Yusef Komunyakaa

The Eye of the Poet: Six Views of the Art and Craft of Poetry

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The Eye of the Poet: Six Views of the Art and Craft of Poetry
Billy Collins , and Yusef Komunyakaa
Manufacturer: Oxford University Press, USA
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Binding: Paperback

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ASIN: 0195132556

Book Description

Featuring contributions from seven widely published and practicing poets who are also experienced teachers and presenters of poetry, The Eye of the Poet: Six Views of the Art and Craft of Poetry provides students and other readers with invaluable practical advice. Ideal for courses in poetry writing and creative writing, it includes six sections written by Billy Collins, Carol Muske, David Baker and Ann Townsend, Yusef Komunyakaa, Maxine Kumin, and David Citino. These poets speak their minds about their relationship with their art and craft, offering guidance to writers at all levels of experience from the beginner to the veteran. In his section, Billy Collins looks at the ways reading and writing poetry give readers pleasure, while Carol Muske's essay examines the question, "What is a poem?" David Baker and Ann Townsend discuss the formal and musical aspects of composing and reading poems, and Yusef Komunyakaa enrolls readers in a virtual poetry workshop. Maxine Kumin considers the necessities and demands of audience, and David Citino talks about the roles that poets play as they conceive and execute their work. In their essays, the contributors include examples of poems--written by themselves or others--to illustrate key points. While the chapters are meant to be self-contained explorations, they are also interrelated parts of the volume as a whole. The Eye of the Poet is a stimulating conversation in which successful poets share with readers their enthusiasm, knowledge, and vision, as well as their estimation of the possibilities of the poem. In this book, students of poetry will discover the wide variety of options available to them when they sit down to create their own works.

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Komunyakaa's imagery brings to life the Vietnam War
Aesthetic War Poetry
"Dien Cai Dau"- prominent Vietnam War writing
Never held a gun in my life
Incredible Images, Wonderful Words

Dien Cai Dau (Wesleyan Poetry)
Yusef. Komunyakaa
Manufacturer: Wesleyan University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0819511641

Book Description

Poetry that precisely conjures images of the war in Vietnam by an award-winning author.

Customer Reviews:

