Roussel, Raymond
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- Beautiful.
- A sadly out of print classic of experimental literature.
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Impressions of Africa (French Surrealism)
Raymond Roussel
Manufacturer: Calder Publications
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ASIN: 0714502898 |
Customer Reviews:
Beautiful........2005-01-11
A precurser to Surrealism, this gem of French literature is not to be overlooked despite it's "out of print" status. The imagery in this book is nothing short of amazing and the oddly structured "plot" easily holds your attention throughout the book. In fact, the imagery alone is worth the price you may have to pay tracking this book down.
When I started reading the book my attention was immediatly drawn into the bizzare descriptions of absurd machines and circus-like performances that made little sense at the time. It was hard to stop laughing at some of the off the wall images my mind conjured while reading and when the pangs of laughter finally alleviated I couldn't put the book down. The second half is full of explainations about what you just read and introduces the characters and setting from the first part of the book.
I highly recommend this book to anyone who enjoys Surrealism or experimental literature. It really doesn't get much better.
A sadly out of print classic of experimental literature........1998-08-29
Shipwrecked European travelers are held for ransom in an imaginary African kingdom. While they wait for the payment they set up a series of entertainments to keep their spirits up. These performances are the main focus of Roussel's book, an often neglected classic of experimental literature. The first half comprises objective descriptions of bizarre individual talents and strange "technological" demonstrations. The second half explains to the reader what he has just read: the background of the participants and the origins of their skills.
Trying to describe Roussel's enigmatic novel in 1000 words is impossible. While the book is currently not available, readers can check out an extract in Roussel's "How I Wrote Certain of My Books," an excellent volume itself, which contains sections form some of Roussel's other works and John Ashbery's translation of Roussel's essay explaining his fascinating methods of composition.
Average customer rating:
- Tragically Hardly-ever-in-print
- Certain of his episodes outshine even Hugo or Napoleon!
- i read this a long time ago.
- A strange world of exhibits and the stories behind them
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Locus Solus
Raymond Roussel
Manufacturer: Riverrun Press (New York, NY)
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ASIN: 0714507342 |
Customer Reviews:
Tragically Hardly-ever-in-print.......2006-08-20
There's a sea-horse race in this book. Not just a sea-horse race, but a sea-horse race inside a giant diamond-shaped tank of oxygenated fluid that also holds a beautiful submerged woman dancing and creating music with the movement of her locks of hair, sometimes enhancing the gyration of her head with sudden tosses and jostles of her hips. There's not only that, but several automaton devices that use flotation and buoyancy to drive their mechanic parts and act out various historical and mythological scenes. Like Voltaire suddenly doubting his atheistic doctrines, or Atlas kicking a celestial object, or Pilate being branded on the forehead.
All of that takes place inside the gigantic diamond-like tank of oxygenated fluid. A very lustrous fluid.
By the way, the English translation sometimes calls the sea-horses "hippocampi." Don't be confused: in context, it means sea-horses. It's not talking about parts of a brain. You might be thinking, "well there's no possible room for confusion there!", but au contraire. Because inside the tank is also a floating head/face of Danton, composed exclusively of the preserved nerves and musculuture, without any bones or skin. And re-animated with expertly applied electrical currents, courtesy of Canterel and his cat.
And they're not just any sea-horses. They're sea-horses equipped with "setons" attached to a shining golden sphere that they themselves created by kneading together small globulets of golden wine that Canterel pours into the tank and lets float down to them.
The entire episode I'm talking about took place long after the book had already left my jaw on the floor. In short: read it. You know that "dream-like" quality that hyped books supposedly possess? Say, like "Amnesia Moon"? Well Raymond Roussel accomplishes all that without any narrative tricks, without any deception, without any ill-defined or sensationally blurred "boundaries between dream and reality" or any of that nonsense. Roussel accomplishes his feats the old fashioned way: with elbow grease, and imagination. He accomplishes it by giving everything to you, not hiding things from you.
Who is the Canterel I mentioned above? Canterel-- a name that one should never utter aloud except on bended knee-- has the wealth and quirk of Willy Wonka, combined with the wealth and ingenuity of Bruce Wayne. Which makes for a very rich, very marvelous fellow. His estate and private collection puts both of those men's assets to shame, quite extravagantly.
