He has a wonderful ear for the kind of thing Thurber was after and has selected well. Most of the book contains selections, but there are four complete works. And there is a rich sampling of Thurbers drawings. We get examples of Thurber's writing over the 1920s through the 1950s. The collection has a great sampling of his writing about the struggles between men and women, which was a wonderful topic for the times in which he wrote. But we also get his wonderful fables for our time and the popular writings he wrote for children. However, unlike the jelly filled sweet pastries our time provides for children, these have more pain and harshness. While they are not fairy tales such as the brothers Grimm, they do have similar bite.

If you don't know James Thurber, you owe it to yourself to get to know his writing. First of all, it is fun to read and the cartoons a style unique to him. Second, while he is not as famous now as he was, his work remains strong and an important contribution to American letters. This is a fine collection and very much worth having. While the famous "Walter Mitty" isn't here (and can be had easily elsewhere), much else of great worth is.

The Chronology of Thurber's life and the notes about sources and texts also make a solid contribution to our enjoyment of the text and help us understand some of the names and events that were quite topical at the time the piece was published, but have faded into the mists of time since then.

Enjoy!

Humor talk.......2005-04-24

James Thurber's brand of humor often went under the radar -- he didn't have scintillating wordplay, goofy puns or juvenile humor. (No offense to you, Mr. Barry -- I love your work too). But, as "James Thurber: Writings and Drawings" demonstrates, the subtle approach worked just as well.

Thurber wrote and drew so much during his lifetime that this book is actually not a full collection, but a sort of "Best of" collection. Thurber turns a satirical eye at sex, marriage, men who bark like dogs, old ladies who foretell doom, some rather dry little fables and spoofs, and a look at how the Civil War might have ended if Grant had been recovering from a bender. Not to mention the entire text of Thurber's children's novel, "The 13 Clocks," a slightly twisted fantasy about a young prince who must rescue the Princess, with the help of the nonsense-spouting Golux (who is not a mere device).

Admittedly, not all of them are strictly meant for humor -- "My Life and Hard Times" is a short, entertaining autobiography, without the excuses and ego trips that many autobiographies have. There are also bittersweet memories, such as the story of a faithful dog that Thurber had when he was very small.

There are also quite a few pictures -- Thurber had a cute, rounded kind of style, without a lot of details. One example is "The Last Flower," an anti-war parable in which after a devastating war, civilization falls and people forget everything, even love. Not all the cartoons are as quietly grim, however -- one is a man, woman and child romping through various obstacles together, as well as several standalone cartoons.

"James Thurber: Writings and Drawings" shows Thurber off to best advantage. It's a great collection not only because Thurber was a wonderful humorist, but also because the pieces in here show the full range of what he could do. Included are humorous anecdotes, personal reflections, tributes, sad stories, fables fiction, and funny little cartoons -- it shows what a versatile writer he was. Not just a humorist, but a writer.

And a cartoonist as well -- Thurber was able to draw entire picture books that had no set story, but could be interpreted as the reader wished. Most of his cartoons were more relaxed, with a sort of rounded, simplistic style that looks like he doodled them while he was thinking.

"James Thurber: Writings and Drawings" is not only a good collection of this now-legendary writer's work, but a good introduction to Thurber as well. Definitely worth checking out.

One of the best kept secrets of American Literature!.......1999-05-08

I've often thought that Thurber doesn't get the credit today that he deserves as a writer. This is probably because his works are not "deep" in terms of meaning or content. His mastery of language, though,is superb, and his stories are some of the most hilarious and best written I have ever read. I can read many of them over and over and still laugh out loud! His cartoons are clever as well. I would definitely recommend this book to anyone interested in humor and 20th century American literature.

The only exception on the long list of old boring essayists........1998-10-05

My teacher gave me a list of essayists and said pick one and read ten of the author's essays. I am glad to say that Thurber was an excellent choice and I laughed my way through this assignment.

Average customer rating:

Like this book!
Timeless Perfection For Young And Old
Another good James Thurber book.
An enchanting fairy tale for all ages
On guard, you musty sofa!

