Ruskin, John

Notes on Prout & Hunt and Other Art Criticisms (The Complete Works of John Ruskin - Volume 14)

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Notes on Prout & Hunt and Other Art Criticisms (The Complete Works of John Ruskin - Volume 14)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding
ASIN: 1582013543

Lectures On Architecture and Painting (The Complete Works of John Ruskin - Volume 12)

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Lectures On Architecture and Painting (The Complete Works of John Ruskin - Volume 12)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding

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ASIN: 1582013527

The Harbours of England (The Complete Works of John Ruskin - Volume 13)

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The Harbours of England (The Complete Works of John Ruskin - Volume 13)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding
ASIN: 1582013535

Modern Painters - Part 5 (The Complete Works of John Ruskin - Volume 7)

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Modern Painters - Part 5 (The Complete Works of John Ruskin - Volume 7)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding

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ASIN: 1582013470

The Seven Lamps (The Complete Works of John Ruskin - Volume 8)

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The Seven Lamps (The Complete Works of John Ruskin - Volume 8)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding

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ASIN: 1582013489

The Stones of Venice (The Complete Works of John Ruskin - Volume 9)

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This is only a VERY SHORT EXCERPT!!!!
Dover 3 Vol. edition is UNABRIDGED
A Needed Clarification
Material Left Out
an architecture page turner

The Stones of Venice (The Complete Works of John Ruskin - Volume 9)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding

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Similar Items:

The Seven Lamps of Architecture
Ruskin's Venice: The Stones Revisited
Towards a New Architecture
Architecture in the United States (Oxford History of Art)
European Architecture 1750-1890 (Oxford History of Art)

ASIN: 1582013497

Book Description

John Ruskin, Victorian England's greatest writer on art and literature, believed himself to be an adopted son of Venice, and his feelings for this beautiful, melancholy city are nowhere better expressed than in The Stones of Venice, a collection of essays first published between 1851 and 1853. This abridged edition, which contains Ruskin's famous essay "The Nature of Gothic," captures the essence of his masterpiece, offering readers a marvelously descriptive and discursive tour of the glorious city of Venice before it was transformed by postwar restoration. As Ruskin wrote on his second visit to Venice in 1841, "Thank God I am here, it is a Paradise of Cities."

Customer Reviews:

This is only a VERY SHORT EXCERPT!!!!.......2007-01-12

This is misleading...not even 5% of the Ruskin masterwork is printed in this book.

Dover 3 Vol. edition is UNABRIDGED.......2006-08-19

Amazon frequently mixes reader reviews of various editions of a given classic work. Such is the case here. Be advised that if you are now veiwing the Dover 3 vol. edition of Ruskin's The Stones of Venice, it is the UNABRIDGED edition of this work. Not a single word is missing. As such, this is the ultimate edition to own.

A Needed Clarification.......2005-12-17

Hey, guys! A lot of the reviews of this book are complaining that the text is abridged. No! This book is the first of THREE VOLUMES which, together, make up the entire "Stones of Venice." To get the whole thing, you need to buy Volumes 10 and 11 as well, not just Volume 9. (N.B., "The Nature of Gothic," the best-known part, is in Volume 10.) It's all there. You just weren't looking in the right place.

That having been said, it's a shame that one has to spend about $300 to get the complete text in a nice, hardbound format. But it's still a worthy investment.

Material Left Out.......2005-09-24

As much as I appreciate and respect the work of the editor, I was distresed to find that passages in which Ruskin addressed labor reform were left out. This was in Chapter 6. In the original, Ruskin argued for preserving the integrity of individual workers. I found that this edition left out pages that concerned labor reform, making the work appear to concern architecture alone. If you are interested in Ruskin's views on society, then, be cautious of this. For my part, I ended up resorting to the Norton Anthology of Literature for the text I needed.

In the "Gothic" passage of SoV Ruskin wrote quite forcefully in defense of labor. He emphasized how important it is for buildings to show the work of individual workers. Signs of their work are an essential part of the architecture, he contended. Much of this argument does not appear in this edition.

It remains a wonderful work for those who are interested in the architecture alone.

an architecture page turner.......2001-06-12

This is an abridged version of the original 3 volumes, but a delightful book -- both for the opinions expressed and the wonderful pomposity with which they are presented. It's impossible not to learn about art and architecture from this book, but it also (perhaps not intentionally) makes Woody Allen's or Steve Martin's New Yorker pieces seem like downers. The man has no humility and there is no opinion other than his, yet somehow the clarity and vitality of his description allows you to continue reading. I was fortunate enough to pick this up in Venice, so I was able to search out his examples of the 5 worst buildings in Venice, and similar Ruskinisms.