As you already know, the book is a narrated trip through some of Canterel's exhibits. He aims to please, though. So don't think that the book will lack character, plot, or suspense just because it's a sort of museum-tour. There's stories within stories that explain the exhibits. And they have everything that archetypically good "stories" have, and more: love, betrayal, forgiveness, fantastic magnanimity, loss, disgrace, lust, vindication. I was breathless waiting for the resolutions of certain tales, practically jumping off my reading-bench to cheer for the characters, or otherwise immobilized by the revelations and vicissitudes.
Did I mention that nerves/musculuture of Danton's head are set into physiological motor motion by an electric current provided by a swimming cat whose hairless body acts as a battery after eating a specially-designed pill and is trained to stick its head into a long metal hat-like cone which becomes its electrode terminus?
And it's all described soberly, no tricks. By the way, Roussel (though there's a chance it's the translators doing, since I haven't and couldn't read the original French) tells his stories, tells the motivations and actions of characters, with a very skillful use of words, using strong descriptive verbs and nouns. The sentences held together with a unique power. Many times I took great pleasure in re-reading certain sentences, because they were said so absolutely perfectly. Of course, that should be the hallmark of a professional writer, but I don't find it too often.
So anyway you'll feel like you're there. You won't even have any disbelief to suspend. At certain points, like a particular early exhibit that I won't name, I said to myself, "There's no going back, this is too fantastic, there's no POSSIBLE EXPLANATION of this, Roussel has crossed the line, this is uncanny and totally unrecoverable at this point, I feel exploited!," and I kept reading, kept reading-kept reading, "by god, no, by GOD HE'S DONE IT!, he's doing it, by god Canterel, Roussel, you've done it, my good holy god unbeliEVABLE!!! Whew. Wow." I had to close the book for a minute and lean against a fence, nodding my head uncontrollably. When you close this book and put it on your shelf when done, you'll keep suspecting that it's about to burst open and spill out its contents all over your room, neighborhood, and city-- and you'll feel like an angry god for actually having the ability to close the book and contain it.
Book will take your breath away. If not check your pulse. Or, try something else. Bye.
Certain of his episodes outshine even Hugo or Napoleon!.......2004-03-06
I used to have so much fun reading this book. I remember I miraculously found a copy in some book shop on the far southside of Chicago for $8. One night I was drinking with some classmates shortly after class and I made the mistake of lending this irreplacable book to one of them, which of course the fool never returned nor probably ever read or if he did appreciated. May every curse be piled upon your perfidious little name, punk, which it is a blessing I can't remember it was so long ago.
I remember the first time I read Impressions of Africa, right after graduating high school. I was a naive young admirer of Duchamp at the time, and I kept seeing these references to Roussel, and the description of Impressions made it sound like a travel book. Had I known him then I might have expected something like a French William Cobbett. Ha! I don't think I realized something definitely strange was going on in those pages until I reached the part with the father and his sons echoing their voices off of each other's chests with their shirts being stuck to their skin "by some sticky substance", -- the word "substance" somehow set me laughing for a solid twenty, thirty minutes, and all the hilarity, the absurdity of the Incomporables' show that had gone on before were finally apparent to me. I have been a lover of Roussel ever since; the only casualty was my perspective of Duchamp's accomplishment, which is as Duchamp himself admitted greatly indebted to Roussel's.
Locus Solus is the book Roussel wrote after Impressions and the two make a pair unlike any other in literature. Locus is presided over by Martial Canteral, a figure right out of Jules Verne, who Roussel once said was a name that should not be spoken aloud "except on bended knee," -- hm, yes -- Canterel is a famous scientist and inventor, and the book is set at his estate where a group of distinguished figures have been invited to a tour of guided by none other than its owner and director. The book follows the tour as one of the eyewitnesses, and the sights along the way are so bizarre, the machinery so complex and beyond any reasonable utility, it quite defies any attempt to describe the effect here. One impression I think that merits a word or two is the apparent lack of emotion in the book. I would say that there is a great amount of sadness and tragedy in the book that adds a kind of under-layer parallel to the encoded sentences of Roussel's method. The vitallium episode, in which Canterel invents a "certain chemical" that makes the bodies of the dead become animate again (but are still dead) has a very particular strain of anguish and loss inherent in its concept. And then there is also the weariness of the visionary experienced by the reader, the author, and the characters being audience to so many impossibilities one after the other piled up so high there is an actual physical exhaustion after the conclusion. And then of course there is also the tragedy of the author himself, who had both novels lavishly adapted for the theater, and created two of the most colossal failures in the history of drama, causing riots and scandal at the showings and humiliation to the author. He ended up a pitiful man, addicted to drugs and having spent all his fortune, he killed himself in his forties with a great dream "of a glory that shall outshine that of Victor Hugo or Napoleon."