Komunyakaa's imagery brings to life the Vietnam War.......2004-04-29

Yusef Komunyakaa is the kind of poet that wins people over with his honesty. I agree with Adam from Mercer Island when he says that "This is powerful poetry, so much that when I read it I feel like I'm there, watching him and the surroundings that he witnessed in his mind so well." The most impressive aspect of Komunyakaa's poetry is his ability to create realistic visual images within the mind of the reader. The poet does, as Adam from Mercer Island mentioned, make the reader feel as if they are a part of the moment. The connection created allows the reader to fully understand the depth of meaning in each poem. There are several poems within Dien Cai Dau that accurately depict this concept.
The poem "A Greenness Taller Than Gods" is an excellent example of Komunyakaa's use of imagery. The poem begins with, "When we stop,/a green snake starts again/through deep branches./Spiders mend webs we marched into./Monkeys jabber in flame trees,/" (1-5) It is evident from the opening lines that Komunyakaa has a talent for creating visual images. It is like the reader is there with his platoon marching through the jungle and taking orders from the point man. In each of his poems, Komunyakaa also shows the fragile side of the soldiers. In "A Greenness Taller Than Gods", the speaker conveys this fragility by voicing the fears of the soldier. Lines 9-12 state, "The lieutenant puts on sunglasses/& points to an X circled/on his map. When will we learn/to move like trees moves?". The soldier struggles to move like trees knowing full well that it is not possible to do so. The reader gets the idea that the soldiers attempted to do many things that verged on impossible, which causes the reader to sympathize with their situation. Another poem that causes the reader to sympathize with the speaker of the poem is "You and I are Disappearing".
In "You and I are Disappearing", the poet is describing a scene that most people would never want to see in their lifetime. The opening lines state, "The cry I bring down from the hills/belongs to a girl still burning/inside my head. At daybreak/she burns like a piece of paper." (1-4). The visual image created here is vivid, although disturbing. The poet goes on to use several similes to further describe the state of the burning girl. The picture that is painted in the mind of the reader is graphic and forces the reader to understand what the soldiers of Vietnam had to witness and take part in. The poem is a successful attempt at portraying the depravity of the Vietnam War.
Along with Adam from Mercer Island, I too enjoyed the poem "Thanks". This poem creates some very realistic visual images and makes the reader think long and hard about luck and fate. The speaker of the poem is a soldier who is thanking whomever was responsible for him living through the war. Although I agree with Adam from Mercer Island in that the poem is touching, I do not see how it would be heartbreaking. I believe that the overall feel of the poem is encouraging. It makes the reader feel like there is always someone or something watching out for those that we care about when they are at war. I think that "Thanks" is one of the most uplifting poems in the entire book.
Other than the visual images that Komunayaa creates, another strong aspect to his poetry is the way in which he looks at war. As Adam from Mercer Island describes, "He [Komunyakaa] talks about the soldier's main preoccupation: women, home, warm smiles, grenades, RPG's, and dying-of course.". In the poem "Between Days", the poet speaks of a mother whose son has died in the war. The woman does not want to face the fact that she has lost her son, therefore she pretends like he is still going to come home. This aspect of war, the ones left behind, is not a popular subject for war poetry. The poem is such an accurate portrayal of the things that mothers must feel when they lose their sons in battle. The heartbreak is so hard to bear that they just avoid the situation all together. The poet depicts the scene in lines 6-13 by saying, "The room is just as he left it/fourteen years ago, everything/freshly dusted and polished/with lemon oil. The uncashed/death check from Uncle Sam/marks a passage in the Bible/on the dresser, next to the photo/staring out through the window.". Komunyakaa portrays the woman as holding on when war is thought to be about letting go. The woman is faithful to her son even after fourteen years and the situation is both encouraging and heartbreaking. Encouraging in the sense that the woman is still willing to wait for her son and won't cash his death check, but heartbreaking in that the reader knows that one day she is going to have to face the fact that her son is gone.
Komunyakaa's poetry is inspiring. He takes war and puts it into images and concepts that even someone who has never and will never experience war can relate to.
Each poem takes a different look at the Vietnam War, or just war in general, which allows the reader to better understand the situations and feelings that come with fighting in a war. Komunyakaa is an excellent poet and truly has a gift for connecting to his audience. Dien Cai Dau is a powerful book of poetry that uses imagery to connect the reader to the speaker in each poem which, in turn, will bring a new understanding of the Vietnam War to anyone who reads it.

Aesthetic War Poetry.......2004-04-27

Dien Cai Dau by Yusef Komunyakaa is an artistic display of visual imagery through his writing. Komunyakaa's graphic depictions and strong language stem from emotionally charged subjects and lend themselves unselfishly to the works in this book. Since Komunyakaa served in the Vietnam War as a wartime correspondent, his ties to the detail and imagery that he displays in this book are unquestionable. The author allows the reader a safe passage back to the time and place of one of the most tragic wars in American history by painting individual pictures through each one of his poems. Komunyakaa gives the reader an opportunity to experience the knee-buckling power that war lends to a man's life. The chance to understand what might have been going through someone's head at that time and place is too good to pass up, even if you are not a war poetry fan.