The Stones of Venice - Part 2 (The Complete Works of John Ruskin - Volume 10)

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The Stones of Venice - Part 2 (The Complete Works of John Ruskin - Volume 10)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding

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ASIN: 1582013500

The Genius of John Ruskin: Selections from His Writings (Victorian Literature and Culture Series)

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Perfection of Seeing, Being, and Creating...
A Classic Anthology
Rosenberg's Edition of Ruskin Remains Unchallenged

The Genius of John Ruskin: Selections from His Writings (Victorian Literature and Culture Series)
John Ruskin
Manufacturer: University of Virginia Press
ProductGroup: Book
Binding: Paperback

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Unto This Last and Other Writings (Penguin Classics)
The Elements of Drawing
On Art and Life (Penguin Great Ideas)
News from Nowhere and Other Writings (Penguin Classics)
The Stones of Venice

ASIN: 0813917891

Customer Reviews:

Perfection of Seeing, Being, and Creating..........2002-03-17

One can hardly read any thoughtful analysis or
evaluation of art, artists, even poets, without
coming upon a quote from John Ruskin. Yet one
may read the quote, realize its acuteness, but
then proceed on -- without really knowing anything
about John Ruskin himself, or about his ideas
and works. That is a tragic loss. Ruskin was an
English art critic and scholar, as well as a
cultural and philosphical historian who
lived from 1819 to 1900.
He attended and graduated from Oxford University,
and in 1869 was appointed first Slade Professor
of Fine Art at Oxford.
John Ruskin seems to me to be a combination of
Plato, godly Greek sculptors, and Thoreau. His
own senses, apparently (just like Thoreau's) were
extremely acute...he has incredible sharpness of
vision. But even more telling, he has incredible
command of vision and the language to express it
with. He seems, at times, like a Homer of artistic
cultural and philosophical expression.
This volume is a compilation of excerpts from
Ruskin's major writings: MODERN PAINTERS I, II,
III, IV, and V/ THE SEVEN LAMPS OF ARCHITECTURE/
THE STONES OF VENICE/ THE TWO PATHS/ UNTO THIS
LAST/ THE CROWN OF WILD OLIVE/ SESAME AND LILIES/
THE QUEEN OF THE AIR/ FORS CLAVIGERA/ FICTION, FAIR
AND FOUL/ THE STORM-CLOUD OF THE NINETEENTH CENTURY/
and PRAETERITA. There are multiple excerpts from
each of these works, and each excerpt is followed
by a very helpful citation of the volume, part,
section, and chapter of the work where the excerpt
is found.
Ruskin is not "merely" an acute analyzer and
evaluator of art and architecture, but he also is
an artistic and ethical philosopher. His philosophy
seems to have a strong dose of PAGAN GREEK (Plato)
underpinning, which interacts interestingly with
the Evangelical Protestantism overlaid when he
was young by his mother's strict Bible lessons.
His whole life seems to have been a struggle
between these two grappling forces, like the

statue of "The Wrestlers" from Hellenistic times.
Ruskin idolized and glorified the painter
Joseph Mallord William Turner [J.M.W. Turner].
He seems to have set out on a crusade while still
a teen-ager (17) by writing an essay defending
Turner and his art -- his admiration, esteem,
and idolatry continued even after he had gone
to Oxford University and began writing his art
criticism works.
Ruskin's topics sound like a role-call of
classical virtues and perfection seeking -- and
like Thoreau, he bemoans the fact that more
people do not wake up, see intently, and live
better lives. I personally find Ruskin's admonitions
to be inspiring, rather than merely preachy. He
obviously has a vision (like a prophet), a wondrous
sense of beauty and appreciation, and a fine mind
and expressive ability which create words of golden
glow. Yet he also has a heart of reproof towards
the mercantilism of his times (in one speech he
tells his audience that they have two religions,
one which they pay lip-service and tithes to,
and the other religion of their practicality,
the one they actually live by -- and he says:
"...but we are all unanimous about this practical
one; of which I think you will admit that the ruling
goddess may be best generally described as the
'Goddess of Getting-on,' or 'Britannia of the
Market.'")
Some of the topic titles in the various sections
give one the flavor of his insights and vision:
"Definition of Greatness in Art"; "That the Truth
of Nature in Not to Be Discerned by the Uneducated
Senses"; "Of Truth of Space"; and "Of the Naturalist
Ideal." In his works on architecture, there are
such topic titles as "The Lamp of Truth" and "The
Lamp of Memory."
The editor of this volume, John D. Rosenberg, has
done a masterful, insightful job of presenting
Ruskin and his views -- and the Univ. Press of
Virginia have done a masterful job of printing
and binding those valuable views in an attractive
and valuable volume.