This is not a book for everyone, perhaps even for very few. However there is no good reason these two books are out of print. It is long past time they are reprinted and Roussel be given the honor he deserves.
i read this a long time ago........1999-05-13
i read this book when i was about 13 and i have been wanting to read it again for 17 years. i remember it only vaguely, but i know it was good. please mister publisher, print it again.
A strange world of exhibits and the stories behind them.......1998-11-30
Roussel's novels are giant puzzles, in which he describes images and stories that have a unique carnival logic. Punning relationships generate textual rebuses (rebi?), in a way that makes the reader aware of the book as a mechanism, but Roussel gives too few clues to really understand it. In Locus Solus, Roussel gives a tour of the museum garden of an eccentric millionaire, who, like Roussel himself, collects with a frenetic and psychedelic rationalism. Please, Riverrun Press, reprint this book.
Average customer rating:
- Monsieur Roussel Rules!...He Takes The Cake...
- This is a good introduction to an obscure French writer.
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How I Wrote Certain Of My Books
Raymond Roussel , and John Ashbery
Manufacturer: Exact Change
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ASIN: 1878972146
Release Date: 2005-08-15 |
Book Description
The first anthology of writings by Roussel, a legendary eccentric who influenced artists as diverse as Duchamp and Gide; contains selections from most of his major works.
Customer Reviews:
Monsieur Roussel Rules!...He Takes The Cake..........1999-05-16
It's a tragedy of Rousselian proportions that this is the only easily-acquired text of the Master in print... Roussel was, after all, the subject of Michel Foucault's very first (& to me his only readable!) book DEATH & THE LABYRINTH (a perfect companion to this collection/introduction). The present volume is essential to complete one's appreciation of the 'novels' LOCUS SOLUS & IMPRESSIONS OF AFRICA, should they drop into your lucky lap...you see, I too find myself thoroughly intrigued/mesmerized/in awe of the strange achievement of this genius-nut, inspirer as well of Breton, Cocteau, Dali, Leiris, Duchamp especially, Robbe-Grillet coitainly, Perec indubitably; but these dudes don't hold a candle to the lucid lunacy, fertile-beyond-belief imagination, and quaint language perfectly suited to express the convoluted twisted-mythic enigmatic obsessions of RR... who felt the Star on his forehead while but a teen, which Star had begun to glow on high when he was found...
This is a good introduction to an obscure French writer........1998-08-11
Raymond Roussel was an eccentric French writer who was born in 1877 and apparently committed suicide in 1933. His best known works of those translated into English are his novels Locus Solus and Impressions of Africa. Roussel wrote novels, tried to adapt them to the stage, and then tried to write a play for the stage. The audience responded to the play by throwing things and yelling at each other. Roussel, who never experienced anything like widespread acclaim, has nonetheless influenced French literature. Eventually, he was to gain the support of the surrealists. Decades after his death, he is remembered fondly by the OuLiPo - a group of Paris-based writers devoted to exploring new experimental literary forms. Two American poets - John Ashbery and Harry Mathews (also a member of the OuLiPo) - hold him in high esteem and here the two of them offer new translations of some of Roussel's works. How I Wrote Certain of my Books is the title of this collection and also the title of an essay by Roussel to explain how he wrote the two novels I mentioned. The rest of the collection includes an excellent introduction and biography of Roussel by John Ashbery, the first chapter of each of the two novels, the fifth act of one of Roussel's plays, the third canto of his poem "New Impressions of Africa," and the notes to serve as an outline for another novel Roussel apparently never wrote. Roussel's novels are among what I consider the great untranslatable works of the twentieth century. Much of the imagery and plot detail are bizarre flowerings of imaginative detail rooted in French puns. When this is translated, one gets only the strange details, but none of the phonetic basis underlying them. Like a joke that isn't funny, or a sonnet which has been paraphrased so that it no longer rhymes. The canto of the poem "New Impressions of Africa" was my favorite part of the collection. I've never read a poem with nested parentheses and lengthy footnotes before. The translation preserves aspects of the rhyme and meter, even