There is more to Dien Cai Dau than just war. In this book of poetry, there is both powerful and graceful imagery. The poetry may depict a harsh or solemn scene; however, the imagery allows the reader to experience that scene to the fullest extent. Take for example this excerpt from "Roll Call"- "The perfect row aligned/with the chaplain's cross/ while a metallic-gray squadron/ of sea gulls circled" (p.15, 10-13). The poem that this image comes from is referring to a respect filled tradition that each platoon had of calling roll for those soldiers who had fallen in battle. The "metallic-gray squadron/ of sea gulls" (12-13) lends the notion of a fly-by of military planes, which is often done to honor those who have passed away or to commemorate a special occasion. Allowing nature, in this case the sea gulls, to honor those who fight to protect the land and rights of those who cannot protect themselves gives this poem a powerful meaning.
Another image that the author paints in our minds is that of the veteran after the war has ended. "Sometimes I can hear them/ marching through the house, /closing the distance. All/ those lonely beds take me back" (16-19). These lines allow the reader not only to see what a veteran would see, but also see why a veteran would not share his past as the author states in lines 13-15. It is with this type of imagery the author gives the reader a glimpse into the mind, heart and soul of a soldier who has been in war.

The type imagery displayed in "Roll Call" is rampant amongst the poems in this book. The demonstration of artistic writing and imagination that Komunyakaa shows in Dien Cai Dau is incredible. There are those who have never seen war and write as if they had, Komunyakaa lived this experience which allows him to put his visions of the battle field and of the somber results on the pages of his book. The strong imagery, life and emotion that Komunyakaa shows in this book are what make this book of poetry so fantastic.

"Dien Cai Dau"- prominent Vietnam War writing.......2004-04-27

The poetic memoirs of Yusef Komunyakaa in the book "Dien Cai Dau" are based upon the poet's various experiences overseas during the Vietnam War. "Dien Cai Dau" is a superb collection of wartime poetry. Yusef Komunyakaa is a Pulitzer Prize winning author who served in the Vietnam War as a correspondent and editor for a newspaper. The aesthetic imagery Komunyakaa uses within his collection of Vietnam War poetry wonderfully captures the explosive scenery and experiences gathered throughout his time spent over there during combat. This is a collection of Vietnam War time poetry well worth reading.

During one of the more impressive poems within the collection, "Somewhere Near Phu Bai," Komunyakaa and the speaker expresses his nighttime duty of watching the placement of the claymore mines. The claymore mines were being monitored because the enemy was known to rotate the grass floor bombs around, so upon engagement, they would blast onto the opposite forces instead of the enemy's. The poem begins with the line "The moon cuts through night trees like circular saw white hot" (1). The ominous image of the white moon cutting through the dark sky like a saw corresponds with the jagged, gloomy evening. The image of a moon is repeated throughout the poem as the speaker/man on duty describes "The white-painted backs of the Claymore mines like quarter moons." (14,15,16). Through repetition of the imagery Komunyakaa engrains the shadowy image of the night moon, and the fatal image of the bombs being shaped like moons as well. This is an effective correlation, because readers associate the night with the moonlike mines as does the speaker whose orders are to observe the mines. The claymore mines become his night. Comparisons and correlations like this occur throughout the collected poems allowing the audience to experience along with the speaker each wartime event. This is one of the wonderful attributes within Komunyakaa's writing because he really invites the reader to engage himself or her within the book.

Many of Komunyakaa's poems within his war poetry collection depict circumstances in which he remembers events during the war, and the recollections of these events reflect his emotions gathered during these experiences. Through the speaker's emotional stance, the book is successful in gathering an emotional response from the reader. The poet's ability to gather such emotional contact and responses from the reader constructs a memorable literary work. One brilliant poem within the book, "Roll Call," achieves the idea of gathering an emotional response from the audience. The poem describes a day in which a platoon of troops honors those that were killed during combat. The bodies are missing so the living war buddies are "lined up for reveille, ready to roll-call each M-16 propped upright between a pair of jungle boots, a helmet on its barrel as if it were a man" (4,5,6,7,8,9). The image of the surviving men "burying" their dead invites an emotional response from the reader. A response that is formulated on how one feels when a solider dies during combat.

Never held a gun in my life.......2003-07-01

This is powerful poetry, so much that when I read it I feel like I'm there, watching him and the surroundings that he witnessed in his mind so well.