The Thirteen Clocks
James Thurber
Manufacturer: Dutton Adult
ProductGroup: Book
Binding: Hardcover

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ASIN: 1556111886

Customer Reviews:

Like this book!.......2006-11-18

I really do like this book. I like fairy tales, especially the kind like Ella Enchanted and Fairest by Gail Carson Levine. In the pictures the wicked duke looks so hilarilously silly! The prince is handsome and the princess pretty, of course! The Golux's hat is indeed indescribable and the woman Hagga cries jewels instead of tears. He! He! He!

Timeless Perfection For Young And Old.......2006-06-07

The Thirteen Clocks, by James Thurber, is a perfect book. The only way it could be better would be by being longer. The story is classic in its simplicity, so elemental that anyone can easily find a way inside. The big setting - a castle - the big players - a Prince, Princess, and wicked Duke (very wicked) - the big themes - courage, redemption, selfless sacrifice, and just a whiff of magic. Best of all, the big problem - time is frozen. Our enterprising Prince must do the impossible to win the hand of Princess Saralinda. This is road-tested material but Thurber breathes new life into it, making it fresh and irresistible. The musicality of his language is delightful, there is so much joy and play in the words, they giggle and dance like water gliding over stones in a stream. His rogue's gallery of secondary characters is just too good; each is slightly more improbable and splendidly cracked than the last. Most of all, this story ends exactly as it should, the resolution is not forced, it's simply correct. The Thirteen Clocks is a slice of heaven that can be enjoyed by anyone able to read. Thurber, it turns out, really was as good as he claimed. This lasting jewel proves it.

Another good James Thurber book........2005-04-14

For those of you who have read The Wonderful O by James Thurber, this book is very similar. It is a very short story of a prince who dresses up as a minstrel and an icy-hearted duke who keeps a princess locked up. Our prince gets it into his head to rescue the princess, so he goes to the duke and is told to collect a thousand gems in 99 hours and then restart all of the clocks in the castle (Time is frozen there). With a little help from a mysterious creature called the Golum, he finds his way to a lonely woman who is said to cry jewels instead of tears. However, when they arrive, she no longer cries about anything, because she has used all of her tears up. However she can make jewels by laughing but they don't last longer that 20 days. She manages to laugh enough jewels for them, and they hurry back to the Duke. It all works out happily in the end, the Duke is left with no jewels and the prince and princess ride off into the sunset and live happily ever after.
This is a great book for kids as well as adults. The book is filled with wordplay and rhymes and is short and sweet, which is refreshing.

An enchanting fairy tale for all ages.......2003-12-31

It's hard to categorize "The Thirteen Clocks" -- is it a children's fairy tale? a book for grown-ups? Who cares? Readers from 5 to 95 will enjoy this wonderful book; the kids for the story and the adults for Thurber's marvelous way with words. It's a simple little fantasy tale of an abducted princess, a murderous duke, and the prince who comes to her rescue. And it starts off as all fairy tales should, with "Once upon a time..." Thurber brings us the beautiful Princess Saralinda, the Duke of Coffin Castle who was so cold that he managed to stop time one snowy night when all thirteen clocks in the castle stopped at ten minutes to five and never started again, and Prince Zorn of Zorna, who called himself Xingu, the prince whose name begins with X and doesn't, who is the one man who can defeat the duke's evil plans and rescue Saralinda. But Thurber's best invention by far is the Golux, a spaced-out wizard whose spells have a way of backfiring from time to time, who assists Zorn in his quest to save the princess. And there is a deliciously spooky, never-seen monster called the Todal, that "smells of old, unopened rooms and sounds like rabbits screaming", who is the cold duke's infernal weapon, and, ultimately, his nemesis.