throughout the footnotes. Although this volume doesn't contain the entire poem, it does contain all of the 59 drawings that originally accompanied it. But these drawings are not only not by Roussel, they aren't even interesting. In an introduction, which explains how Roussel had sent 59 captions to a hack artist to make mundane sketches to compliment his bizarre poem, Salvador Dali is quoted as saying that, seen in the context of the poem, the drawings "shed their banality and become metaphysical." Fine, but here the drawings are not only not shown in the context of the poem, the entire poem isn't even presented. I can save you some time by telling you right now that the drawings numbered 40-48 accompany the poem on pages 97-103. Read How I Wrote Certain of my Books as an introduction to one of France's literary madmen, and for an exceedingly clear description of how Raymond Roussel wrote certain of his books. To anyone who is curious for a taste, but not a full course, of Roussel's writing, this volume will serve well. Should you be utterly taken by the writing, however, you may be dismayed that few of the works are represented in their entirety. You will never get to find out how the novels end or how the play begins. At its best, How I Wrote Certain of My Books will send to your library looking for more.
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Impressions of Africa: a Novel
Raymond Roussel
Manufacturer: University of California Press
ProductGroup: Book
Binding: Hardcover
ASIN: B0006BQG42 |
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- Four Stars for Raymond's part.. NO stars for Padgett
- Padgett's & Roussel's Blacks
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Among the Blacks: Two Works
Raymond Roussel , and Ron Padgett
Manufacturer: Avenue B
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ASIN: 0939691027 |
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Fiction/ Autobiobraphy/ Translation/ Black Studies:
Raymond Roussel's story Among the Blacks (translated by Ron Padgett), together with Ron Padgett's memoir about growing up among black people.
Customer Reviews:
Four Stars for Raymond's part.. NO stars for Padgett.......2007-02-06
I'm not sure what the strategy was.. Maybe Roussel's story was so small, the publishers know they couldn't release it on its own and so had Padgett write an unrelated story with the TINIEST bit of similar ideas (oh, Roussel's character is among black people albeit in a surreal, twisted story.. I think Padgett should have a dry memoir about being around black people.. Hmm.. yeah that fits!). Disregard Padgett's self-absorbed story and just read Roussel's. It's a pretty fevered account of proto-surrealism.
Padgett's & Roussel's Blacks.......2002-02-19
Among the Blacks consists of two works: Padgett's translation of Roussel's early story "parmi les noirs," first published in 1935 in his book Comment j'ai écrit certain de mes livres, together with Padgett's memoir focusing upon his own experience among black people. Roussel's story, about a master mariner named White who encounters an African chief named Booltable, is built upon the kind of whimsical and extravagant word play (its first and last sentences are identical except for one letter in one word -- "pooltable" / "Booltable") for which Roussel was idolized by the French Surrealists. In contrast, as he writes in his Afterword, Padgett's memoir "grew out of the nagging need to come to grips with the frustrations of being a white American who had grown up in a racist environment and who, despite his rejections of racism at an early age, had rarely felt unselfconscious in the company of a black person." Its language is transparent and unmannered, "an attempt somply to tell the trutgh, and to do so with a minimum of artfulness."
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New Impressions of Africa
Raymond Roussel
Manufacturer: Atlas Press
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ASIN: 1900565099 |
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Euvres
Raymond Roussel
Manufacturer: Pauvert
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Binding: Unknown Binding
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ASIN: 2720202193 |
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La vue
Raymond Roussel
Manufacturer: Volets Verts
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Binding: Paperback
ASIN: 2910090167 |
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- Rowland, Laura Joh
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- Rowling, J.K.
- Roy, Arundhati
- Roy, Gabrielle
- Rucker, Rudy
- Ruff, Matt
- Rukeyser, Muriel
- Rule, Jane
- Rulfo, Juan
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