Some of his metaphors are almost magical in their quality, their effusiveness, and ability to draw you in. It's also helped by the fact that very few poets write about war like this. Sure, there've been the I Rhyme, You Die poets from the civil war or other periods of history, but nothing like this.

He talks about the soldier's main preoccupation: women, home, warm smiles, grenades, RPG's, and dying--of course. All the while you know that there's this inherent sadness he can't talk about while he's a soldier. That's what makes these poems run so deep. I especially liked the poem "Thanks". It was heartbreaking for me.

It's beautiful reading about these scars, sad as they may be. Being a Soldier is a tough man's job, and hopefully people will read this book of poems and realize that.

Incredible Images, Wonderful Words.......2000-01-01

I read this book of poems for the first time in a literary analysis class in college. I hadn't really enjoyed or understood poetry up to that point and certainly didn't imagine it would be something that I would want to focus my studies on. This collection blew me away. I ended up doing my honors thesis on Vietnam War Poetry, using this book as a standard by which I judged others. Most war poetry is very boring because it represents a heroic look back in attempt to glorify war. This book is nothing like that it is an incredible adventure into the realities of war and its effects on the psyche. I HIGHLY RECOMMEND THIS BOOK AND ANYTHING ELSE BY KOMUNYAKAA. He is an incredible poet. I would also highly recommend the works of BRUCE WEIGL. I wrote of his work in my thesis as well. They are both incredible writers.

Neon Vernacular: New and Selected Poems (Wesleyan Poetry)

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"Like a man drunk on the rage / Of being alive"
Highly Recommended!!!
LANGUAGE LIT UP: SOUL-TO-SOUL COMMUNICATION
easily teachable
One of my favorite books

Neon Vernacular: New and Selected Poems (Wesleyan Poetry)
Yusef Komunyakaa
Manufacturer: Wesleyan University Press
ProductGroup: Book
Binding: Paperback

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Dien Cai Dau (Wesleyan Poetry)
What Work Is
Blessing the Boats: New and Selected Poems 1988-20 (American Poets Continuum)
Talking Dirty to the Gods: Poems
Dream Of The Unified Field

ASIN: 0819512117

Amazon.com

In addition to 12 moving new poems, Neon Vernacular (winner of the 1994 Pulitzer Prize for Poetry) samples broadly from Yusef Komunyakaa's acclaimed collections Dien Cai Dau, Copacetic, and I Apologize for the Eyes in My Head. Poems from Komunyakaa's earlier books show that while his style has evolved from a soul-bare blues to an intellectually syncopated jazz, his core obsessions remain. His poems provide gritty testimony of the Vietnam War, a history of community and loneliness in African America, and, elusively, a complex document of human consciousness. Like his predecessor in this uncertain territory, Robert Hayden--who asked, "What did I know, what did I know/ of love's austere and lonely offices"--Komunyakaa's speakers are constantly being attacked by doubt, as in "Black String of Days:"

<blockquote> Tonight I feel the stars are out
to use me for target practice.
I don't know why they zero in like old
business, each a moment of blood
unraveling forgotten names...
On the black string of days
there's an unlucky number
undeniably ours.
</blockquote>

Although his poems of the Vietnam War belong to the battle-weary tradition of Siegfried Sassoon, Louis Simpson, and Bruce Weigl, they gain an added complexity from the tense absence of battle. The idea of being a soldier in an unpopular war, as Komunyakaa was, attains in such poems as "Monsoon Season" and "Water Buffalo" a metaphysical air. In these poems, ponchos feel like body bags and one speaker realizes, "I'm nothing but a target," but the bullet never comes. As in his poems about growing up in Bogalusa, Louisiana, Komunyakaa's voices have prepared themselves for pain, and they celebrate the confusion of the lifetime before it strikes, or the clarity of the moment just after. This is a rich collection from one of our most rewarding poets. --Edward Skoog

Book Description

An award-winning poet's testimony of the war in Vietnam.

