Hill, Geoffrey

Bird Coloration, Volume 1, Mechanisms and Measurements
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    Bird Coloration, Volume 1, Mechanisms and Measurements

    Manufacturer: Harvard University Press
    ProductGroup: Book
    Binding: Hardcover

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    ASIN: 0674018931

    Book Description

    One cannot help being struck with wonder at the vivid pink of 10,000 flamingos rising from Lake Nakuru or the glowing red gorget of a ruby-throated hummingbird feeding outside the kitchen window. How birds produce the brilliant and striking coloration of their feathers and other body parts is the focus of this first volume of Bird Coloration. It has been more than 40 years since the mechanisms of color production of birds have been reviewed and synthesized and in those 40 years new pigments have been discovered, new genetic mechanisms have been described, new theories have been developed, and hundreds of new experiments have been conducted. </p>

    Geoffrey Hill and Kevin McGraw have assembled the world's leading experts in perception, measurement, and control of bird coloration to contribute to this book. This sumptuously illustrated volume synthesizes more than 1,500 technical papers in this field. The focus is on the three primary mechanisms of color production--melanin pigmentation, carotenoid pigmentation, and structural coloration--but less common as well as newly described mechanisms of color production are also reviewed in detail. The visual perception of birds and the best ways to collect and analyze color data are, for the first time, presented as part of the review of mechanisms of coloration. This book will be essential reading for biologists studying animal coloration, but it will also be treasured by anyone curious about how birds produce and perceive their bold and brilliant color displays. </p>
    Bird Coloration, Volume 2, Function and Evolution
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      Bird Co Andalucia 2002 (en espagnol)

      Andalucia 2002 (en espagnol)

      Andalucia 2002 (en espagnol)
      Authors: Guide Vert
      Catalog: Book
      Media: Broché
      Release Date: 23 June, 2001
      Publisher: Michelin Editions des Voyages
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      ringtone88.com Reviews:

      3 out of 5 stars a difficult customer.......2002-02-08

      I think this book is aggressively critical in tone. In it, the author has a succession of negative things to say about the modern world. He especially does not like the media. He criticises musical forms like rap which he does not seem to know very much about. On the other hand, the book has quite a lot of memorable phrases, and sometimes it can make you laugh. It is the kind of book which leaves the reader with very mixed feelings.

      5 out of 5 stars difficult genius.......2001-02-05

      The man is brilliant, but so difficult to get through. I would suggest having a handy reference section nearby. He has a beautiful way with words. The current volume is one long poem, divided into sections (in a similar way to "The Triumph of Love").

      Hill will definitely become more widely appreciated as time wears on...

      5 out of 5 stars A deep, disturbing work of poetry.......2001-01-26

      Geoffrey Hill is truly a poet's poet. His work is highly intellectual, peppered with references, and tersely worded. Behind the imposing verbal front, however, one finds a vast expanse of wry, analytical intelligence and an immense compassion for his fellow man. "Speech! Speech!" is Hill's newest book, which he describes as his "Inferno"; with his usual erudition and wit (as well as a fair amount of introspection), Hill examines the state of the media in today's world, and his relationship to it. His words tear through such topics as the death of Princess Diana, the BBC in his childhood, and the prevelence of rap. "Speech! Speech!" is a volume both of dissent and of hope; at times brutally honest, unbearably ugly, it is at the same time a testament to the redeeming and timeless power of poetry.

      5 out of 5 stars Bug'rit! Millenium hand and shrimp!.......2001-01-23

      "Speech! Speech!" continues much in the mode of "The Triumph of Love": praise and lament "in different voices", a polyphonous essay into the stresses and strengths of the English language, its potential for wrought honesty as well as casual deception.

      The poem's ethical obsession is with pitch, as opposed to tone: the making and upholding, in language, of difficult distinctions as opposed to - so far as it can be held distinct from - the equitable imperative smoothing-over of disputes and differends (the "healing" snake-oil of much contemporary political rhetoric). In illustration of this, as in obedience to it, "Speech! Speech!" bristles with split hairs. The defamatory satirical genius of the poem lies in its outrageous conflations, a wit that works insidiously, like guilt, by association. But its moral animus ("animus is what I home on, even as to pitch" - section 90) is focussed on those parts of speech where one is surprised to see distinctions being made, or remade - surprised that they should (still) be thought or seen to matter.

      There are many places in the poem where it becomes difficult, important, to ascertain what is being driven at, from what angle (or angles) and with what force. So, in section 57, the speaker beckons:

      Show you something. Shakespeare's elliptical late syntax renders clear the occlusions, calls us to account...

