Barnes, Djuna

Nightwood
Average customer rating: 3.5 out of 5 stars
  • "Fate and entanglement...have begun again."
  • Very Disappointing
  • The Night Is A Hunter
  • An elegant classic
  • baroque splendor
Nightwood
Djuna Barnes
Manufacturer: New Directions
ProductGroup: Book
Binding: Paperback

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Barnes, DjunaBarnes, Djuna | ( B ) | Authors, A-Z | Literature & Fiction | Subjects | Books
Winterson, JeanetteWinterson, Jeanette | ( W ) | Authors, A-Z | Literature & Fiction | Subjects | Books
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ASIN: 0811216713

Amazon.com

Nightwood is not only a classic of lesbian literature, but was also acknowledged by no less than T. S. Eliot as one of the great novels of the 20th century. Eliot admired Djuna Barnes' rich, evocative language. Lesbian readers will admire the exquisite craftsmanship and Barnes' penetrating insights into obsessive passion. Barnes told a friend that Nightwood was written with her own blood "while it was still running." That flowing wound was the breakup of an eight-year relationship with the lesbian love of her life.

Book Description

<B>The fiery and enigmatic masterpiece—one of the greatest novels of the Modernist era.</B><BR><BR>Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (TLS). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.<BR><BR>The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature.<BR><BR>Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

Customer Reviews:

4 out of 5 stars "Fate and entanglement...have begun again." Les bases du vocabulaire anglais : Apprendre et réviser

Les bases du vocabulaire anglais : Apprendre et réviser

Les bases du vocabulaire anglais : Apprendre et réviser
Authors: Sophie Fourcelot, Jeremy Taylor
Catalog: Book
Media: Broché
Release Date: 28 September, 2004
Publisher: Ellipses Marketing
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ringtone88.com

Barnes excels at dramatizing the failure of romantic love, especially the kind that displays active neurotic factors, elements of codependence, and spontaneous psychological transference. Those pages which detail Nora's isolation and sad obsession with her abandoning lover are deeply felt, haunting, and moving indeed.

In "The Squatter," Barnes spends an entire chapter fulfilling a personal vendetta by brilliantly depicting widow Jenny Petherbridge's status as a rapacious black hole and non - entity. Jenny is ugly ("she had a beaked head and the body, small, feeble, and ferocious, that somehow made one associate her with Judy," "only severed could any part of her been called "right"), stupid ("when anyone was witty about a contemporary event, she would look perplexed and a little dismayed"), incapable of establishing her own values ("Someone else's wedding ring was on her finger...the books in her library were other people's selections...her walls, her cupboards, her bureaux, were teeming with second - hand dealings with life...the words that fell from her mouth seemed to have been lent to her"), spiritually empty but power hungry ("she wanted to be the reason for everything and so was the cause of nothing"), and lacks poise, maturity, and dignity ("being one of those panicky little women, who, no matter what they put on, look like a child under penance," or, as O'Connor calls her, "a decaying comedy jester, the face on a fool's - stick, and with the smell about her of mouse - nests"). Barnes makes an excellent case for the argument that it is not the powerful that are to be feared, but the weak, frustrated, and incapable.

Robin the "somnambulist" is also lengthily described, largely via the use of symbols and metaphors: throughout the text, the boyish, bird - named Robin is described in animal, vegetable, and mineral terms. When first encountered, Robin, who is later recognized as a kindred spirit by a wild circus animal and a ferocious dog, is found lying unconscious in a small apartment crowded with a superabundance of plant life. Barnes describes Robin's abode as "a jungle trapped in a drawing room" and Robin as the "ration of the carnivorous flowers."

The flamboyant, limp - wristed ("his hands...he always carried like a dog who is walking on his hind legs"), dirty - kneed, rhetoric - spewing Dr. Matthew O'Connor, the book's most famous character, is a figure of high camp whom today's readers are more likely to find mildly distasteful rather than shocking. O'Connor is given an entire long chapter in which to pontificate ("Watchman, What Of The Night?"), though the chapter reflects badly on the wounded Nora, whose continuous exclamations of "But what am I to do?" and "What will become of her?" and "How will I stand it?" reduce her from the genuinely tormented human being of earlier chapters to a one - dimensional cartoon damsel in distress.