Thurber's way with words will leave you boggle-eyed. This is the quintessential read-aloud book and the kids love it. On the second or third reading they'll be chanting along with sentences like these: "The brambles and the thorns grew thick and thicker in a ticking thicket of bickering crickets..." And Thurber goes hogwild in making up all kinds of words that somehow managed to portray what he want to get across. When he tells us that the duke slits open his victims from their guggles to their zatches, you may not know exactly what is a guggle and what is a zatch, but you get the idea. And when the Todal gleeps while devouring a victim, we know just what Thurber is talking about. (Try going "gleep" way at the back of your throat and you'll see what I mean.)

"The Thirteen Clocks" is full of dark humor and the illustrations by Marc Simont are right in character -- dark, haunting and yet comical at the same time. The book is a great mix of a good story, good characters, good writing, and just plain good fun.

On guard, you musty sofa!.......2003-09-23

In summary form, "The Thirteen Clocks" will almost certainly come across as a clever but fairly conventional fairy tale, populated by amusing variants of the archetypal beautiful princess, wicked Duke, and poor-hero-who-isn't-what-he-seems. This is unfortunate, because while all of these characters are great fun, the real hero of this little book is the English language. Few authors are as skilled as Thurber when it comes to playing with words, and in "The Thirteen Clocks," verbal gems pop out of almost every page. Moreover, when it comes to making up new words for comedic or literary effect, only Lewis Carroll's "Jabberwocky" does it better - you'll not find "guggle" or "zatch" in an anatomy textbook, but in the context of the tale, their meaning is both perfectly clear and perfectly hilarious (also perfectly clean - this is definitely an all-ages book). I'd offer more examples, but that would deprive you of the joy of discovering them for yourself - and not even a Todal in full gleep could make me do that.

The Secret Life of Walter Mitty and Other Pieces (Penguin Modern Classics)

Average customer rating:

Insightful, and Humorous
The Secret Life of Walter Mitty
The Secret Life of Walter Mitty is the best book i have ever read.

The Secret Life of Walter Mitty and Other Pieces (Penguin Modern Classics)
James Thurber
Manufacturer: Penguin Books Ltd
ProductGroup: Book
Binding: Paperback

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ASIN: 0141182911

Customer Reviews:

Insightful, and Humorous.......2004-01-14

In The Secret Life of Walter Mitty, James Thurber gives us something much more important than laughs: he gives us a brief but penetrating glance at human nature. The story focuses on Walter Mitty, an ordinary man, with the habit of daydreaming. Walter will simply forget anyone around him and become someone else; a navy pilot, a surgeon, a suspect for murder, a World War II pilot. In these dreams, he is always the hero, a character of bravery and valiance. In real life his wife often interrupts these fantasies, and he resents her for this. His wife, on the other hand, thinks that he may be ill, as he tends to drift off. She sees his fantasies as a failing on his part, while he uses them to escape reality.
Perhaps the most important theme of the story is that these fanatics may not be bad, quite to the contrary, they may be very good. James Thurber thinks that daydreams provide an escape from reality, and a valuable way to make an otherwise boring day livable. The ending to Walter Mitty reflects this opinion. Mitty ends the story returning to the real world, though much better for the break. Consider this quote:
"He took one last drag on his cigarette and snapped it away. Then, with that faint, fleeting smile playing on about his lips, he faced the firing squad; erect and motionless, proud and disdainful, Walter Mitty the Undefeated, inscrutable to the last."

The Secret Life of Walter Mitty.......2001-04-20

It was an excellent book for someone who enjoys day dreaming. Good for both kids and teens. Adults might even possibly enjoy it.

The Secret Life of Walter Mitty is the best book i have ever read........1997-01-05

Anyone you buy it for will absolutly love it. Children, teenagers, and even adults should read this book. It makes you want to jump in to one of Walter's day dreams the moment you read it. Thurber really out did him self. I have to say it is one of the funniest books i have ever read.

The Years with Ross (Perennial Classics)

Average customer rating:

Thurber and Ross at The New Yorker
How He Was
Fascinating author looks at an equally fascinating editor
A great book on Ross

The Years with Ross (Perennial Classics)
James Thurber
Manufacturer: Harper Perennial Modern Classics
ProductGroup: Book
Binding: Paperback

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ASIN: 0060959711

Book Description

At the helm of America's most influential literary magazine for more than half a century, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woolcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber -- an American icon in his own right -- whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do.<BR>

Customer Reviews:

Thurber and Ross at The New Yorker.......2005-01-06

From 1927 to 1951, James Thurber, the humorist and cartoonist, worked under Harold Ross, the editor of The New Yorker. Both men became internationally famous in those years. The New Yorker was a magazine for the sophisticated.