      The reader of "Speech! Speech!" is similarly drawn to the places where Hill's elliptical verse indicates, but does not show, unaccounted-for ommissions, exclusions, losses. We are ordered to "[j]udge the distance" between generations, to take the measure of what Hill sees as the abrupt - overnight - pillage and erasure of a common heritage - "common" in a sense to be distinguished from, but not opposed to, that of "demotic". This is arguable, of course, and the poem argues with itself about it, about the meaning of "democracy" and the condescension of "the egalitarian anti-elitist SUN" (a widely-circulated British newspaper, whose language Hill parodies passim). Nevertheless, Hill seems genuinely shocked by the way that English culture has changed over the past fifty years, and is clearly contemptuous of the ability of electronic databases and the "world-surfing quote research / unquote of your average junk maestro" (cheers!) to replace the "forms of understanding, far from despicable, / and furthest now, as they are most despised" he celebrated in "The Triumph of Love" (section CXIX). His argument may be judged reactionary, but it is passionately made.

      I have found it difficult to receive the verses of "Speech! Speech!" as Hill says they were intended - as praise-songs. What is being praised is presumably the faculty the poem itself aspires to, that of fashioning a language fit for human use out of the "acoustic din" of an indifferent mass culture. Or, rather, what is both praised and petitioned by "Speech! Speech!" is that part of ourselves that might find a use for such a language, that is too proud and attentive to be satisfied with less - that is healthy enough to curse. But sheer celebratory delight (not, for once, miscalled) is achieved only in brief epiphanic flushes, as if by concession: for the most part the dominant, almost ineluctable mood of the poem is one of sadness and anger.

      "Speech! Speech!" is a poem to spend time with - more time than I have spent so far. Notice is given on the inside sleeve that it is a "tour de force", and I would not dissent from that; however, there is much about it that will not come immediately, and may not come at all until the last measures of one's own reading (such is the messianic hope of interpretation). Off you go, then...
      Ivorybill Hunters: The Search for Proof in a Flooded Wilderness
      Average customer rating: 5 out of 5 stars
      • Chasing after hope on a feather
      Ivorybill Hunters: The Search for Proof in a Flooded Wilderness
      Geoffrey E. Hill
      Manufacturer: Oxford University Press, USA
      ProductGroup: Book
      Binding: Hardcover

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      ASIN: 0195323467

      Book Description

      The last documented sighting of the Ivory-billed Woodpecker--one of the rarest and most intriguing animals in the world--was noted over 50 years ago. Long thought to be extinct, the 2005 announcement of a sighting in Arkansas sparked tremendous enthusiasm and hope that this species could yet be saved. But the subsequent failure of a massive search to relocate Ivorybills in Arkansas made hope for the species' revival short-lived. Here, noted ornithologist Geoffrey Hill tells the story of how he and two of his colleagues stumbled upon what may be a breeding population of Ivory-billed Woodpeckers in the swamps of northern Florida. He relates their laborious attempts to document irrefutable evidence for the existence of this shy, elusive bird following the failure of a much larger research team to definitively prove the bird's existence. Hill tells of his travails both in and out of the vast swamp wilderness, pulling back the curtain to reveal the little-seen political maneuvering that is part of all modern science. He explains how he and his group decided who to exclude or include a Anglais Terminale L-ES-S Broad Ways : Livre du professeur

      Anglais Terminale L-ES-S Broad Ways : Livre du professeur

      Anglais Terminale L-ES-S Broad Ways : Livre du professeur
      Authors: Collectif
      Catalog: Book
      Media: Broché
      Release Date: 01 September, 2003
      Publisher: Fernand Nathan
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      ringtone88.com ng: 4.5 out of 5 stars

      • An excellent collection that will take some digestion
      • A nobbled vernacular?
      • challenging reading; not for the timid
      NEW & COLLCTD POEMS 1952-92 CL
      Geoffrey Hill
      Manufacturer: Houghton Mifflin
      ProductGroup: Book
      Binding: Hardcover

      BritishBritish | World Literature | Literature & Fiction | Subjects | Books | 18th Century | 19th Century | 20th Century | Classics | Contemporary | General | Historical | Humor | Letters & Correspondence | Middle | Old | Poetry | Renaissance | Shakespeare | Short Stories
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      ASIN: 0395680875

      Book Description

      This volume brings together poems from four decades of Geoffrey Hill's work.