A Classic Anthology.......2000-12-06

Highly acclaimed anthology of John Ruskin, this book is made out of 39 vols Library Edition of John Ruskin's works, supported by 5 pillars--art, architecture, society, solitude and self and compiled chronologically.In the introduction, Herbert Tucker estimates this book as a classic anthology. It is followed by Rosenberg's preface, and before each section mentioned above is his own explanatory comment. This is extremely superb in style as well as contents. At the end of the book is a new bibliography, to some of which entries brief comments are added. As Ruskin's writings, especially those in early years, are not easy to read, this book is priceless. Among relatively rare entries are "Traffic" in The Clown of Wild Olive, "Athena Keramitis" in Queen of the Air, and "Essay I" in Fiction Fair and Foul. Compared with the previous anthology by Kenneth Clark, "Ruskin Today", this one is inferior in variety but far superior in amount. Now we have the Ruskin's Complete Works in one CD-ROM, but it cannot be read, say, in a train or bed unless printed out. Concisely selected, this book is, I think, quite valuable when kept by your side.

Rosenberg's Edition of Ruskin Remains Unchallenged.......1999-10-22

It is a great pity that the works of Ruskin are neither widely read nor widely available. One can only hope that the day will come when an affordable, comprehensive, multi-volume collection will become available. For now, we may be thankful for the work of Columbia University's John Rosenberg, who has given us perhaps as fine an introduction to Ruskin as can be hoped for. The selections are long and judiciously made, and they address Ruskin in all important aspects of his work: art critic, social heretic, autobiographer. This book is like a wise old friend, especially comforting in a world that has in so many ways departed from the values that this volume enshrines. A faithful rendering of an indispensable author.

Modern Painters - Part 4 (The Complete Works of John Ruskin - Volume 6)

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Modern Painters - Part 4 (The Complete Works of John Ruskin - Volume 6)
John Ruskin
Manufacturer: Classic Publishers
ProductGroup: Book
Binding: Library Binding

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ASIN: 1582013462

Unto This Last and Other Writings (Penguin Classics)

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Yes. What a book!
Whoa..., What a book!!
"There is no wealth but life."

Unto This Last and Other Writings (Penguin Classics)
John Ruskin , and Clive Wilmer
Manufacturer: Penguin Classics
ProductGroup: Book
Binding: Paperback

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Similar Items:

The Kingdom of God Is Within You (Dover Value Editions)
News from Nowhere and Other Writings (Penguin Classics)
The Stones of Venice
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The Genius of John Ruskin: Selections from His Writings (Victorian Literature and Culture Series)

ASIN: 0140432116

Customer Reviews:

Yes. What a book!.......2004-05-04

A compilation of some of the important works of Ruskin are included here, the most important being (in Ruskin's own words) "Unto This Last", which had a profoundly moving effect on Ghandi (among others) and his approach and philosophy. For Ruskin morality and moral economics, sustaining/healthy economics, comes from basic things like knowing who made your shirts and that this person is getting a fair wage for their efforts -- taking responsibility for the effect one's use of money has on the lives of others. Taking advantage of other's economic misfortune was immoral and likely to result in a future backlash on the greater society as well as well as one's inner well being. An intelligent/knowledgeable person taking advantage of the stupid or ignorant is no different than violence of the strong upon the weak, Ruskin analogized. Ruskin illustrated his ideal of a moral economy by using the Gothic "Christian" style as an example, explained in the "Stones of Venice", its communal/community development, its imperfection yet impressive beauty. Perfection is not beautiful in Ruskin's view of life/art; which echoes something of the Zen view of art. Ruskin also argued that homes, during the Gothic age, were in the Gothic style as well and that modern Churches should mimic something of the style of the typical house being built today, the church should not be seen as a separate entity, a separate style; the Church should be integral to the community's self identity and use a similar architecture. Ruskin also inadvertantly created a style and movement he did not aprove of, by creating such a popular view of the Gothic style, that being the Anglo/Catholic movement whom enjoyed the gothic style church and ceremony. (Just walk around most any town and and look at the dates of when Gothic style churches were built in the USA, probably around 1910 or so).