Intelligent, perceptive readers are likely to find one passage in every five that sounds profound and poetically illuminating like the others, but means absolutely nothing on careful examination (for example: "Your body is coming to it, your are forty and the body has a politic too, and a life of its own that you like to think is yours. I heard a spirit new once, but I knew it was a mystery eternally moving outward and on, and not my own.") Despite Barnes' often incredible use of language, the ultimate effect of Nightwood is one of shallowness, slickness, and almost hysterical distance from its own primary sources. When compared to other literary books written by women also primarily focused on women, such as the five novels of Jean Rhys or Muriel Spark's The Driver's Seat, Nightwood seems sketchy, brittle, and, as one critic said about Isak Dinesen's Seven Gothic Tales, seemingly more concerned with mystification than with genuine mystery. Though bold and intrepid as a beautiful young big city journalist, and later as an expatriate modernist writer living among the Parisian glitterati, Barnes closed the door on the rest of the world in very early middle age, and became a notorious New York City recluse known primarily for bitterness and explosive outbursts of anger. Readers of Nightwood, with its essential focus on theoretical, airy philosophy rather than psychological home truths, may find clues as to how Barnes's life went sorrowfully wrong.

4 out of 5 stars An elegant classic.......2003-03-22

There are few books that can be safely called classics--and out of those, fewer are as deserving of the term as Djuna Barnes' 'Nightwood'. Elegant and mesmerizing, difficult and beautiful, it is a measured and balanced work of art.

Another reviewer said this wasn't a 'celebration of lesbian love'--this much is true. What makes this book truly remarkable is that it *doesn't* set any boundaries--hearts are fickle, hearts are cruel, and every character in the novel is inflicted with his/her own brand of emotional anxiety. Barnes makes no distinction between 'lesbian' love and any other--it is as normal, and as abnormal, as any other human affection. That alone makes this book a classic (but of course, the writing too is intoxicating). In fact, what is truly surprising (to me, at least!) is that despite her exquisite elegance, Djuna Barnes manages to take such a no-nonsense approach to human emotions. She never seeks to simplify anything--and makes her work difficult for the reader in the most rewarding of ways. (I mean that she doesn't let us get away with pre-conceptions or romantic illusions. She manages to make the imperfect reality as arresting as the myth of perfection.) Most of us, in our lives, don't *really* know what we're doing, or what we feel. Barnes makes her characters real by putting them through the same confusing maelstrom of experiences--where one emotion often morphs into another--love into indifference, respect into insecurity, and so on. There are no answers--there is only endurance--endurance of others, endurance of ourselves.

I don't want to be more specific and give out details of the plot. This book has to be experienced to be believed...

5 out of 5 stars baroque splendor.......2003-01-06

barnes' prose is some of the most voluptuous language that one can find. indeed, it is bach as word. and her characters' minds are luxriously deep, and as fascinatingly convulted as those of the macbeths. few have written so convincingly and precisely about the complexity of human intimacy. she, like all great minds, recognizes that intimacy is always and ever the final frontier (this includes the campaign for intimacy with self). and o'connor's thought on the protestant imagination rivals that of any philosopher of the modern religious noodle.

this novel defines the terrain of the modern intellectual epidermis; it tickles the very pores of nuance, imploring them to dilate more widely. in it one not only meets with supple minds, one gets to see them thinking. the fugue of the post-kierkegaardian soul never sounded so like elizabethan pop. barnes' glorious, incisive mind weds donne with henry james.

perhaps this book is not for tourist of literature. i dunno. don't care.
Creatures in an Alphabet
Average customer rating: Not rated
    Creatures in an Alphabet
    Djuna Barnes
    Manufacturer: Dial Press
    ProductGroup: Book
    Binding: Hardcover

    20th Century20th Century | Poetry | United States | World Literature | Literature & Fiction | Subjects | Books
    GeneralGeneral | Poetry | United States | World Literature | Literature & Fiction | Subjects | Books
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    ASIN: 0385277970
    Nightwood
    Average customer rating: Not rated
      Nightwood
      Djuna; Eliot T.S. (introduction) Barnes
      Manufacturer: 1961 New Directions paperback no. 98 Good condition. PB-32
      ProductGroup: Book
      Binding: Paperback
      ASIN: B000LENHA0
      Selected works: Spillway; The antiphon; Nightwood
      Average customer rating: Not rated
        Selected works: Spillway; The antiphon; Nightwood
        Djuna Barnes
        Manufacturer: Farrar, Straus and Cudahy
        ProductGroup: Book
        Binding: Unknown Binding