Customer Reviews:

"Like a man drunk on the rage / Of being alive".......2006-02-11

Some people read Komunyakaa because he's a great Vietnam war poet. Some read him because he's a truly great Black poet. And they're right, too. And there's that unmistakable southern voice. And the omnipresent realization that nothing on this earth is ordinary and unworthy of praise, and brutal honesty is the poet's greatest strength. But the reason everyone should read Komunyakaa is that he is one of the greatest, clearest voices of our age. Here is the confirmation of your own humanity that every reader seeks.

Highly Recommended!!!.......2003-08-19

This is a tremendous collection of Komunyakaa's life work, and is highly recommended for anyone who loves poetry and is looking for a new author to light up your imagination. I had to laugh at the reviewer from Minneapolis; he instead recommends Anthony Hecht, John Hollander and Albert Goldbarth -- the three most boring poets in the English language! If you want to be bored out of your skull, take this guy's recommendations. If you want to see how amazing contemporary poetry can be, I can't recommend this book highly enough.

LANGUAGE LIT UP: SOUL-TO-SOUL COMMUNICATION.......2001-07-30

After I saw the movie "Il Postino" ("The Postman"), I was so moved and intrigued I had to go check out the poetry of Pablo Neruda. And after I heard Yusef Komunyakaa read from his own work, I immediately had to buy this collection of his poetry, NEON VERNACULAR, a book I have singularly cherished ever since.

Long ago, a friend defined poetry for me as "the marriage of meaning and music." I remember the late Etheridge Knight bemoaning in one of his haiku poems that "making words swing . . . ain't no square poet's job." Over the years, I've heard a number of poets read poetry, mostly their own; only a handful, such as Amiri Baraka, with any kind of groove and insight.

Komunyakaa and his work were both unknown quantities when I heard him read at Boston University some years ago. Never forget it! His voice was resonant as a cello. His presence was serene, eloquent as burnished mahogany. His casual elegance reminded me of singer "Big Joe" Williams, who fronted Count Basie's band for so many years. Combine that majesty with the power and grace of his reading, the pulse and insight of his poems . . . He finished to a standing ovation, while I, practically doubled over and in tears, as if just kicked in the solar plexus (literally knocked out by the beauty and the passion of what I'd just witnessed) cried in awe and joy. His performance had touched me, as someone else I knew once said, "down here where the soul begins . . ."

What about his poetry moves me so much? His wordsmithing in a distinct blues & jazz-inflected voice. The visceral impact as he explores growing up in the segregated South, his relationship to his father and family and friends; the terror and inhumanity of war; the examination of human frailty and pain and the struggle to decipher and determine a place in this world. I love his sheer virtuosity in sculpting language and rending fresh, startling images: "The tongue labors,/ a victrola in the mad mouth-hole/ of 3 A.M. sorrow." "When days are strung together,/ the hourglass fills/ with worm's dirt." Or perhaps the summation of loneliness (the ultimate human condition) in my favorite of his poems, "The Heart's Graveyard Shift": "Between loves I could stand all day/ at a window watching honeysuckle open/ as I make love to the ghosts/ smuggled inside my head."

This is word music that thrills you . . .

easily teachable.......2001-05-24

I use this book of poetry in a creative writing class for high school students. While the language can be sometimes tough for them to follow (they're almost always afraid of poetry), the rhythms are so easy for them to follow. You may find yourself tapping your feet to the poems. This is a poet who knows sound, who knows rhythm, who knows the ways to marry those two ideas to words. And he teaches my students to do the same.

One of my favorite books.......2001-05-19

While I can't agree with the clinical nature of the previous review, I do agree that this book is truly great. However, I would not put Komunyakaa on my list of best African-American Poets, he is simply one of the best poets writing today. As good as Frank Stanford ever was. Truth be told I am wondering when it will be his turn to be names U.S. Poet Laureate. I fully expect him to receive the Nobel Prize.