The wealth of the elite and the wealth of the rich should ultimately be judged by the general happiness of the common man on the street. Ruskin also advocated reading and the building of public libraries and wrote a moving essay on why one should read: included here.

Ruskin's life took some passionate twists. His mother had him memorize the Bible while his father inculcated a love for Byron in him. He proved a gifted artist and then studied geology at university. Then an attack by critics on a favored artist, Turner, lead him on an eighteen year quest to study art and explain why Turner is a great artist, writing volumes of popular art history and critiques while developing a love for Giotto and Dante on the way and becoming possibly the most widely read art critic the English-speaking world has ever produced. Then the economic debates rageing in his day between advocates of Smith's laissez-fair, Malthus, Ricardo, Mills, and Marx lead Ruskin to attack all of them and to point out why they all miss the point in some way. Ruskin's approach was organic given: time, place, and circumstances, but he does give models and examples for what good economics is. Ruskin was a great humanist, in general terms he had the heart and approach of a conservative but his results could be described as almost idealic liberalism -- echoing something of Plato's philosopher kings.

Ruskin's observations on the English language are also interesting; the hierarchy of words and the distancing of words from their right place and meaning due to English being a diverse language with Latin, Greek, French, and variety of Germanic dialects composing it.

In De Profundis, by Oscar Wilde, Wilde must have been profoundly influenced by Ruskin as Wilde expressed regret for not having taken up the moral causes of Ruskin and to have wasted his genius the way he did. Wilde seemed to say that the torch was passed to him and he dropped it. Read this book then De Profundis (which Wilde wrote, without the use of references as he was in prison), and I don't think there will be any doubt that Ruskin had a profound influence on Wilde as Wilde refers to Ruskin-esk themes throughout the book (letter). I think Waugh and Forester echo some Ruskin sentiments as well; Ruskin had a huge influence, well worth reading.

Whoa..., What a book!!.......2002-02-06

I must say I never expected this to be such a stunner. I have read it twice but confess that I am sitting down again. This has to be the 'Matrix' of the 1800's as it certainly turns conventional thinking on its head...

The introduction by Clive Wilmer is extremely enlightening as it provides a background against which the book can be thoroughly enjoyed. This book cleared a lot of doubts I had for a long time on many things and I must say raised twice as many questions about what I thought right :-)

Ruskin has been praised by many people as being the vioce of truth. He starts his main essay from a story in the Bible and then blows the reader away with his acute judgements and impeccable logic. In the end all you can do is but agreee that 'There is no Wealth but Life'

Also recommend 'The Kingdom of God is Within You' by Tolstoy.

"There is no wealth but life.".......2001-09-25

_Unto This Last_ is a series of four essays on political economy, which were originally designed to be published in Cornhill Magazine. The essays caused so much contemporary anger and scorn, however, that their publication was discontinued.

Ruskin began as an art critic, who wrote in favor of a naturalism based in the imagination rather than the eye. His works discussed the moral and political dimensions of art and architecture, and it was probably natural that this would lead him into his interest in socialism and the powerful writing found in _Unto This Last_. He was passionately arguing against the Utilitarianism of writers such as John Stuart Mill and others who saw immutable laws of economy which were rooted in anything except justice. His assertion was that the accumulation of money was in fact an accumulation of power rather than wealth, and necessarily resulted in an imbalance which adversely affected society. For instance, he said that a successful factory which polluted the environment could not be termed profitable because of the resulting damage to society itself.

This collection of Ruskin's works (edited and with commentary by Clive Wilmer) contains the whole of _Unto This Last_ and enough of a selection of his other works to give a sense of the chronological position of the essays in Ruskin's career.

The book features an early fairy tale by Ruskin which was written for his wife, an excerpt from _The Stones of Venice_ which discusses the nature of Gothic architecture, excerpts from _the Two Paths_ and _Modern Painters_, two lectures which were published as parts of _The Crown of Wild Olive_ and _Sesame and Lilies_, and finally ends with letters 7 and 10 from _Fors Clavigera_.

Ghandi credited _Unto This Last_ with providing part of the impetus behind his transformation. And it would not be ridiculous for me to say that the book forced a radical reexamination of many of my own assumptions and ideas. It's also a pleasure to read, with beautiful as well as thought-provoking prose. Worthwhile reading for more than students of Victoriana.

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