How Ross created this aura is elusive. Thurber tells us about Ross's devotion to the magazine-he was married "for keeps" to his magazine-and about his hairsplitting attention to detail. These good points seem to be heavily outweighed by his bad points. He quit school early. He wasn't much of a reader: his favorite magazine was True Detective and most of the American writers who are now studied (Hemingway, Fitzgerald, Faulkner) rarely or never appeared in his magazine. He didn't pay much attention to politics. He was a prude. And, as Thurber shows us, he was a poor administrator. He does not seem to be anything out of the ordinary. In fact, Ross often seems like a movie version of a harried editor with the gruff personality and tendency to "bark" orders, but with the heart of gold behind the exterior. He was the unsophisticated editor for the sophisticated.

The secret of his success was the way he could inspire devotion, as exhibited by Thurber writing this book in the first place. The two men's live were bound together for over 20 years. We learn how Thurber met E.B. White five minutes before a meeting with Ross; how White helped Thurber publish his cartoons despite Ross's skepticism; how Ross helped keep Thurber going despite his growing blindness. And, despite the fact that Thurber often makes Ross look foolish, it's a loving portrait. Ross shown at his worst is still endearing.

Because of this, it's probably not the best way to find the whole story about the magazine. In a way, it's just as much about Thurber as it is about Ross. That's not so bad, though.

Thurber tells us a lot about the production of magazine and the writers and cartoonists who appeared there. As mentioned before, Ross didn't publish the big names of the time and because of that, most of the New Yorker contributors of his day are now forgotten. Anecdotes about them and a chapter about Ross's system of payment are the low points of the book.

High points include a chapter about Ross and H.L. Mencken, Wolcott Gibb's guidelines for New Yorker style, and the chapter about Ross's friendship/feud with Alexander Woollcott. The story of Thurber's development as a cartoonist is interesting as well.

The Years With Ross is similar to Mencken's memoir,
Newspaper Days, in that it also is about the production of a periodical and about the lives of literary figures who aren't remembered today. However, where Mencken's style ranged from slightly acidic to vitriolic, Thurber's is gentle, even when he is poking fun. Here he describes Katherine White's visit to Alexander Woollcott: "He met her at the door clad as usual in pajama bottoms and dressing gown, and every now and then during his monologue that day his great bare belly would coyly appear and disappear, like a romping sea lion. "

Thurber has a nice style and is an amusing writer. He is the sort of writer who more often provokes a chuckle in the back of a reader's throat than he does convulsive laughter.

This isn't an indispensable American classic, but certain people will like it. Thurber's light humor can still amuse. And people who still believe in the magazine will want to read this book. Ross said that the New Yorker wanted "superior prose, funny drawings, and sound journalism, without propaganda." Recently a book review in the Nation complained that a journalist's collection of articles taken from the New Yorker was handicapped by the "the flat-footed New Yorker style." It was different in Ross's day.

How He Was.......2002-08-06

Thurber got into trouble with his friend and co-New Yorker stalwart E.B. White for writing this portrait of their boss and benefactor. Between them the three wrote most of "The New Yorker" in its crucial first decades. These chapters, first written as a series of articles for "The Atlantic", are a model of the rich, primary source biography. Thurber pulls no punches. His Ross is not "a monument" as he puts it, but a man, worth looking at in all his strange glory. I would rate this book alongside Herndon's Life of Lincoln as one of the best accounts of a man by his contemporary, without the veneer of legend and without an undercurrent of envy. Thurber shared an office with Ross for who knows how many years, learned a lot about writing from him (some examples of his razor fine editing are here to learn from), and did a great deal of his best writing in the man's employ. One of Thurber's best books, and that makes it one of the best books there is. You could do worse than read this book before trying to write a life of anyone who's still living. You could do worse than reading this book before trying to write even one article about the life of somebody alive and real.