Now about the book: I have been actively searching out Komunyakaa ever since I saw his poem, "Troubling the Waters." When I bought Neon Vernacular some years ago I put everything else away because Neon Vernacular was the only thing worth looking at for months. Now, I find myself reading "Songs for My Father" over and over. I even wroe a poem based upon "Starlight Scope Myopia" from Dien Cai Dau. Simply put, Yusef Komunyakaa is the one living writer I most want to meet with and talk poetry.

Gilgamesh: A Verse Play (Wesleyan Poetry)
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Gilgamesh: A Verse Play (Wesleyan Poetry)
Yusef Komunyakaa , and Chad Gracia
Manufacturer: Wesleyan University Press
ProductGroup: Book
Binding: Hardcover

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The Curtain: An Essay in Seven Parts

ASIN: 0819568244

Book Description

Bringing new life to the world's oldest story, Yusef Komunyakaa and Chad Gracia have refashioned a classic Sumerian legend into a compelling verse play. In this ageless saga, Gilgamesh of Uruk, part god and part man, embarks on an other-worldly quest in search of immortality. This new version elaborates on the key themes of the story and weaves them into a vibrant and emotional new form. Wesleyan's edition of Gilgamesh is like no other and will take its place among the most powerful and engaging interpretations of this timeless tale.

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one of the most original poets out there
Extraordinary

Thieves of Paradise (Wesleyan Poetry)
Yusef Komunyakaa
Manufacturer: Wesleyan University Press
ProductGroup: Book
Binding: Hardcover

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Talking Dirty to the Gods: Poems
Magic City (Wesleyan Poetry)
Neon Vernacular: New and Selected Poems (Wesleyan Poetry)
Dien Cai Dau (Wesleyan Poetry)
A Hunger

ASIN: 0819563307

Book Description

Centering on the disorienting experiences of the returning soldier and drawing on multiple traditions, Yusef Komunyakaa's poetry is potent, live, and, like the strains of jazz running through it, an erudite and soulful music.

Customer Reviews:

one of the most original poets out there.......2000-09-21

I had known of Komunyakaa for a while, but only recently began reading him. I'm glad I did. This is a book full of very different types of poems--some with regular stanza lengths, some with numbered sections, some short and without stanzas--and it is consistently excellent throughout. I think many poets tend to repeat themselves, but Komunyakaa seems to be one of the most courageous and technically sound poets there is. He is known for his poems about jazz, racial prejudice and the Vietnam War ( the entire section "Debriefing Ghosts" is a terrific sequence of anti-war poems), but I also enjoyed the ones not as easily catagorized. "Kosmos" is one of the best poems written to Walt Whitman I've ever read, and "The Glass Ark," about a couple unearthing fossils in the LaBrea Tar Pits in Los Angeles, is funny, playful and sexual without losing an odd seriousness.His language at times reminds me of Charles Simic--he seemingly finds the most disparate images that somehow seem "right"--but he is entirely on his own when it comes to combining long and short sequences, humor, sex, music and memory. Highly reccomended.

Extraordinary.......1999-05-03

I was stunned at the amount of intelligence and density in this poetry. I ordered this after hearing "The Deck" on NPR, as a gift for my wife, and we both consider it a treasure.

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We Jews and Blacks: Memoir With Poems
Willis Barnstone
Manufacturer: Indiana University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0253219213

The Second Set: The Jazz Poetry Anthology (The Jazz Poetry Anthology , Vol 2)

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The Second Set: The Jazz Poetry Anthology (The Jazz Poetry Anthology , Vol 2)

Manufacturer: Indiana University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0253210682

Amazon.com

Following up their wonderful jazz poetry anthology, editors Sascha Feinstein and Yusuf Komunyakaa deliver the goods again. Derek Walcott, June Jordan, and Gwendolyn Brooks all weigh in with fine poems, but my favorite this go-round is Rita Dove's "Canary," which includes these lines: "Billie Holiday's burned voice / had as many shadows as lights, / a mournful candelabra against a sleek piano, / the gardenia her signature under that ruined face." These images tell a lot of the story of jazz as an art form. Life is painful, but music is solace, catharsis, and transcendence. So is poetry.