        United StatesUnited States | World Literature | Literature & Fiction | Subjects | Books | 18th Century | 1 Anglais BEP New Goals. Guide pédagogique

        Anglais BEP New Goals. Guide pédagogique

        Anglais BEP New Goals. Guide pédagogique
        Authors: Patrick Aubriet, Annick Billaud, Béatrice Léonori, Marie-Thérèse Kowalczyk
        Catalog: Book
        Media: Broché
        Release Date: 27 September, 2004
        Publisher: Foucher
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        Livres

        ringtone88.com of a very special woman's heart. I found these poems to be quite touching and thought provoking. I highly recommend it.
        Ryder
        Average customer rating: 5 out of 5 stars
        • an astonishing writer
        • A Great Achievement
        Ryder
        Djuna Barnes
        Manufacturer: Dalkey Archive Press
        ProductGroup: Book
        Binding: Paperback

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        Barnes, DjunaBarnes, Djuna | ( B ) | Authors, A-Z | Literature & Fiction | Subjects | Books
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        ASIN: 0916583554

        Book Description

        Barnes's extraordinary first novel, illustrated

        Customer Reviews:

        5 out of 5 stars an astonishing writer.......2006-09-23

        It wasn't only T.S. Eliot who described Djuna Barnes's style as Elizabethan. (Though the poet Marie Ponsot has described her as Jacobean.) What period could encompass this twentieth century writer's talent for casting spells both psychological and atmospheric? I've never read anyone quite like her. If only James Joyce had been a little more talented, he might have been Barnesian--but few of us know this; join us!

        5 out of 5 stars A Great Achievement.......1999-07-05

        This is an amazing work. A mostly autobiographical parody, Barnes uses Ryder as sort of a twisted extended metaphor for the rest of the world. The beautiful and inventive prose, though often obscure, illustrates the life of the Ryder family poignantly and indignantly. Written in various styles, the book is bound to touch each and every reader.
        The Selected Works of Djuna Barnes
        Average customer rating: Not rated
          The Selected Works of Djuna Barnes
          Djuna Barnes
          Manufacturer: Faber and Faber
          ProductGroup: Book
          Binding: Paperback

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          ASIN: 0571193919
          Collected Poems: With Notes Toward the Memoirs
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            Collected Poems: With Notes Toward the Memoirs
            Djuna Barnes
            Manufacturer: University of Wisconsin Press
            ProductGroup: Book
            Binding: Paperback

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            GeneralGeneral | Biographies & Memoirs | Gay & Lesbian | Subjects | Books
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            ASIN: 0299212343

            Book Description

            This groundbreaking edition compiles many of the late unpublished works of American writer Djuna Barnes (1892–1982). Because she published only seven poems and a play during the last forty years of her life, scholars believed Barnes wrote almost nothing during this period. But at the time of her death her apartment was filled with multiple drafts of unpublished poetry and notes toward her memoirs, both included here for the first time. Best known for her tragic lesbian novel Nightwood, Barnes has always been considered a crucial modernist. Her later poetry will only enhance this reputation as it shows her remarkable evolution from a competent young writer to a deeply intellectual poet in the metaphysical tradition. With the full force of her biting wit and dramatic flair, Barnes’s autobiographical notes describe the expatriate scene in Paris during the 1920s, including her interactions with James Joyce and Gertrude Stein and her intimate recollections of T. S. Eliot. These memoirs provide a rare opportunity to experience the intense personality of this complex and fascinating poet.
            Nightwood ; Ladies almanack (Triangle classics)
            Average customer rating: Not rated
              Nightwood ; Ladies almanack (Triangle classics)
              Djuna Barnes
              Manufacturer: Quality Paperback Book Club
              ProductGroup: Book
              Dictionnaire d'éthique et de philosophie morale : Coffret 2 volumes

              Dictionnaire d'éthique et de philosophie morale : Coffret 2 volumes

              Dictionnaire d'éthique et de philosophie morale : Coffret 2 volumes
              Authors: Monique Canto-Sperber, Collectif
              Catalog: Book
              Media: Broché
              Release Date: 24 September, 2004
              Publisher: Presses Universitaires de France - PUF
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