      Customer Reviews:

      5 out of 5 stars An excellent collection that will take some digestion.......2001-07-04

      Here, collected in one volume, are Geoffrey Hill's first five books of poetry (For the Unfallen, King Log, Mercian Hymns, Tenebrae, and the Mystery of the Charity of Charles Peguy), plus a few early versions of poems that later appeared in Canaan. For those who are not yet familiar with Hill's works, this would be the obvious place to start, since his last two works (Speech! Speech!, and The Triumph of Love) are both difficult book length poems, and "Canaan" is not necessarily any easier.

      Not that these poems are easy, not even the ones Hill wrote when he was 19 (like "Genesis", the opening poem of the collection). What they are is challenging, beautiful, thoughtful, at times meditative, at times lyrical, often skeptical, almost always wonderful.

      These are poems written for those who love poetry and don't mind if it's hard, who can reread a poem ten times in order to appreciate it, who have the patience to learn to read a real poet. Although this book is only 200+ pages, there is a lifetime (almost!) of reflection contained within it, from the early poems reflecting on art, responsibility, history and war in "For the Unfallen", to the funeral music of "King Log", the beautiful prose poems of "Mercian Hymns", and the deeply religious "Tenebrae".

      Give it some time. Don't judge it too quickly. Hill will certainly be remembered as one of the greatest poets of the 20th and early 21st centuries, as one who recognized the heavy responsibility of a poet in our times.

      5 out of 5 stars A nobbled vernacular?.......2000-08-21

      Or a nobbly vernacular? Perhaps a knackered vernacular. Hill's poetry speaks a language not far removed from the ordinary, right up against it even: "not strangeness, but strange likeness". Uncommonly strange. "Simple, sensuous and direct": a likely story. For "direct" read "dialect", in a poor comedian's travesty of a Chinese accent. But this is poetry that goes to the roots, by one route or another, like an underground map of the English language. There is - believe me - nothing abstract or effete about it (laughter). What you have to know to read it is how to go on reading even when you don't know what you have to know. Now go and read it.

      0 out of n readers found this review helpful.

      4 out of 5 stars challenging reading; not for the timid.......1998-01-15

      Geoffrey Hill is among the best three or four British poets of his generation. His poems are challenging: they require a strong knowledge of history, religion, and literary allusions, as well as the decipherment of thorny syntax and obscure symbolism. But to interpret these traits as weaknesses would be mistaken. One can continue to read verse in the colloquial, Blake/Wordsworth/Frost/Williams tradition ... or one can tackle poetry which requires real effort to understand it. Hill offers the latter.
      Selected Poems
      Average customer rating: Not rated
        Selected Poems
        Geoffrey Hill
        Manufacturer: Penguin
        ProductGroup: Book
        Binding: Paperback

        GeneralGeneral | Poetry | Literature & Fiction | Subjects | Books
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        ASIN: 014102500X
        Style and Faith: Essays
        Average customer rating: 4 out of 5 stars
        • Brilliant!
        • Erudite but bizarre
        • An important collection of previously published articles
        Style and Faith: Essays
        Geoffrey Hill
        Manufacturer: Counterpoint LLC
        ProductGroup: Book
        Binding: Hardcover

        GeneralGeneral | Classics | British | World Literature | Literature & Fiction | Subjects | Books
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        ASIN: 1582431078
        Release Date: 2003-05-13

        Customer Reviews:

        5 out of 5 stars Brilliant!.......2007-01-11

        John Hollander calls Hill "the finest British poet of our time." The praise is worthilly placed. He is a powerful force in the realm of literary thought, and beyond. Any souls who have read the essayist work of Dorothy Sayers or G.K Chesterton will find in these pages of Hill a literary kinship of souls. Although their ideas may differ, one can easilly imagine these three essayists gathered around the same table exchanging vigorous thoughts. Hill seems to possess the temperament of ruggedness with contemplation that is Seamus Heaney.

        Some of the previous reviewers criticized the essays as lacking coherence; they forget these are essays, not a formal treatise. The essays are Hill's look from various angles and postures of thought along one line of thought.

        As far as what one reviewer referred to as his crankiness, it is refreshing to find a contemporary writer standing firmly upon thoughts not influenced merely by the latest literary fads. In this way he is, as all the best artists, brilliantly and refreshingly original.

        3 out of 5 stars Erudite but bizarre.......2004-10-23

        I was introduced to Geoffrey Hill, both as poet and critic, by a friend whom I told of my love for 17th-century English literature. Style and Faith has Livres 62

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