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Jazz Poetry Anthology (A Midland Book)
Sascha Feinstein
Manufacturer: Indiana University Press
ProductGroup: Book
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ASIN: 0253206375

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Dizzy Gillespie had this to say: "These poems hit it right on the head, and the book is certainly essential for anyone who is interested in our music." Containing poems not just about jazz, but also written in the spirit of jazz, this book is an outstanding example of how productive cross- fertilization between the arts can be. Of course, Jack Kerouac's "239th Chorus" is a standout, but there are also swinging poems from Etheridge Knight, Marilyn Hacker, Lawrence Ferlinghetti, and many others.

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Another Exceptional Read
One of the Better of the Best
another mediocre volume
THANK-YOU'S

The Best American Poetry 2003
Yusef Komunyakaa
Manufacturer: Scribner
ProductGroup: Book
Binding: Paperback

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The Best American Poetry 2004
The Best American Poetry 2000 (Best American Poetry)
The Best American Poetry 2005 (Best American Poetry)
The Best American Poetry 2001 (Best American Poetry)
The Best American Poetry 2006 (Best American Poetry)

ASIN: 0743203887

Book Description

"Poetry encourages us to have dialogue through the observed, the felt, and the imaginary," writes editor Yusef Komunyakaa in his thought-provoking introduction to The Best American Poetry 2003. As a black child of the American South and a decorated veteran of the Vietnam War, Komunyakaa brings his singular vision to this outstanding volume. Included here is a diverse mix of senior masters, crowd-pleasing bards, rising stars, and the fresh voices of an emerging generation. With comments from the poets elucidating their work and series editor David Lehman's eloquent foreword assessing the state of the art, The Best American Poetry 2003 is a must-have for readers of contemporary poetry.

Jonathan Aaron • Beth Anderson • Nin Andrews • Wendell Berry • Frank Bidart • Diann Blakely • Bruce Bond • Catherine Bowman • Rosemary Catacalos • Joshua Clover • Billy Collins • Michael S. Collins • Carl Dennis • Susan Dickman • Rita Dove • Stephen Dunn • Stuart Dybek • Charles Fort • James Galvin • Amy Gerstler • Louise Gluck • Michael Goldman • Ray Gonzalez • Linda Gregg • Mark Halliday • Michael S. Harper • Matthea Harvey • George Higgins • Edward Hirsch • Tony Hoagland • Richard Howard • Rodney Jones • Joy Katz • Brigit Pegeen Kelly • Galway Kinnell • Carolyn Kizer • Jennifer L. Knox • Kenneth Koch • John Koethe • Ted Kooser • Philip Levine • J. D. McClatchy • W. S. Merwin • Heather Moss • Stanley Moss • Paul Muldoon • Peggy Munson • Marilyn Nelson • Daniel Nester • Naomi Shihab Nye • Ishle Yi Park • Robert Pinsky • Kevin Prufer • Ed Roberson • Vijay Seshadri • Alan Shapiro • Myra Shapiro • Bruce Smith • Charlie Smith • Maura Stanton • Ruth Stone • James Tate • William Tremblay • Natasha Trethewey • David Wagoner • Ronald Wallace • Lewis Warsh • Susan Wheeler • Richard Wilbur • C. K. Williams • Terence Winch • David Wojahn Robert Wrigley • Anna Ziegler • Ahmos Zu-Bolton II

Customer Reviews:

Another Exceptional Read.......2004-06-14

I will say once again,

David Lehman is one of the most facinating writers, poets, and editors that I have ever read. He is the author of The Daily Mirror, a wonderful and well penned selection of poems.
I believe his perspective and talent for finding the best poets lies in his experience. Mr.Lehman is a great editor and any reader who chooses to pick up and read this book will be thankful.