Fascinating author looks at an equally fascinating editor.......2002-07-04

James Thurber was in his 60s when he wrote THE YEARS WITH ROSS. Harold Ross was the first editor of The New Yorker. He was a homely man, awkward in manner and speech. Ross couldn't write, but he was a fine editor. He lacked a good education and was sadly unaware of most social graces so he was often uncouth, but he created one of the USA's outstanding magazines. The New Yorker is a stalwart of literary sophistication.

Thurber's study is not only an intriguing look at a real character of an editor but the story of how a magnificent magazine grew under the guidance of one of the truly talented editors of all time.

A great book on Ross.......2001-11-22

This biography (which I am very pleased to see has become a classic!) is wonderful - a fine personal memoir of the New Yorker founder and editor, Harold Ross. It talks about his life at work and otherwise, from the point of view of one of the pillars of that magazine's early life, James Thurber. The writing is funny (of course), vivid and immediate. Together with Letters From the Editor and Genius in Disguise, it will bring you as close as it is possible to get to Ross, who was, in my humble opinion, one hell of a guy. A must-read for all editors, would-be or otherwise.

Average customer rating:

Excellent little fairy tale
Enjoyable, but slight
Most excellent story
Has Its Moments
Excellant story for the young at heart of all ages

The White Deer
James Thurber
Manufacturer: Harvest Books
ProductGroup: Book
Binding: Paperback

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ASIN: 0156962640

Book Description

Here is a Thurber world of enchanted deer and seven-headed dragons, of wizards and witches, of riddles and spells, of false love and true. It is the story of a beautiful princess, transformed from a deer, who assigns each of three princes a perilous labor to perform in order to win her hand. Drawings by the Author.

Customer Reviews:

Excellent little fairy tale.......2006-12-22

This is the first time that I have read any of Mr. Thurber's writing, and I must say that I am rather impressed. This is a pleasant story about a strong, but not very wise, king and his three sons who are sent on quests to win a beautiful princess (who may or may not actually be a deer). It is a book that makes serious points through a story that is often tremendously silly.

Mr. Thurber's drawings are terribly bad, so bad that they are actually quite humerous. I must say that I have never seen such horrendous drawings in a book before, yet they somehow add to the story.

Overall grade: A

Enjoyable, but slight.......2003-02-19

A little fantasy story by Thurber, not silly enough to be really funny, yet definitely not a serious story, either. If it had been written within this decade, it might have had that incredibly useless label post-modern thrown on it, as Thurber was one of those writers who delighted in wordplay that acknowledges the presence of the reader. A king and his three sons--two hearty hunters like their father and the youngest a musician and poet--corner a white deer who changes into a beautiful princess. The princess cannot remember her name or family, so she sets the three sons on quests. The question in the castle is whether the princess has been enchanted to forget her name, or is she a deer that has been enchanted to resemble a princess. Everything becomes clear in the end, like all good fairy tales, and Thurber gets to have a lot of fun getting there. Hopefully, you will too. I found this to be a little too similar to the humor of Juster's The Phantom Tollbooth for me to enjoy it wholeheartedly.

Most excellent story.......2001-06-01

A real winner. This book is poetic and lovely. I couldn't ask for more.

Has Its Moments.......1999-02-12

It's obvious Thurber lavished a lot of attention on this fantasy about a mythical king with a mythical name and a myth-like story. The craftsmanship in the writing is unusually good, poetry and all. It's ultimately the content that is the major problem -- a long story with lots of parallel events, the way a real Brothers Grimm story might proceed. Doesn't seem to have much of an ending. The character of the king is striking, if you want your king to look like Brian Blessed in the first Black Adder on TV. Nice touch giving the king his editor's expression at the New Yorker: "Done AND done." But I have to admit, I was glad when it was.

Excellant story for the young at heart of all ages.......1998-04-24

Great story with masterful language. A real treat.

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