One can learn so much from the writers and makers of The Best American Poetry books. I also recommend, his most recent book, The Last Avant-Garde: The Making of the New York School of Poets. I give all these books 5 stars!

One of the Better of the Best.......2004-01-07

It seems a general rule of thumb that if you enjoy the guest editor's work, you will enjoy most of their selections. I enjoy Koumunyakaa and his choices for this years best poetry. I especially enjoyed his introduction talking about the lack of content in many poems today. As with most books in this series, there are many familiar names such as Merwin, Williams, Kizer, Levine, Philips, but also some new and hopefully upcoming poets, such as Joy Katz. There are a few September 11th poems, but most of them are readable. This is one of the best in the series that I have read.

another mediocre volume.......2003-12-19

What we have here is another mediocre volume in what should be a great series. And this year's looked promising, but you'll find very few poems worth noting inside.

THANK-YOU'S.......2003-10-11

Thank you, David Lehman, for having chosen Yusef Komunyakaa to edit THE BEST AMERICAN POETRY 2003, the most interesting since Adrienne Rich edited THE BEST AMERICAN POETRY 1996. And thank you, Yusef Komunyakaa, for not shuffling the same old, worn cards again! Congratulations to all!

Average customer rating:

I should have bought this book...
Not Komunyakaa's best offering

Talking Dirty to the Gods: Poems
Yusef Komunyakaa
Manufacturer: Farrar, Straus and Giroux
ProductGroup: Book
Binding: Paperback

General | Poetry | Literature & Fiction | Subjects | Books

Pleasure Dome: New and Collected Poems (Wesleyan Poetry)
Neon Vernacular: New and Selected Poems (Wesleyan Poetry)
Collected Poems
Dien Cai Dau (Wesleyan Poetry)
Thieves of Paradise (Wesleyan Poetry)

ASIN: 0374527938

Book Description

A daredevil poetic achievement nominated for the National Book Critics Circle Award

. . . A god isn't worth
A drop of water in the hell of his good

Imagination, if we can't curse
Sunsets & threaten to forsake him
In his storehouse of belladonna,
Tiger hornets, & snakebites.
--from "Meditations in a Swine Yard"

No turn in any life cycle is taboo as Yusef Komunyakaa examines the primal rituals shared by insects, animals, human beings, and deities in Talking Dirty to the Gods. From "Hearsay" to "Heresy," these 132 poems, each consisting of four quatrains, are framed by innuendo and lively satire. Komunyakaa looks to nature and configures his own paradigm, in which an event as commonplace as the jewel wasp laying an egg in a cockroach becomes every bit as grand as Zeus's infidelity. The formally rigorous collection is itself a design for a systematic cosmos, a world compressed but abundant in surprise and delight.

Customer Reviews:

I should have bought this book..........2001-11-12

I picked it up at the book store and was flipping through it. Wow! Seemed to be a little more accessible than some of Komunyakaa's other work, but just as powerful if not more so.

Not Komunyakaa's best offering.......2000-11-06

I was looking forward to reading "Talking Dirty to the Gods" from the moment I first saw it mentioned in "Poets & Writers." I was slightly disappointed with the book, however. My understanding is this was a collection of poems which were written during Yusef's walks to his classes. Every one of the 131 poems is four stanzas of four lines each. Many focus on Greek mythology (keeping with the theme of the book.) It isn't that the work is hard to understand, but it is more ambiguous than "Magic City" and "Dien Cai Dau" in its imagery. Two poems, however, caught my eye as being two of the best I've ever read. "Bedazzled", and "Genet" are exceptionally beautiful and finely honed poems with strong images and an afterthought that makes the reader just say "wow". Unfortunately the entire book is not like this, as "Magic City", and "Dien Cai Dau" were for me. Overall this book is definately worth reading, but I would not spend the extra money to get the hardback, if I had it to do over again.

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